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The Language of Flowers with Illustrative Poetry

Author: Frederic Shoberl
Publisher:
ISBN:
Category : Flower language
Languages : en
Pages : 406

Book Description

The Language of Flowers with Illustrative Poetry

Author: Frederic Shoberl
Publisher:
ISBN:
Category : Flower language
Languages : en
Pages : 406

Book Description

The Language of Flowers

Author: Frederic Shoberl
Publisher:
ISBN:
Category : Flower language
Languages : en
Pages : 414

Book Description

The Language of Flowers

Author: Frederic Shoberl
Publisher:
ISBN:
Category : Flower language
Languages : en
Pages : 362

Book Description

The Language of Flowers [microform]

Author: Frederic 1775-1853 Ed Shoberl
Publisher: Legare Street Press
ISBN: 9781013390685
Category :
Languages : en
Pages : 198

Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Language of Flowers

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104

Book Description

The Language of Flowers, With Illustrative Poetry

Author:
Publisher: Forgotten Books
ISBN: 9781333879433
Category : Poetry
Languages : en
Pages : 384

Book Description
Excerpt from The Language of Flowers, With Illustrative Poetry: To Which Is Now First Added, the Calendar of Flowers But little study will be requisite for the science which we teach. Nature has been before us. We must, however, premise two or three rules. When a ower is presented in its natural position, the senti ment is to be understood affirmatively; when re versed, negatively. For instance, a rose-bud, with its leaves and thorns, indicates fear with hope but, if reversed, it must be construed as saying you may neither fear nor hope. Again, divest the same rose-bud of its thorns, and it permits the most sanguine hope; deprive it of its petals, and retain the thorns, and the worst fears may be entertained. The expression of every ower may be thus varied by varying its state or position. The Marigold is emblematical of pain; place it on the head and it signifies trouble of mind; on the heart, the pangs of love; on the bosom, the disgusts of ennui. The pronoun I is expressed by inclining the symbol to the right, and the pronoun than by inclining it to the left. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

The Language of Flowers

Author: Beverly Seaton
Publisher: University of Virginia Press
ISBN: 9780813934532
Category : Literary Criticism
Languages : en
Pages : 258

Book Description
The author traces the phenomenon of ascribing sentimental meaning to floral imagery from its beginnings in Napoleonic France through its later transformations in England and America. At the heart of the book is a depiction of what the three most important flower books from each of the countries divulge about the period and the respective cultures. Seaton shows that the language of flowers was not a single and universally understood correlation of flowers to meanings that men and women used to communicate in matters of love and romance. The language differs from book to book, country to country. To place the language of flowers in social and literary perspective, the author examines the nineteenth-century uses of flowers in everyday life and in ceremonies and rituals and provides a brief history of floral symbolism. She also discusses the sentimental flower book, a genre especially intended for female readers. Two especially valuable features of the book are its table of correlations of flowers and their meanings from different sourcebooks and its complete bibliography of language of flower titles. This book will appeal not only to scholars in Victorian studies and women's studies but also to art historians, book collectors, museum curators, historians of horticulture, and anyone interested in nineteenth-century popular culture.