Author: Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies Publisher: Centre for Reformation and Renaissance Studies ISBN: 9780772720191 Category : Art Languages : en Pages : 320
Book Description
The nineteenth century witnessed rapid economic and social developments, profound political and intellectual upheaval, and startling innovations in art and literature. As Europeans peered into an uncertain future, they drew upon the Renaissance for meaning, precedents, and identity. Many claimed to find inspiration or models in the Renaissance, but as we move across the continent's borders and through the century's decades, we find that the Renaissance was many different things to many different people. This collection brings together the work of sixteen authors who examine the many Renaissances conceived by European novelists and poets, artists and composers, architects and city planners, political theorists and politicians, businessmen and advertisers. The essays fall into three groups: "Aesthetic Recoveries of Strategic Pasts"; "The Renaissance in Nineteenth-Century Culture Wars"; and "Material Culture and Manufactured Memories."
Author: Matthew Hayes Publisher: Getty Publications ISBN: 160606696X Category : Art Languages : en Pages : 210
Book Description
This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.
Author: J. B. Bullen Publisher: Oxford University Press on Demand ISBN: 9780198128885 Category : Business & Economics Languages : en Pages : 336
Book Description
Discussing a range of authors from Arnold, Browning, and George Eliot, to Ruskin and Voltaire, this innovative study traces the genesis and development of the concept of Renaissance in the literary, political, religious and critical writing of the late-18th and 19th centuries.
Author: Melissa Meriam Bullard Publisher: Springer ISBN: 3319501763 Category : History Languages : en Pages : 458
Book Description
This book shows how modern Brooklyn’s proud urban identity as an arts-friendly community originated in the mid nineteenth century. Before and after the Civil War, Brooklyn’s elite, many engaged in Atlantic trade, established more than a dozen cultural societies, including the Philharmonic Society, Academy of Music, and Art Association. The associative ethos behind Brooklyn’s fine arts flowering built upon commercial networks that joined commerce, culture, and community. This innovative, carefully researched and documented history employs the concept of parallel Renaissances. It shows influences from Renaissance Italy and Liverpool, then connected to New York through regular packet service like the Black Ball Line that ferried people, ideas, and cargo across the Atlantic. Civil War disrupted Brooklyn’s Renaissance. The city directed energies towards war relief efforts and the women’s Sanitary Fair. The Gilded Age saw Brooklyn’s Renaissance energies diluted by financial and political corruption, planning the Brooklyn Bridge and consolidation with New York City in 1898.
Author: Lawrence D. Longo Publisher: Springer ISBN: 3319235672 Category : Medical Languages : en Pages : 380
Book Description
The volume provides an archive of some of the most beautiful illustrations ever made of the gravid uterus with fetus and placenta, which will serve future generations of investigators, educators, and students of reproduction. The approximately two hundred figures from over one hundred volumes included are from the late fifteenth through the nineteenth century. For each author whose work is depicted in this volume, we have used the first edition or first illustrated edition. In the commentary, each volume and illustration is placed in its historical perspective, noting both the significance of that image, but also some background on the life and work of the author. For most of the works cited, there are additional references for the reader who may wish to explore these in greater depth. This volume is a unique collection not only of these historical images, but also their place in the development of scientific study.
Author: Katherine Wheeler Publisher: Routledge ISBN: 1351537768 Category : Art Languages : en Pages : 207
Book Description
In the mid-1880s The Builder, an influential British architectural journal, published an article characterizing Renaissance architecture as a corrupt bastardization of the classical architecture of Greece and Rome. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ?Christopher Columbus of modern architecture.? Victorian Perceptions of Renaissance Architecture, 1850-1914 examines these conflicting characterizations and reveals how the writing of architectural history was intimately tied to the rise of the professional architect and the formalization of architectural education in late nineteenth-century Britain. Drawing on a broad range of evidence, including literary texts, professional journals, university curricula, and census records, Victorian Perceptions reframes works by seminal authors such as John Ruskin, Walter Pater, John Addington Symonds, and Geoffrey Scott alongside those by architect-authors such as William J. Anderson and Reginald Blomfield within contemporary architectural debates. Relevant for architectural historians, as well as literary scholars and those in Victorian studies, Victorian Perceptions reassesses the history of Renaissance architecture within the formation of a modern, British architectural profession.
Author: Ralph M. Blake Publisher: Gordon & Breach Science Pub ISBN: 9782881243516 Category : Science Languages : en Pages : 346
Book Description
This historical compendium investigates scientific methods conceived between the Renaissance and the nineteenth century. Beginning with attacks on Scholasticism and the rist of the New Science, the authors explain the roles of both major andminor figures in describing scientific methods. Although the chapters are interrelated and contain explicit comparisons, each chapter is a complete study in itself. The authors' emphasis on writing for the non-specialist and their liberal use of primary sources make this an outstanding textbook.
Author: Rosanna Pavoni Publisher: Cambridge University Press ISBN: 9780521481519 Category : Art Languages : en Pages : 308
Book Description
This book offers an account of neo-Renaissance taste and style in Italy during the second half of the nineteenth century. By the time Italy had developed its obsession with the neo-Renaissance in the 1870s, collectors and scholars in the rest of Europe had been excited by Renaissance taste and style for several decades. In Italy the Renaissance was promptly reconceptualised, in a forced alignment with the accepted historical version of its birth and development, and its help enlisted in the search for an Italian national identity. But what represented this neo-Renaissance in Italy, and what aided its diffusion? In an attempt to answer these questions this book explores the many areas marked by neo-Renaissance taste. It traces its diffusion and development from the institutions which instructed its chief exponents, to architecture and exhibitions and the publications which disseminated neo-Renaissance designs so effectively.
Author: Lina Bolzoni Publisher: ISBN: 9788899765491 Category : Art Languages : en Pages : 552
Book Description
The object of this publication is the Renaissance revival as a Pan-European phenomenon of critique, commentary and re-shaping of a nineteenth-century present perceived as deeply problematic. Sweeping the humanistic disciplines - history, literature, music, art, architecture, collecting etc. - it marked the oeuvre of as diverse a group of figures as Ingres and E M Forster, Geymüller and Hildebrand, Michelet and Burckhardt, HH Richardson and Rilke, Carducci and De Sanctis. Though some perceived it as a "Golden Age", a model for the present, some cast it as a negative example, thus showing that the triumphalist model had its detractors and that the reaction to the Renaissance was more complex than it may at first appear. This book then proposes to recover some of the multi-dimensionality of the reaction to, transformation of and commentary on the Italian Renaissance and its ties to nineteenthcentury modernity, as seen both from within (by Italians) and from without (by foreigners, expatriates, travelers etc.).
Author: Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies
Author: Matthew Hayes
Author: J. B. Bullen
Author: Melissa Meriam Bullard
Author: Lawrence D. Longo
Author: Katherine Wheeler
Author: Ralph M. Blake
Author: Rosanna Pavoni
Author: Lina Bolzoni
Author: Kathryn Olivarius