Author: Macha Louis RosenthalPublisher: New York : Oxford University Press
ISBN:
Category : American poetry
Languages : en
Pages : 536
Book Description
The Modern Poetic Sequence
Author: Macha Louis RosenthalPublisher: New York : Oxford University Press
ISBN:
Category : American poetry
Languages : en
Pages : 536
Book Description
Anthology of Modern American Poetry
Author: Cary NelsonPublisher: Oxford University Press, USA
ISBN: 9780195122718
Category : Poetry
Languages : en
Pages : 1249
Book Description
Bringing together over 100 years of creative and vital American poetry in one volume, Anthology of Modern American Poetry includes over 750 poems by 161 American poets ranging from Walt Whitman to Sherman Alexie. It represents not only the traditionally familiar poetic works of the last hundred years but also includes numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. It is also the first anthology to give full treatment to American long poems and poetic sequences.
The Chinese Lyric Sequence
Author: JOSEPH R. ALLENPublisher:
ISBN: 9781621964780
Category :
Languages : en
Pages : 412
Book Description
This study looks at a nearly invisible Chinese literary form in a comparative perspective by bringing one type of artifactuality (academic inquiry in English) to bear on a very different sort (Chinese lyricism), thereby illuminating the dynamics of the latter in the cross-light of the former.
Intentionality and the New Traditionalism
Author: John T. ShawcrossPublisher: Penn State Press
ISBN: 0271041013
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
Running to Paradise
Author: Macha Louis RosenthalPublisher: Oxford University Press, USA
ISBN: 0195113918
Category : Modernism (Literature)
Languages : en
Pages : 379
Book Description
In Running to Paradise, M.L. Rosenthal, hailed by the Times Literary Supplement as "one of the most important critics of twentieth-century poetry," leads us through the lyric poetry and poetic drama of our century's greatest poet in English. His readings shed new, vivid light on Yeats's daring uses of tradition, his love poetry, and the way he faced the often tragic realities of revolution and civil war. Running to Paradise describes Yeats's whole effort--sometimes leavened by wild humor--to convey, with high poetic integrity, his passionate sense of his own life and of his chaotic era. Himself a noted poet, Rosenthal stresses Yeats's artistry and psychological candor. The book ranges from his early exquisite lyrical poems and folklore-rooted plays, through the tougher-minded, more confessional mature work (including the sublime achievement of The Tower), and then to the sometimes "mad" yet often brilliant tragic or comic writing of his last years. Quoting extensively from Yeats, Rosenthal charts the gathering force with which the poet confronted his major life-issues: his art's demands, his persistent but hopeless love for one woman, the complexities of marriage to another woman at age 52, and his distress during Ireland's "Troubles." Yeats's deep absorption in female sensibility, in the cycles of history and human thought, and in supernaturalism and "the dead" comes strongly into play as well.
Modern Love
Author: George MeredithThe New American Poetry
Author: John R. WoznickiPublisher: Rowman & Littlefield
ISBN: 1611461251
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
The New American Poetry: Fifty Years Later is a collection of critical essays on Donald Allen’s 1960 seminal anthology, The New American Poetry, an anthology that Marjorie Perloff once called “the fountainhead of radical American poetics.” The New American Poetry is referred to in every literary history of post-World War II American poetry. Allen’s anthology has reached its fiftieth anniversary, providing a unique time for reflection and reevaluation of this preeminent collection. As we know, Allen’s anthology was groundbreaking—it was the first to distribute widely the poetry and theoretical positions of poets such as Charles Olson, Allen Ginsberg and the Beats, and it was the first to categorize these poets by the schools (Black Mountain, New York School, San Francisco Renaissance, and the Beats) by which they are known today. Over the course of fifty years, this categorization of poets into schools has become one of the major, if not only way, that The New American Poetry is remembered or valued; one certain goal of this volume, as one reviewer invites, is to “pry The New American Poetry out from the hoary platitudes that have encrusted it.” To this point critics mostly have examined The New American Poetry as an anthology; former treatments of The New American Poetry look at it intently as a whole. Though the almost singularly-focused study of its construction and, less often, reception has lent a great deal of documented, highly visible and debated material in which to consider, we have been left with certain notions about its relevance that have become imbued ultimately in the collective critical consciousness of postmodernity. This volume, however, goes beyond the analysis of construction and reception and achieves something distinctive, extendingthose former treatments by treading on the paths they create. This volume aims to discover another sense of “radical” that Perloff articulated—rather than a radical that departs markedly from the usual, we invite consideration of The New American Poetry that isradical in the sense of root, of harboring something fundamental, something inherent, as we uncover and trace further elements correlated with its widespread influence over the last fifty years.
The Cambridge Companion to Modern American Poetry
Author: Walter KalaidjianPublisher: Cambridge University Press
ISBN: 1316194671
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
The Cambridge Companion to Modern American Poetry comprises original essays by eighteen distinguished scholars. It offers a critical overview of major and emerging American poets of the twentieth century, in addition to critical accounts of the representative schools, movements, regional settings, archival resources, and critical reception that define modern American poetry. The Companion stretches the narrow term of 'literary modernism' - which encompasses works published from approximately 1890 to 1945 - to include a more capacious and usable account of American poetry's evolution from the twentieth century to the present. The essays collected here seek to account for modern American verse against the contexts of broad political, social, and cultural fields and forces. This volume gathers together major voices that represent the best in contemporary critical approaches and methods.
The Implosion of Negativity
Author: Andreas HauPublisher: BoD – Books on Demand
ISBN: 3839144329
Category : American poetry
Languages : en
Pages : 326
Book Description
Dissertation im Fachbereich Nordamerikanische Literatur und Kultur der Universität des Saarlandes. The Implosion of Negativity ist die erste Monografie zu Paul Austers Frühwerk. Bis 1980 betätigte sich Auster zehn Jahre lang fast ausschließlich als Lyriker, um danach nie wieder ein Gedicht zu veröffentlichen. The Implosion of Negativity versucht zu ergründen, wie es zu diesem Bruch kam, und analysiert detailliert Austers poetisches Vorleben. Dabei werden bislang unbeachtete Einflüsse wie Martin Buber und Paul Celan zutage gefördert. Die abschließende Untersuchung von The New York Trilogy zeigt exemplarisch, welche neuen interpretatorischen Ansätze die Kenntnis von Austers vergessenem Frühwerk ermöglicht: Der untote Lyriker wird zum Phantom, das unablässig Austers Romane heimsucht - und antreibt. Die Dissertation The Implosion of Negativity ist in englischer Sprache verfasst. Der Anhang enthält eine deutsche Zusammenfassung, eine umfassende Bibliographie und ein persönliches Interview mit Paul Auster. Englischer Klappentext: For most readers and critics Paul Auster's oeuvre begins with The New York Trilogy, yet his major success as a novelist was preceded by a decade of almost obsessive devotion to poetry. The Implosion of Negativity is the first book-length study of Paul Auster's early work. From his dense, intensely lyric sequences of the early 1970s to the more discursive style of Auster's final book of poems, Facing the Music (1980), and on to his experimental prose of the early eighties, The Implosion of Negativity traces a fascinating journey through the author's formative years. Andreas Hau's dissertation begins with a detailed analysis of Auster's early long poem "Unearth", examines overlooked influences such as Paul Celan and Martin Buber, and continues with Auster's exploration of his Jewish heritage in Wall Writing, his rediscovery of the American objectivists in "Disappearances", and his encounters with the visual arts in Fragments from Cold. Subsequent
American Poets and Poetry [2 volumes]
![American Poets and Poetry [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/1ajOEAAAQBAJ?fife=w80-h100)
Author: Jeffrey GrayPublisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 823
Book Description
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.