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Author: C.A. TSAKIRIDOU Publisher: Routledge ISBN: 9781032181134 Category : Art Languages : en Pages : 0
Book Description
This study examines theories of postmodern visuality and representation and identifies concepts that resonate with Orthodox theology and iconography. C.A. Tsakiridou frees the Orthodox icon from iconological precepts that limit its aesthetic and expressive range. The book's key argument is that poststructuralist thought is not alien to Orthodox theology and iconography. Dissonance, liminality and ambiguity are essential for conveying the paradoxes of Christian faith and recognizing the hagiopneumatic vitality and openness of the Orthodox tradition. Perichoresis or coinherence, a concept in Patristic theology that defines the relationship between the three persons of the Holy Trinity and the two natures of Christ, acquires a feminine dimension in the person of the Theotokos. Like the ascetical concept of nepsis it has aesthetic implications. Intermedial qualities present in iconography, photography and cinema help explain how icons become hosts to transcendent realities and how their experience in Orthodox liturgy and devotion has anticipated and resolved the postmodern disorientation of visuality and representation. The book will be of interest to scholars working in art history, postmodernism, philosophy, theology, religion, and gender studies.
Author: C.A. TSAKIRIDOU Publisher: Routledge ISBN: 9781032181134 Category : Art Languages : en Pages : 0
Book Description
This study examines theories of postmodern visuality and representation and identifies concepts that resonate with Orthodox theology and iconography. C.A. Tsakiridou frees the Orthodox icon from iconological precepts that limit its aesthetic and expressive range. The book's key argument is that poststructuralist thought is not alien to Orthodox theology and iconography. Dissonance, liminality and ambiguity are essential for conveying the paradoxes of Christian faith and recognizing the hagiopneumatic vitality and openness of the Orthodox tradition. Perichoresis or coinherence, a concept in Patristic theology that defines the relationship between the three persons of the Holy Trinity and the two natures of Christ, acquires a feminine dimension in the person of the Theotokos. Like the ascetical concept of nepsis it has aesthetic implications. Intermedial qualities present in iconography, photography and cinema help explain how icons become hosts to transcendent realities and how their experience in Orthodox liturgy and devotion has anticipated and resolved the postmodern disorientation of visuality and representation. The book will be of interest to scholars working in art history, postmodernism, philosophy, theology, religion, and gender studies.
Author: C.A. Tsakiridou Publisher: Routledge ISBN: 1317119169 Category : Art Languages : en Pages : 471
Book Description
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.
Author: Jefferson J. A. Gatrall Publisher: Penn State Press ISBN: 027103677X Category : Art Languages : en Pages : 304
Book Description
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
Author: Nicholas Denysenko Publisher: University of Notre Dame Pess ISBN: 0268101418 Category : Religion Languages : en Pages : 247
Book Description
Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute’s symposium “Icons and Images,” the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko’s book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, Chile, and to other parts of the world, to see how Christians of yesterday and today have experienced divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, and Andriy Chirovsky.
Author: Paul Evdokimov Publisher: ISBN: Category : Icon painting Languages : en Pages : 448
Book Description
A presentation on the biblical and patristic vision of beauty, applied then to contemporary movements in art. A 'theology of the icon' from a personal point of view, as well as in the context of the Church. Finally, the author includes a section and commentaries on 10 icons, from Riblev's Holy Trinity to the Novgorodian Angel.
Author: Tamara Talbot Rice Publisher: ISBN: Category : Art Languages : en Pages : 152
Book Description
"Icons were among the first religious objects brought into Russia from Byzantium at a time when Christian art was already highly developed. Although the art of the icon (the sacred picture of the Greek Orthodox church) could be said to have reached perfection in the Byzantine world, the Russians, nevertheless, were able to give it a new, national complexion and produce some of the finest examples of the art. Icons were first produced for use in churches and processions. As their size became smaller, so demand fro them as religious household objects grew. They have remained an important feature in Russia's orthodox religious cultures to this day. The 65 plates in this book show work as beautiful as that of the greatest Italian primitives. The icons date from the 14th to 17th centuries, many belonging to the School of Novgorod, once the cultural centre of Russia. Other sources include the renowned school of Rublev and Dionysus"--
Author: C.A. Tsakiridou Publisher: Routledge ISBN: 1351187252 Category : Art Languages : en Pages : 321
Book Description
Tradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.
Author: Teresa Obolevitch Publisher: Wipf and Stock Publishers ISBN: 1725288427 Category : Religion Languages : en Pages : 237
Book Description
Prince Evgenii Trubetskoi (1863-1920), one of Russia's great philosophers, exemplified what was best in the Russian religious-philosophical tradition. His lifelong pursuit was "integral knowledge." This ideal affirmed that faith was integral to reason and that inner experience (moral, religious, aesthetic), and not just external sensory experience, offered truthful testimony to the nature of reality--precisely contrary to the reductive positivism and scientism of Trubetskoi's day and ours. Following Vladimir Soloviev he developed the concept of Bogochelovechestvo (divine humanity)--the free human realization of the divine principle in ourselves and in the world (deification)--and found in it the very meaning of life. Trubetskoi strikingly combined religious philosophy with an unwavering commitment to the main principles of liberalism: human dignity, freedom of conscience, the rule of law (based ultimately on natural law), and human perfectibility (progress). He worked tirelessly for a liberal, constitutional Russia. This is the first book in English devoted to Evgenii Trubetskoi's life and thought. It includes a comprehensive introduction, six chapters on his religious-philosophical worldview, and six chapters on an area of religious studies that he inspired--the philosophy of the icon.
Author: Mikhail Suslov Publisher: Columbia University Press ISBN: 3838268717 Category : Religion Languages : en Pages : 350
Book Description
This volume explores the relationship between new media and religion, focusing on the digital era’s impact on the Russian Orthodox Church. A believer may now enter a virtual chapel, light a candle through drag-and-drop, send an online prayer request, or worship virtual icons and relics. In recent years, however, Church leaders and public figures have become increasingly skeptical about new media. The internet, some of them argue, breaches Russia’s “spiritual sovereignty” and implants values and ideas alien to Russian culture. This collection examines how Orthodox ecclesiology has been influenced by its new digital environment, such as the intersection of virtual religious life with religious experience in the “real” church, the role of clerics on the Russian Web, and the transformation of the Orthodox notion of sobornost’ (catholicity), asking whether and how Orthodox activity on the internet can be counted as authentic religious practice.
Author: C.A. TSAKIRIDOU
Author: C.A. TSAKIRIDOU
Author: C.A. Tsakiridou
Author: Jefferson J. A. Gatrall
Author: Nicholas Denysenko
Author: Paul Evdokimov
Author: Tamara Talbot Rice
Author: C.A. Tsakiridou
Author: Teresa Obolevitch
Author: Mikhail Suslov
Author: Curtis L. Carter