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The Sociology of Art

The Sociology of Art PDF Author: Arnold Hauser
Publisher: Routledge
ISBN: 0415699940
Category : Art
Languages : en
Pages : 791

Book Description
First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from Bach to the Beatles. The last book to be completed by Arnold Hauser before his death in 1978, it is a total analysis of the spiritual forces of social expression, based upon comprehensive historical experience and documentation. Hauser explores art through the earliest times to the modern era, with fascinating analyses of the mass media and current manifestations of human creativity. An extension and completion of his earlier work, The Social History of Art, this volume represents a summing up of his thought and forms a fitting climax to his life's work. Translated by Kenneth J. Northcote.

The Sociology of Art

The Sociology of Art PDF Author: Arnold Hauser
Publisher: Routledge
ISBN: 0415699940
Category : Art
Languages : en
Pages : 791

Book Description
First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from Bach to the Beatles. The last book to be completed by Arnold Hauser before his death in 1978, it is a total analysis of the spiritual forces of social expression, based upon comprehensive historical experience and documentation. Hauser explores art through the earliest times to the modern era, with fascinating analyses of the mass media and current manifestations of human creativity. An extension and completion of his earlier work, The Social History of Art, this volume represents a summing up of his thought and forms a fitting climax to his life's work. Translated by Kenneth J. Northcote.

The Sociology of Art (Routledge Revivals)

The Sociology of Art (Routledge Revivals) PDF Author: Arnold Hauser
Publisher: Routledge
ISBN: 1136464468
Category : Social Science
Languages : en
Pages : 791

Book Description
First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from Bach to the Beatles. The last book to be completed by Arnold Hauser before his death in 1978, it is a total analysis of the spiritual forces of social expression, based upon comprehensive historical experience and documentation. Hauser explores art through the earliest times to the modern era, with fascinating analyses of the mass media and current manifestations of human creativity. An extension and completion of his earlier work, The Social History of Art, this volume represents a summing up of his thought and forms a fitting climax to his life’s work. Translated by Kenneth J. Northcote.

Sociology of Art

Sociology of Art PDF Author: Jeremy Tanner
Publisher: Routledge
ISBN: 113439330X
Category : Art
Languages : en
Pages : 278

Book Description
Provides students with an introduction to the fundamental theories and debates in the sociology of art, using extracts from the core foundational and most influential contemporary writers in the field.

Routledge International Handbook of the Sociology of Art and Culture

Routledge International Handbook of the Sociology of Art and Culture PDF Author: Laurie Hanquinet
Publisher: Routledge
ISBN: 1135008892
Category : Social Science
Languages : en
Pages : 500

Book Description
The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.

The Philosophy of Art History (Routledge Revivals)

The Philosophy of Art History (Routledge Revivals) PDF Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134889860
Category : Philosophy
Languages : en
Pages : 347

Book Description
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.

Sociology Looks at the Arts

Sociology Looks at the Arts PDF Author: Julia Rothenberg
Publisher: Routledge
ISBN: 1317913272
Category : Social Science
Languages : en
Pages : 376

Book Description
Sociology Looks at the Arts is intended as a concise yet nuanced introduction to the sociology of art. This book will provide a foundation for teaching and discussing a range of questions and perspectives used by sociologists who study the relationship between the arts – including music, performing arts, visual arts, literature, film and new media – and society.

Vision and Society

Vision and Society PDF Author: John Clammer
Publisher: Routledge
ISBN: 1317935993
Category : Social Science
Languages : en
Pages : 238

Book Description
The sociology of art is now an established sub-discipline of sociology. But little work has been done to explore the implications not of society on art, but of art on the nature and principles of sociology itself. Vision and Society explores the ways in which art (here mainly understood as visual art) structures in fundamental ways the constitution of society, the relations between societies and the ways in which society and culture should be theorized. Building initially on an unfulfilled project by the French sociologist of art Nathalie Heinich to derive a sociology from art, this book pushes this idea in unconventional directions. Rethinking the relationships between the study of art and the study of sociology and anthropology, this book explores how this rethinking might impact sociological theory in general, and certain aspects of it in particular – especially the study of social movements, social change, the urban, the constitution of space and the ways in which human social relationships are mediated and expressed.

Routledge Revivals: Ideology and Cultural Production (1979)

Routledge Revivals: Ideology and Cultural Production (1979) PDF Author: Michele Barrett
Publisher: Routledge
ISBN: 135106312X
Category : Social Science
Languages : en
Pages : 206

Book Description
Originally published in 1979, Ideology and Cultural Production examines the contribution to the debate surrounding ‘culture’, ‘ideology’, and ‘representation’, in this collection of essays. Originally presented as papers at the 1978 British Sociological Conference on the theme of culture, the collection is tied together under the argument for a definition, which emphasizes the material and ideological conditions of cultural production. The volume discusses key issues, such as the break with ‘super-structural theory’, the question of economism, and the argument between culturalism and structuralism, as well as the central debates of determinism and autonomy.

Aesthetics and the Sociology of Art

Aesthetics and the Sociology of Art PDF Author: Janet Wolff
Publisher: Routledge
ISBN: 1000376745
Category : Art
Languages : en
Pages : 121

Book Description
First published in 1983, Aesthetics and the Sociology of Art provides a lucid account of two divergent tendencies in the study of aesthetics. At the one extreme, traditional aestheticians have assumed that art and literature are wholly independent, following only the laws and inspirations of artists and artistic movements, and that the question of aesthetic value is accordingly unproblematic. At the other extreme, some sociologists have treated works of art as no more than manifestations of the socio-economic circumstances which produce them, arguing that aesthetic value is therefore entirely relative matter. Janet Wolff shows how both the extreme positions are untenable, and argues convincingly that we must accept that the conceptions and criteria of aesthetic value are socially constructed and inevitably ideological, while stopping short of the reductionist alternative which fails to recognise the irreducible questions of pleasure and of aesthetic discourse. This book provides an invaluably clear guide both to old debates and to otherwise obscure modern controversies, which will be welcomed both by students and scholars in the sociology of art, in aesthetics, in art history, and in literary criticism.

Routledge Revivals: Painting, Language and Modernity (1985)

Routledge Revivals: Painting, Language and Modernity (1985) PDF Author: Michael Phillipson
Publisher: Routledge
ISBN: 9781138281905
Category :
Languages : en
Pages : 211

Book Description
First published in 1985, this book draws together the author's artistic with analytical practices which had been developed over many years of sociological enquiry. It interprets a 'work of art' as a site on which a viewer or critic is invited to share in questioning celebration of the painting itself. The author reassesses modern painting's relation to its own origins and to tradition in light of the emergence of 'postmodern' practice -- exploring its engagement of fundamental questions about language and being. Also assessed is the relevance of the metaphors of writings and Reading to an understanding of painting and viewing practices -- looking at painters' writings as well as phenomenological and post-structuralist writers.