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Author: Robert Barry Publisher: Watkins Media Limited ISBN: 1910924873 Category : Music Languages : en Pages : 184
Book Description
The Music of the Future is not a book of predictions or speculations about how to save the music business or the bleeding edge of technologies. Rather, it's a history of failures, mapping 200 years of attempts by composers, performers and critics to imagine a future for music. Encompassing utopian dream cities, temporal dislocations and projects for the emancipation of all sounds, The Music of the Future is in the end a call to arms for everyone engaged in music: "to fail again, fail better."
Author: Robert Barry Publisher: Watkins Media Limited ISBN: 1910924873 Category : Music Languages : en Pages : 184
Book Description
The Music of the Future is not a book of predictions or speculations about how to save the music business or the bleeding edge of technologies. Rather, it's a history of failures, mapping 200 years of attempts by composers, performers and critics to imagine a future for music. Encompassing utopian dream cities, temporal dislocations and projects for the emancipation of all sounds, The Music of the Future is in the end a call to arms for everyone engaged in music: "to fail again, fail better."
Author: Guerino Mazzola Publisher: Springer Nature ISBN: 3030397092 Category : Mathematics Languages : en Pages : 237
Book Description
The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.
Author: Steve Gordon Publisher: backbeat books ISBN: 9780879308445 Category : Business & Economics Languages : en Pages : 296
Book Description
Aimed at songwriters, recording artists, and music entrepreneurs, this text explains the basics of digital music law. Entertainment attorney Gordon offers practical tips for online endeavors such as selling song downloads or creating an Internet radio station. Other topics include (for example) web site building, promoting through peer-to-peer networks, etc.
Author: Frank Tenaille Publisher: Chicago Review Press ISBN: 1556524501 Category : Musicians Languages : en Pages : 321
Book Description
Tells the story of African popular music, or Afropop, and its relationship to Africa's social and political milieu over the past 50 years, by presenting in-depth portraits of thirty important African musicians.
Author: David Kusek Publisher: Berklee Press Publications ISBN: Category : Business & Economics Languages : en Pages : 216
Book Description
From the Music Research Institute at Berklee College of Music comes a manifesto for the ongoing music revolution. Today the record companies may be hurting, but the music making business is booming, using non-traditional digital methods and distribution models. This book explains why we got where we are and where we are heading. Kusek and Leonhard foresee the disappearance of CDs and record stores as we know them in the next decade. For the iPod, downloading market, this book will explain new ways of discovering music, new ways of acquiring it and how technology trends will make music "flow like water", benefiting the people who love music and make music.
Author: Russ Hepworth-Sawyer Publisher: CRC Press ISBN: 1000283674 Category : Music Languages : en Pages : 490
Book Description
Innovation in Music: Future Opportunities brings together cutting-edge research on new innovations in the field of music production, technology, performance and business. Including contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on a range of topics from cybersecurity, to accessible music technology, performance techniques and the role of talent shows within music business. Innovation in Music: Future Opportunities is the perfect companion for professionals and researchers alike with an interest in the music industry.
Author: Uwe Schütte Publisher: Penguin UK ISBN: 0241320550 Category : Music Languages : en Pages : 336
Book Description
The story of the phenomenon that is Kraftwerk, and how they revolutionised our cultural landscape 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, expermenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.
Author: Derek Beres Publisher: iUniverse ISBN: 0595348998 Category : World music Languages : en Pages : 288
Book Description
Global Beat Fusion The History of the Future of Music Words & Pix by Derek Beres Foreword by Ajay Naidu "Derek Beres is part reporter and part prophet standing in the middle of the eye of the World Music storm that is raining new musical genres on the Earth today, each one fused by the love of song and spirit." -Krishna Das, kirtan artist "I met Derek Beres as a writer interested in shedding light on what was happening in the world of future music. I know him now as a major force pushing this scene in all directions. He has gone so far deep inside that he has become exactly what he writes about. He will forget to write one chapter of this book and that is the one about himself." -Karsh Kale, tabla player/DJ/producer "Derek Beres is a modern-day shaman. He knows new hybrids of electronic and non-Western music deliver the same ecstatic release as ancient tribal rituals of so-called primitive societies, and that the implications go far beyond an ambient groove. For Beres, the fusion of technology and ritual, the reconciliation of mind, body and spirit that electronic world music represents, is not just the cutting edge of modern entertainment but the early stages of a numinous revolution in American culture. In Global Beat Fusion he explains why music is the new religion, and how, in one sense or another, we are all destined to become believers." -Guy Garcia, author of The New Mainstream: How the Multicultural Consumer is Transforming American Business For exclusive interviews, pictures, events artist info and more visit www.globalbeatfusion.com Cover artwork by Craig Anthony Miller www.craiganthonymiller.com Outside the Box Publishing www.otbpublishing.com
Author: Adam Gussow Publisher: UNC Press Books ISBN: 1469660377 Category : Music Languages : en Pages : 333
Book Description
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
Author: Robert Barry
Author: Robert Barry
Author: Francis Hueffer
Author: Guerino Mazzola
Author: Steve Gordon
Author: Frank Tenaille
Author: David Kusek
Author: Russ Hepworth-Sawyer
Author: Uwe Schütte
Author: Derek Beres
Author: Adam Gussow