Author: Graham Linehan Publisher: Samuel French Limited ISBN: 9780573112256 Category : Comedy films Languages : en Pages : 80
Book Description
'The Ladykillers' is a classic black comedy; a sweet little old lady, alone in her house, is pitted against a gang of criminal misfits who will stop at nothing.
Author: Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
Marva Munson is a spry, elderly woman who is looking for a tenant for the spare room in her house. Goldthwait H. Dorr moves in and gains Munson's permission to use the basement for rehearsals with his "medieval music ensemble." Dorr is masterminding the robbery of a riverboat casino, and the fellow musicians in his ensemble are actually the crew he's assembled to pull off the job. Despite their best efforts, Munson finds out about their scheme and Dorr decides the best solution is to silence her permanently. Based upon the novel "The ladykillers" written by William Rose. Originally released as a motion picture in 2004.
Author: Erica Rowell Publisher: Scarecrow Press ISBN: 146166408X Category : Performing Arts Languages : en Pages : 392
Book Description
In 1984 Joel and Ethan Coen burst onto the art-house film scene with their neo-noir Blood Simple and ever since then they have sharpened the cutting edge of independent film. Blending black humor and violence with unconventional narrative twists, their acclaimed movies evoke highly charged worlds of passion, absurdity, nightmare realms, and petty human failures, all the while revealing the filmmakers' penchant for visual jokes and bravura technical strokes. Their central characters may be blind to reality and individual flaws, but their illusions, dreams, fears, and desires map the boundaries of their worlds—worlds made stunningly memorable by the Coens. In The Brothers Grim: The Films of Ethan and Joel Coen, Erica Rowell unmasks the filmmakers as prankster mythmakers exploiting and subverting universal storytelling modes to further what seems to be their artistic agenda: to elicit laughs. Often employing satire and allegory, the Coens' movies hold a mirror up to American society, allowing viewers to both chuckle and gasp at its absurdities, hypocrisies, and foibles. From business partnerships (Blood Simple, The Ladykillers) to marriage (Intolerable Cruelty) to friendship and ethics (Miller's Crossing), the breakdowns of relationships are a steady focus in their work. Often the Coens' satires put broken social institutions in their cinematic crosshairs, exposing cracks in ineffective penal systems (Raising Arizona; O Brother, Where Art Thou?), unjust justice systems (The Man Who Wasn't There), a crooked corporate America (The Hudsucker Proxy), unnecessary wars (The Big Lebowski), a tyrannical Hollywood (Barton Fink), and the unbridled, fatuous pursuit of the American Dream (Fargo). While audiences may be excused for missing the duo's social commentary, the depth and breadth of the brothers' films bespeak an intelligence and cultural acuity that is rich, highly topical, and hard to pigeonhole.
Author: J.R. Roberts Publisher: Speaking Volumes ISBN: 1612325718 Category : Fiction Languages : en Pages : 195
Book Description
BAD THINGS HAPPEN IN THREES... Clint thought visiting his friend on peaceful Mackinac Island would be the perfect vacation. After all, what trouble could follow him to the middle of a lake? But trouble always finds the Gunsmith... And this time, it's a serial killer. There's a whole slew of suspects...the loner, the millionaire, and the entire sanitorium. But there's only one lead: The killer takes three victims a year—and they're all women. Clint and Chief Stewart are searching every inch of the island until justice is served...straight from the end of a barrel!
Author: Jesse Gerlach Ulmer Publisher: McFarland ISBN: 147665042X Category : Performing Arts Languages : en Pages : 193
Book Description
For more than three decades, Joel and Ethan Coen have produced some of the most memorable and influential American roots music soundtracks in film history. From Raising Arizona (1987) to O Brother, Where Art Thou? (2000) to Inside Llewyn Davis (2013), the Coens, along with musical archivist and producer T-Bone Burnett, have curated half-forgotten yet unforgettable genres, artists and songs from America's cultural past for new audiences. This book is the first devoted to giving a full account of this rich cinematic legacy.
Author: Christine Geraghty Publisher: Routledge ISBN: 1134694644 Category : Performing Arts Languages : en Pages : 248
Book Description
In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.
Author: Jenny Jones Publisher: Voyageur Press ISBN: 1610586522 Category : Performing Arts Languages : en Pages : 217
Book Description
Whether contending with nihilists, botching a kidnapping pay-off, watching as his beloved rug is micturated upon, or simply bowling and drinking Caucasians, the Dude—or El Duderino if you’re not into the whole brevity thing—abides. As embodied by Jeff Bridges, the main character of the 1998 Coen brothers’ film The Big Lebowski is a modern hero who has inspired festivals, burlesque interpretations, and even a religion (Dudeism). Film author and curator Jenny M. Jones tells the full story of the Dude, from how the Coen brothers came up with the idea for a modern LA noir to never-been-told anecdotes about the film’s production, its critical and commercial reception, and, finally, how it came to be such an international cult hit. Achievers, as Lebowski fans call themselves, will discover many hidden truths, including why it is that Walter Sobchak (John Goodman) is so obsessed with Vietnam, what makes Theodore Donald “Donny” Kerabatsos (Steve Buscemi) so confused all the time, how the film defies genre, and what unexpected surprise Bridges got during filming of the Gutterballs dream sequence. (Hint: it involved curly wigs and a gurney.) Interspersed throughout are sidebars, interviews with members of the film’s cast and crew, scene breakdowns, guest essays by prominent experts on Lebowski language, music, filmmaking techniques, and more, and hundreds of photographs—including many of artwork inspired by the film.
Author: Jeffrey Adams Publisher: Columbia University Press ISBN: 0231850816 Category : Performing Arts Languages : en Pages : 432
Book Description
The films of the Coen brothers have become a contemporary cultural phenomenon. Highly acclaimed and commercially successful, over the years their movies have attracted increasingly larger audiences and spawned a subculture of dedicated fans. Shunning fame and celebrity, Ethan and Joel Coen remain maverick filmmakers, producing and directing independent films outside the Hollywood mainstream in a unique style combining classic genres like film noir with black comedy to tell off-beat stories about America and the American Dream. This study surveys Oscar-winning films, such as Fargo (1996) and No Country for Old Men (2007), as well as cult favorites, including O Brother, Where Art Thou? (2000) and The Big Lebowski (1998). Beginning with Blood Simple (1984), it examines major themes and generic constructs and offers diverse approaches to the Coens' enigmatic films. Pointing to the pulp fiction of Dashiell Hammett, James M. Cain, and Raymond Chandler, the study appreciates the postmodern aesthetics of the Coens' intertextual creativity.
Author: Graham Linehan
Author: 
Author: Bobbie Jacobson
Author: Erica Rowell
Author: J.R. Roberts
Author: Jesse Gerlach Ulmer
Author: Christine Geraghty
Author: Roger Lewis
Author: Jenny Jones
Author: Jeffrey Adams