Author: Alain LockePublisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Book Description
The New Negro
Author: Alain LockePublisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Book Description
The New Negro
Author: Jeffrey C. StewartPublisher: Oxford University Press
ISBN: 019508957X
Category : Biography & Autobiography
Languages : en
Pages : 945
Book Description
"A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro--the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. [The author] offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally"--Amazon.com.
The New Negro
Author: Alain LockePublisher: Graphic Arts Books
ISBN: 1513287419
Category : Literary Collections
Languages : en
Pages : 290
Book Description
The New Negro (1925) is an anthology by Alain Locke. Expanded from a March issue of Survey Graphic magazine, The New Negro compiles writing from such figures as Countee Cullen, Langston Hughes, Zora Neale Hurston, Jean Toomer, and Locke himself. Recognized as a foundational text of the Harlem Renaissance, the collection is organized around Locke’s writing on the function of art in reorganizing the conception of African American life and culture. Through self-understanding, creation, and independence, Locke’s New Negro came to represent a break from an inhumane past, a means toward meaningful change for a people held down for far too long. “[F]or generations in the mind of America, the Negro has been more of a formula than a human being—a something to be argued about, condemned or defended, to be ‘kept down,’ or ‘in his place,’ or ‘helped up,’ to be worried with or worried over, harassed or patronized, a social bogey or a social burden.” Identifying the representation of black Americans in the national imaginary as oppressive in nature, Locke suggests a way forward through his theory of the New Negro, who “wishes to be known for what he is, even in his faults and shortcomings, and scorns a craven and precarious survival at the price of seeming to be what he is not.” Throughout The New Negro, leading artists and intellectuals of the Harlem Renaissance offer their unique visions of who and what they are; voicing their concerns, portraying injustice, and illuminating the black experience, they provide a holistic vision of self-expression in all of its colors and forms. With a beautifully designed cover and professionally typeset manuscript, this edition of Alain Locke’s The New Negro is a classic of African American literature reimagined for modern readers.
Harlem, Mecca of the New Negro
Author: Alain LeRoy LockePublisher: Black Classic Press
ISBN: 9780933121058
Category : Literary Collections
Languages : en
Pages : 108
Book Description
The contributors to this edition include W.E.B Du Bois, Arthur Schomburg, James Weldon Johnson, Langston Hughes, and Countee Cullen. Harlem Mecca is an indispensable aid toward gaining a better understanding of the Harlem Renaissance.
The New Negro Aesthetic
Author: Alain LockePublisher: Penguin
ISBN: 014313521X
Category : Literary Collections
Languages : en
Pages : 481
Book Description
Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination A Penguin Classic For months, the philosopher Alain Locke wrestled with the idea of the Negro as America's most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the "Negro problem" and Harlem as a site of crime, poverty, and dysfunction. He wanted to find new language and a new way for Black people to think of themselves. The essays and articles collected in this volume, by Locke's Pulitzer Prize–winning biographer, are the result of that new attitude and the struggle to instill the New Negro aesthetics, as Stewart calls it here, into the mind of the twentieth century. To be a New Negro poet, novelist, actor, musician, dancer, or filmmaker was to commit oneself to an arc of self-discovery of what and who the Negro was—would be—without fear that one would disappoint the white or Black bystander. In committing to that path, Locke asserted, one would uncover a "being-in-the-world" that was rich and bountiful in its creative possibilities, if Black people could turn off the noise of racism and see themselves for who they really are: a world of creative people who have transformed, powerfully and perpetually, the culture of wherever history or social forces landed them.
The New Negro in the Old South
Author: Gabriel A. BriggsPublisher: Rutgers University Press
ISBN: 0813574803
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Standard narratives of early twentieth-century African American history credit the Great Migration of southern blacks to northern metropolises for the emergence of the New Negro, an educated, upwardly mobile sophisticate very different from his forebears. Yet this conventional history overlooks the cultural accomplishments of an earlier generation, in the black communities that flourished within southern cities immediately after Reconstruction. In this groundbreaking historical study, Gabriel A. Briggs makes the compelling case that the New Negro first emerged long before the Great Migration to the North. The New Negro in the Old South reconstructs the vibrant black community that developed in Nashville after the Civil War, demonstrating how it played a pivotal role in shaping the economic, intellectual, social, and political lives of African Americans in subsequent decades. Drawing from extensive archival research, Briggs investigates what made Nashville so unique and reveals how it served as a formative environment for major black intellectuals like Sutton Griggs and W.E.B. Du Bois. The New Negro in the Old South makes the past come alive as it vividly recounts little-remembered episodes in black history, from the migration of Colored Infantry veterans in the late 1860s to the Fisk University protests of 1925. Along the way, it gives readers a new appreciation for the sophistication, determination, and bravery of African Americans in the decades between the Civil War and the Harlem Renaissance.
The New Negro
Author: Alain LockePublisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Book Description
Portraits of the New Negro Woman
Author: Cherene Sherrard-JohnsonPublisher: Rutgers University Press
ISBN: 0813539773
Category : Art
Languages : en
Pages : 235
Book Description
Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta's frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.
New Negro, Old Left
Author: William J. MaxwellPublisher: Columbia University Press
ISBN: 9780231114257
Category : Education
Languages : en
Pages : 294
Book Description
Maxwell uncovers both black literature's debt to Communism and Communism's debt to black literature, reciprocal obligations first incurred during the Harlem Renaissance.
The Harlem Renaissance and the Idea of a New Negro Reader
Author: Shawn Anthony ChristianPublisher: Studies in Print Culture and t
ISBN: 9781625342010
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Introduction. The New Negro is reading -- Creating critical frameworks: three models for the New Negro Reader -- In search of Black writers (and readers): Crisis's and Opportunity's literary contests -- Beyond the New Negro: artistry, audience, and the Harlem Renaissance literary anthology -- Pedagogy for critical readership: James Weldon Johnson's English 123 -- Epilogue. On African American writers and readers