Author: Jonathan Murray Publisher: Bloomsbury Publishing ISBN: 085773962X Category : Performing Arts Languages : en Pages : 304
Book Description
From a near standing start in the 1970s, the emergence and expansion of an aesthetically and culturally distinctive Scottish cinema proved to be one of the most significant developments within late-twentieth and early twenty-first-century British film culture. Individual Scottish films and filmmakers have attracted notable amounts of critical attention as a result. The New Scottish Cinema, however, is the first book to trace Scottish film culture's industrial, creative and critical evolution in comprehensive detail across a forty-year period. On the one hand, it invites readers to reconsider the known - films such as Shallow Grave, Ratcatcher, The Magdalene Sisters, Young Adam, Red Road and The Last King of Scotland. On the other, it uncovers the overlooked, from the 1980s comedic film makers who followed in the footsteps of Bill Forsyth to the variety of present-day Scottish film making - a body of work that encompasses explorations of multiculturalism, exploitation of the macabre and much else in between.In addition to analysing an eclectic range of films and filmmakers, The New Scottish Cinema also examines the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, and relates these to the images of Scotland which artists have put on screen. In so doing, the book narrates a story of interest to any student of contemporary British film.
Author: Fidelma Farley Publisher: Cambridge Scholars Publishing ISBN: 1443804134 Category : Performing Arts Languages : en Pages : 265
Book Description
Cinema from Scotland has attained an unprecedented international profile in the decade or so since Shallow Grave (1995) and Trainspotting (1996) impinged on the consciousness of audiences and critics around the world. Scottish Cinema Now is the first collection of essays to examine in depth the new films and filmmakers that have emerged from Scotland over the last ten years. With contributions from both established names and new voices in British Cinema Studies, the volume combines detailed textual analysis with discussion of industrial issues, scholarship on new movies with historical investigation of unjustly forgotten figures and film from Scotland’s cinematic past, and a focus on international as well as indigenous images of Scottishness. Responding to the ways in recent Scottish filmmaking has transformed the country’s cinematic landscape, Scottish Cinema Now reexamines established critical agendas and sets new ones for the study of Scotland’s relationship with the moving image in the twenty-first century.
Author: Christopher Meir Publisher: Manchester University Press ISBN: 1526111829 Category : Performing Arts Languages : en Pages : 221
Book Description
Over the last three decades, Scottish cinema has seen an unprecedented number of international successes. Films ranging from Local Hero to The Last King of Scotland have not only raised the profile of film-making north of Hadrian’s Wall, but have also raised a number of questions about the place of cinema originating from a small, historically marginalised, as yet stateless nation, within national and transnational film cultures. By providing detailed case studies of some of the biggest films of contemporary Scottish cinema, including Local Hero, Mrs. Brown, Morvern Callar and others, this volume will help readers to understand the key works of the period as well as the industrial, critical and cultural contexts surrounding their creation and reception. As the field of Scottish film studies has also grown and developed during this period, this volume will also introduce readers to the debates sparked by the key works discussed in the book.
Author: Mette Hjort Publisher: Psychology Press ISBN: 9780415208635 Category : Performing Arts Languages : en Pages : 332
Book Description
Cinema and Nation considers the ways in which film production and reception are shaped by ideas of national belonging and examines the implications of globalisation for the concept of national cinema.
Author: Bob Nowlan Publisher: Intellect Books ISBN: 1783203951 Category : Performing Arts Languages : en Pages : 372
Book Description
Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema’s most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland’s cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.
Author: Sandra-Elisabeth Haider Publisher: diplom.de ISBN: 3832461205 Category : Language Arts & Disciplines Languages : en Pages : 179
Book Description
Inhaltsangabe:Abstract: At Glasgow s University Library I discovered a book about Scotland on film, Scotch Reels. Originally, Scotch Reels is the title of a research carried out in 1982 about the depiction of Scotland on screen. It was revealed then that the predominant image of Scotland was very much engaged with stereotypes (defined as the heather and haggis image by one of the book s critics) and had obviously nothing to do with the contemporary reality of Scotland. Not surprisingly, that radical view has found a lot of stern critics. On superficial examination, when I think of all the recent films set in Scotland (ranging from the historical epos Braveheart to the contemporary fast-paced drug story Trainspotting, to mention two of the more popular examples), it seems to me that contemporary films set in Scotland show a wider spectrum of Scottish life than they apparently did before the 1980s, when the stories were mostly (with a few exceptions only) set in the Highlands or on an island, in a community far away from contemporary (modern and industrial) life. As a classic example of those films one can mention the musical Brigadoon by Vicente Minnelli from the year 1954. However, in my thesis I want to concentrate on films set in the City of Glasgow, since there would be far too much material concerned if I considered every single available recent film set in Scotland. I would like to find out whether the image of Glasgow has improved (or widened in its conception) through the release of recent films, compared to its depiction in older movies. As I could not analyse all recent feature films set in Glasgow in this context, I decided to concentrate on a few examples. By taking a closer look at these films I hope to be able to demonstrate how varied (or one-sided as will be determined) the contemporary portrayal of the city is. I do not want to omit mentioning my awareness of the fact that my selection is very subjective. Had I selected other movies, the result would naturally have been a different one. Also, I have not taken into account television films or series set in the Glasgow area. Especially in recent years a whole range of series has been produced and broadcasted, for instance the surreal hospital-drama Psychos, starring Douglas Henshall, the controversial Tinsel Town, set in Glasgow s lively clubbing scene, or Glasgow Kiss, which portrays the city as a modern, airy place, inhabited by sympathetic, educated middle-class people [...]
Author: Gábor Gergely Publisher: Routledge ISBN: 1000512290 Category : Social Science Languages : en Pages : 484
Book Description
Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe. The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus. The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.
Author: Berthold Schoene Publisher: Edinburgh University Press ISBN: 0748630287 Category : Literary Criticism Languages : en Pages : 432
Book Description
The Edinburgh Companion to Contemporary Scottish Literature examines the ways in which the cultural and political role of Scottish writing has changed since the country's successful referendum on national self-rule in 1997. In doing so, it makes a convincing case for a distinctive post-devolution Scottish criticism. Introducing over forty original essays under four main headings - 'Contexts', 'Genres', 'Authors' and 'Topics' - the volume covers the entire spectrum of current interests and topical concerns in the field of Scottish studies and heralds a new era in Scottish writing, literary criticism and cultural theory. It records and critically outlines prominent literary trends and developments, the specific political circumstances and aesthetic agendas that propel them, as well as literature's capacity for envisioning new and alternative futures. Issues under discussion include class, sexuality and gender, nationhood and globalisation, the New Europe and cosmopolitan citizenship, postcoloniality,
Author: Ian Brown Publisher: Springer Nature ISBN: 3030394077 Category : Performing Arts Languages : en Pages : 278
Book Description
This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.
Author: M. Hjort Publisher: Springer ISBN: 1137070382 Category : Performing Arts Languages : en Pages : 269
Book Description
Practice-based film education is a crucial element in the institutional landscape of film. This book fills the gap in understanding practice-based film scholarship, focusing on Europe, Asia, and Australia.
Author: Jonathan Murray
Author: Fidelma Farley
Author: Christopher Meir
Author: Mette Hjort
Author: Bob Nowlan
Author: Sandra-Elisabeth Haider
Author: Gábor Gergely
Author: Berthold Schoene
Author: Ian Brown
Author: M. Hjort