The Narrative Construction of the Female Body in the British Novel of the 19th Century PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Narrative Construction of the Female Body in the British Novel of the 19th Century PDF full book. Access full book title The Narrative Construction of the Female Body in the British Novel of the 19th Century by Dagmar Hecher. Download full books in PDF and EPUB format.
Author: Dagmar Hecher Publisher: GRIN Verlag ISBN: 3638705358 Category : Discourse analysis, Narrative Languages : en Pages : 141
Book Description
Diploma Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Vienna (Institut für Anglistik und Amerikanistk), language: English, abstract: Based on a variety of social and cultural confinements regarding the depiction of certain parts of the female body in literature, 19th century British novelists had to concentrate on those bodily attributes of women which were considered proper and decent to be displayed in writing. Answering the social rules prohibiting the public exhibition of female passions and feelings, such as sexual arousal, love or wrath, authors turned to methods of substituting the direct reference to those very emotions, thereby employing the parts of the female body they could with a clear conscience depict in their interpretations. This method of illustrating the female body in connection with women's emotional state is going to be discussed on the basis of Jane Austen's novels Sense and Sensibility and Pride and Prejudice, Charlotte Brontё's Jane Eyre and the short novel Daisy Miller by Henry James. A prominent feature of 19th century literature, used to demonstrate the interdependency of mind and body, is illness. The body suffering from physical as well as mental diseases is frequently instrumentalized by novelists as a messenger delivering information about a person's emotional condition. Additionally, 19th century authors tend to use illness as a starting point for character and plot changes as well as romantic relationships between men and women, and refer to a character's sickness as his or her lawful punishment for improper conduct. One of the most important tools for novelists in revealing their characters' thoughts and emotions is the female complexion. Frequently subject to blushing or turning pale, the female face functions as an apt communicator of a woman's mind and heart. A blush can uncover a character's romantic affections, embarrassment, guilty conscience, exciteme
Author: Dagmar Hecher Publisher: GRIN Verlag ISBN: 3638705358 Category : Discourse analysis, Narrative Languages : en Pages : 141
Book Description
Diploma Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Vienna (Institut für Anglistik und Amerikanistk), language: English, abstract: Based on a variety of social and cultural confinements regarding the depiction of certain parts of the female body in literature, 19th century British novelists had to concentrate on those bodily attributes of women which were considered proper and decent to be displayed in writing. Answering the social rules prohibiting the public exhibition of female passions and feelings, such as sexual arousal, love or wrath, authors turned to methods of substituting the direct reference to those very emotions, thereby employing the parts of the female body they could with a clear conscience depict in their interpretations. This method of illustrating the female body in connection with women's emotional state is going to be discussed on the basis of Jane Austen's novels Sense and Sensibility and Pride and Prejudice, Charlotte Brontё's Jane Eyre and the short novel Daisy Miller by Henry James. A prominent feature of 19th century literature, used to demonstrate the interdependency of mind and body, is illness. The body suffering from physical as well as mental diseases is frequently instrumentalized by novelists as a messenger delivering information about a person's emotional condition. Additionally, 19th century authors tend to use illness as a starting point for character and plot changes as well as romantic relationships between men and women, and refer to a character's sickness as his or her lawful punishment for improper conduct. One of the most important tools for novelists in revealing their characters' thoughts and emotions is the female complexion. Frequently subject to blushing or turning pale, the female face functions as an apt communicator of a woman's mind and heart. A blush can uncover a character's romantic affections, embarrassment, guilty conscience, exciteme
Author: Dagmar Hecher Publisher: GRIN Verlag ISBN: 3638623297 Category : Literary Criticism Languages : en Pages : 133
Book Description
Diploma Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Vienna (Institut für Anglistik und Amerikanistk), 30 entries in the bibliography, language: English, abstract: Based on a variety of social and cultural confinements regarding the depiction of certain parts of the female body in literature, 19th century British novelists had to concentrate on those bodily attributes of women which were considered proper and decent to be displayed in writing. Answering the social rules prohibiting the public exhibition of female passions and feelings, such as sexual arousal, love or wrath, authors turned to methods of substituting the direct reference to those very emotions, thereby employing the parts of the female body they could with a clear conscience depict in their interpretations. This method of illustrating the female body in connection with women’s emotional state is going to be discussed on the basis of Jane Austen’s novels Sense and Sensibility and Pride and Prejudice, Charlotte Brontё’s Jane Eyre and the short novel Daisy Miller by Henry James. A prominent feature of 19th century literature, used to demonstrate the interdependency of mind and body, is illness. The body suffering from physical as well as mental diseases is frequently instrumentalized by novelists as a messenger delivering information about a person’s emotional condition. Additionally, 19th century authors tend to use illness as a starting point for character and plot changes as well as romantic relationships between men and women, and refer to a character’s sickness as his or her lawful punishment for improper conduct. One of the most important tools for novelists in revealing their characters’ thoughts and emotions is the female complexion. Frequently subject to blushing or turning pale, the female face functions as an apt communicator of a woman’s mind and heart. A blush can uncover a character’s romantic affections, embarrassment, guilty conscience, excitement or anger, and can be seen as an indicator of a woman’s awareness of incorrect conduct. Paleness often reflects a character’s shock or despair and is attributed to poor health. Amongst others, these factors, supported by a thorough introduction to the social, cultural and political backgrounds of the three concerned novelists, shall be discussed and interpreted in the course of this thesis.
Author: Alison A. Case Publisher: University of Virginia Press ISBN: 9780813918952 Category : Literary Criticism Languages : en Pages : 223
Book Description
"Alison A. Case identifies a convention of "feminine narration" characterized by the exclusion of the female narrator from shaping her experience into a coherent, meaningful, and authoritative story. Instead, male narrator steps in to shape the narrative either within the text or in a pseudoeditorial frame
Author: Sondra Archimedes Publisher: Routledge ISBN: 113592290X Category : Literary Criticism Languages : en Pages : 210
Book Description
Gendered Pathologies examines nineteenth-century literary representations of the pathologized female body in relation to biomedical discourses about gender and society in Victorian England. According to medical and scientific views of the period, the woman who did not conform to the dictates of gender ideology was, biologically speaking, aberrant: a deviation from the norm. Yet, although marginalized in a social sense, the "deviant" woman was central as a literary and cultural trope. Analyzing novels by Charles Dickens, H. Rider Haggard, and Thomas Hardy alongside Foucault's notion of perverse sexualities and Herbert Spencer's model of the social organism, Archimedes argues that the pathologized female body displaces or resolves, on a narrative level, larger cultural anxieties about the health of the British as a species. While earlier feminist investigations asserted that bourgeois ideology helped to construct scientific discourses about female sexuality and social behavior, this study takes these assertions as a starting point . Examining incest, racial stereotyping, and neurasthenia, Gendered Pathologies attempts to shed light on the ways in which biological thinking permeated British culture in the second half of the nineteenth century.
Author: Katherine Binhammer Publisher: Cambridge University Press ISBN: 113948172X Category : Literary Criticism Languages : en Pages : 255
Book Description
Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies.
Author: Raymond F. Hilliard Publisher: Bucknell University Press ISBN: 0838757502 Category : Literary Criticism Languages : en Pages : 317
Book Description
This challenging book brings to light a mythic dimension of seventeen important eighteenth and early nineteenth-century narratives that revolve around the persecution of one or more important female characters, and offers original reading of novels by Richardson, Fielding, Burney, Radcliffe, Godwin, Austen, Scott, and others. The myth in question, which Raymond Hilliard calls "the myth of persecution and reparation," serves as a major vehicle for the early novel's preoccupation with the "mother," a mythic figure distinct from the historical mother or from the mother as she is represented in eighteenth- and early nineteenth-century maternal ideology. Hilliard argues that the myth of persecution and reparation derives from the ropos of female sacrifice in the romance tradition, and shows that this topos is central to several kinds of novels-realist, Gothic, Jacobin, feminist, and historical. Hilliard contends that the narrative of persecution and reparation anticipates the twentieth-century maternal myth associated with the work of Melanie Klein and other "relational model" psychoanalytic theorists, and he thus also examines the psychosexual significance of the "mother." Hilliard explores the relation of psychosexual themes to social representations, and delineates a new theory of plot-both tragic and comic plots- in the early novel. --Book Jacket.
Author: Monika Pietrzak-Franger Publisher: Springer ISBN: 3319495356 Category : Literary Criticism Languages : en Pages : 339
Book Description
This book addresses the evident but unexplored intertwining of visibility and invisibility in the discourses around syphilis. A rethinking of the disease with reference to its ambiguous status, and the ways of seeing that it generated, helps reconsider the network of socio-cultural and political interrelations which were negotiated through syphilis, thereby also raising larger questions about its function in the construction of individual, national and imperial identities. This book is the first large-scale interdisciplinary study of syphilis in late Victorian Britain whose significance lies in its unprecedented attention to the multimedia and multi-discursive evocations of syphilis. An examination of the heterogeneous sources that it offers, many of which have up to this point escaped critical attention, makes it possible to reveal the complex and poly-ideological reasons for the activation of syphilis imagery and its symbolic function in late Victorian culture.
Author: Sarah Borree Publisher: Taylor & Francis ISBN: 1000898628 Category : Architecture Languages : en Pages : 192
Book Description
Metaphors are diversly and intricately embedded in architectural practice and discourse. Precisely for this reason, this volume argues and sets out to explore, how they can be engaged to critically interrogate architecture’s social, cultural and political dimensions – past and present – and to productively challenge and intervene with established perspectives, debates and practices. Mapping out not just potentials but also addressing the challenges, limitations and dangers inherent in using metaphors in architectural research and practice, the volume prominently illustrates the ambiguity and contradictoriness inherent in both metaphors and the process of engaging and exploiting them. Covering a broad range of historical and geographical cases and concerns, the contributions illustrate effectively that metaphors can expand or narrow our engagement with architecture, and consolidate or legitimise but also destabilise and challenge established social, cultural, disciplinary and political structures, concepts and categories. With its aim to explore metaphors as both subject and method to critically challenge and expand established practices, perspectives and standards in architectural research and practice, the volume will be of interest for scholars working across the architectural humanities, including architectural history, theory, culture, design and urbanism, as well as for researchers concerned with architecture and the city from fields such as cultural, visual and area studies as well as art history.
Author: Dagmar Hecher
Author: Dagmar Hecher
Author: Dagmar Hecher
Author: Alison A. Case
Author: Sondra Archimedes
Author: Katherine Binhammer
Author: Raymond F. Hilliard
Author: Kate Lawson
Author: Monika Pietrzak-Franger
Author: Sarah Borree
Author: Lidia Curti