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Author: Holger Kiesow Publisher: GRIN Verlag ISBN: 3638585379 Category : Literary Criticism Languages : en Pages : 94
Book Description
Examination Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Göttingen (Englisches Seminar), language: English, abstract: From 1950 to 1999, the fiction genre of Ladlit presented British readers with a romantic, comic, popular male literature, which was regarded as a chance to examine male identity in contemporary Britain. But by the beginning of the 21st century one was seeking for a new story of masculine identity. In the meantime, the has been a focus on masculinity in language and gender studies, whereas the exclusive attention had formerly been upon femininity. The tradition of man being constituted in terms of universal, normative values has led to the phenomenon of 'invisible masculinity'. However, there has always been a discourse available to men which allows them to represent themselves as people or mankind. The text examines how the representation of masculinities has changed in society in the recent fifty years. Using different theories of gender studies, masculinities and the effects of socio-economical changes, the following novels will be discussed: Amis's Lucky Jim (1954), Sillitoe's Saturday Night and Sunday Morning (1958), Hollinghurst's The Swimming-Pool Library (1988) and Hornby's About a Boy (1998).
Author: Holger Kiesow Publisher: GRIN Verlag ISBN: 3638585379 Category : Literary Criticism Languages : en Pages : 94
Book Description
Examination Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Göttingen (Englisches Seminar), language: English, abstract: From 1950 to 1999, the fiction genre of Ladlit presented British readers with a romantic, comic, popular male literature, which was regarded as a chance to examine male identity in contemporary Britain. But by the beginning of the 21st century one was seeking for a new story of masculine identity. In the meantime, the has been a focus on masculinity in language and gender studies, whereas the exclusive attention had formerly been upon femininity. The tradition of man being constituted in terms of universal, normative values has led to the phenomenon of 'invisible masculinity'. However, there has always been a discourse available to men which allows them to represent themselves as people or mankind. The text examines how the representation of masculinities has changed in society in the recent fifty years. Using different theories of gender studies, masculinities and the effects of socio-economical changes, the following novels will be discussed: Amis's Lucky Jim (1954), Sillitoe's Saturday Night and Sunday Morning (1958), Hollinghurst's The Swimming-Pool Library (1988) and Hornby's About a Boy (1998).
Author: Publisher: BRILL ISBN: 9004456651 Category : Law Languages : en Pages : 171
Book Description
The essays collected in Posting the Male examine representations of masculinity in post-war and contemporary British literature, focussing on the works of writers as diverse as John Osborne, Joe Orton, James Kelman, Ian Rankin, Carol Ann Duffy, Alan Hollinghurst, Ian McEwan, Graham Swift and Jackie Kay. The collection seeks to capture the current historical moment of ‘crisis’, at which masculinity loses its universal transparency and becomes visible as a performative gender construct. Rather than denoting just one fixed, polarised point on a hierarchised axis of strictly segregated gender binaries, masculinity is revealed to oscillate within a virtually limitless spectrum of gender identities, characterised not by purity and self-containment but by difference and alterity. As the contributors demonstrate, rather than a gender ‘in crisis’ millennial manhood is a gender ‘in transition’. Patriarchal strategies of man-making are gradually being replaced by less exclusionary patterns of self-identification inspired by feminism. Men have begun to recognise themselves as gendered beings and, as a result, masculinity has been set in motion.
Author: Symon Nicklas Publisher: GRIN Verlag ISBN: 364086462X Category : Languages : en Pages : 109
Book Description
Thesis (M.A.) from the year 1999 in the subject English Language and Literature Studies - Literature, grade: 2,7 (B-), Free University of Berlin (English Philology), 82 entries in the bibliography, language: English, abstract: The 1990s has witnessed a groundswell of interest in men and masculinity. The book market saw countless publications, the media took up the topic and discussions about the 'nineties man' became and still are very much en vogue (even though we are on the brink of the next millennium). Parallel to public interest there was also an increase in academic writing. Numerous sociological and psychological studies endeavoured to explore the roots of masculinity and examined the mechanisms of its functions in cultures depending of various kinds of gender division. They concluded that masculinity has no fixed concept, that masculinity is not just what a group of men happen to do. Rather it has to be understood in relation to the gender role as a social practice negotiated by men and understood in relation to the gender order. So one should instead speak of 'masculinities' if one wants to grasp the different representations of maleness in society. Feminists and multiculturalists have repeatedly criticised the dominant gender position of men in society and questioned the legitimacy for patriarchy. They asked for a 'new man', a new social understanding of male values and attitudes and asked for change. Since the mid-1970s men responded to the call for change, explored aspects of men's lives and started to question whether the traditional concept (a concept that is still very much practised by men throughout the Western world) of male domination is still irreproachable. This, however, also sparked off a crisis, indeed a dilemma because many men felt that, without a fixed basis to define themselves they lost their bearings. Bearing this in mind it is an interesting question to ask in what way men represent men so the task of my thesis is to find out what kind
Author: Sara Martín Publisher: Cambridge Scholars Publishing ISBN: 1527559300 Category : Performing Arts Languages : en Pages : 302
Book Description
How are men represented on the printed page, the stage and the screen? What do these representations say about masculinity in the past, the present, and the future? The twelve essays in this volume explore the different ways in which men and masculinity have been represented, from the plays of William Shakespeare to the science fiction of Richard K. Morgan, passing through classic fiction by Emily Brontë and Charles Dickens, and popular favourites by Terry Pratchett and Isaac Asimov, without forgetting the Star Wars saga. Collectively, these essays argue that, although much has been written about men, it has been done from a perspective that does not see masculinity as a specific feature in need of critical appraisal. Men need to be made aware of how they are represented in order to alter the toxic patriarchal models handed down to them and even break the extant binary gender models. For that, it is important that men distinguish patriarchy from masculinity, as is done here, and form anti-patriarchal alliances with each other and with women. This book is, then, an invitation to men’s liberation from patriarchy by raising an awareness of its crippling constraints.
Author: Brian Baker Publisher: Bloomsbury Publishing USA ISBN: 1623567475 Category : Performing Arts Languages : en Pages : 273
Book Description
While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twentieth century.
Author: Symon Nicklas Publisher: GRIN Verlag ISBN: 363818434X Category : Literary Criticism Languages : en Pages : 102
Book Description
Thesis (M.A.) from the year 1999 in the subject English Language and Literature Studies - Literature, grade: 2,7 (B-), Free University of Berlin (English Philology), 82 entries in the bibliography, language: English, abstract: The 1990s has witnessed a groundswell of interest in men and masculinity. The book market saw countless publications, the media took up the topic and discussions about the 'nineties man' became and still are very much en vogue (even though we are on the brink of the next millennium). Parallel to public interest there was also an increase in academic writing. Numerous sociological and psychological studies endeavoured to explore the roots of masculinity and examined the mechanisms of its functions in cultures depending of various kinds of gender division. They concluded that masculinity has no fixed concept, that masculinity is not just what a group of men happen to do. Rather it has to be understood in relation to the gender role as a social practice negotiated by men and understood in relation to the gender order. So one should instead speak of ‘masculinities’ if one wants to grasp the different representations of maleness in society. Feminists and multiculturalists have repeatedly criticised the dominant gender position of men in society and questioned the legitimacy for patriarchy. They asked for a ‘new man’, a new social understanding of male values and attitudes and asked for change. Since the mid-1970s men responded to the call for change, explored aspects of men’s lives and started to question whether the traditional concept (a concept that is still very much practised by men throughout the Western world) of male domination is still irreproachable. This, however, also sparked off a crisis, indeed a dilemma because many men felt that, without a fixed basis to define themselves they lost their bearings. Bearing this in mind it is an interesting question to ask in what way men represent men so the task of my thesis is to find out what kind of men are presented in Alan HOLLINGHURST's The Swimming Pool Library, Irvine WELSH's Trainspotting and Nick HORNBY's High Fidelity and what relationships to other men and women the authors form. I chose this combination of novels and authors for a number of reasons. The novels are all contemporary works of fiction, in a publicational time span from 1988-1995, making them fictional works written at the peak of masculinity research and the social questioning of masculine concepts. Male characters and their authors come from different social backgrounds and thus promise interesting aspects, which take power, class and sexual orientation into consideration. [...]
Author: Charlotte Beyer Publisher: Cambridge Scholars Publishing ISBN: 152759159X Category : Literary Criticism Languages : en Pages : 234
Book Description
Intersectionality and decolonisation are prominent themes in contemporary British crime fiction. Through an in-depth critical and contextual analysis of selected contemporary British crime fiction novels from the 1990s to 2018, this distinctive book examines representations of race, class, sexuality, and gender by John Harvey, Stella Duffy, M.Y. Alam, and Dorothy Koomson. It argues that contemporary British crime fiction is a field of contestation where urgent cultural and social questions are debated and the politics of representation explored. A significant resource which will be valuable to researchers and scholars of the crime genre, as well as British literature, this book offers timely critical engagement with intersectionality and decolonisation and their representation in contemporary British crime fiction.
Author: John Perrott Jenkins Publisher: University of Wales Press ISBN: 178683779X Category : History Languages : en Pages : 232
Book Description
The book subjects male characters in six south Wales novels written between 1936 and 2014 to detailed, gendered reading. It argues that the novels critique the form of masculine hegemony propagated by structural patriarchy serving the material demands of industrial capitalism. Each depicts characters confined to a limited repertoire of culturally endorsed behaviourial norms – such as displays of power, decisiveness and self-control – which prohibit the expression and cultivation of the subjective self. Within the social organisation of industrial capitalism, the working-class characters are, in practice, reduced to dispensable functionaries at work while, in theory, they are accorded the status of patriarchally-sanctioned principals at home. Ideologically subservient and ‘feminised’ in one context, they are ideologically dominant and ‘masculinised’ in another. As they negotiate, resist or strive to reconcile the irreconcilable demands of such gendered practices, recurring patterns of exclusion, inadequacy and mental instability are made evident in their representation.
Author: KATARZYNA WIĘCKOWSKA Publisher: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika ISBN: 8323132453 Category : British literature Languages : en Pages : 317
Book Description
Spectres of Men: Masculinity, Crisis and British Literature offers an analysis of the various ways in which hegemonic masculinity has been constructed, contested, and preserved in selected works of British literature from the Middle Ages to the early twenty-first century. The dominant image of manhood that prevails at a given time is examined on the basis of male-authored fiction and a selection of political, philosophical, social, and critical writings by men. By focusing on works by and about men, this book traces the changing connections between masculinity and such concepts as heroic labour or literary production, and describes some of the processes of othering that have been crucial to the formation of the successive models of manhood. A key element in these processes is the figure of the spectre, whose re-appearance disturbs the linearity of time and history, but also makes their movement possible since it is only by recognising the spectre as an effective component of the present that the new, always harboured in the old, may begin.
Author: Holger Kiesow
Author: Holger Kiesow
Author: 
Author: Symon Nicklas
Author: Sara Martín
Author: Brian Baker
Author: Brian Baker
Author: Symon Nicklas
Author: Charlotte Beyer
Author: John Perrott Jenkins
Author: KATARZYNA WIĘCKOWSKA