The sublime and the ethics of literature : Kant's aesthetic theory and Beckett's Molloy PDF Download

Author: Bjørn K. Myskja
Publisher:
ISBN: 9788278611791
Category : Ethics in literature
Languages : en
Pages : 313

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Author: Bjørn K. Myskja
Publisher: Walter de Gruyter
ISBN: 3110881136
Category : Philosophy
Languages : en
Pages : 328

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Beckett's novel Molloy and the question how this work evokes a particular kind of feeling associated with its exhibition of meaninglessness, namely the feeling of the sublime, is the point of departure for this study. Kant's theory of the sublime is interpreted within the framework of his aesthetic and moral theories, suggesting a way to understand the claim to universal validity for aesthetic judgements. Kant claims that the judgement of the sublime serves morality but he fails to provide this link, so a theory of how this aesthetic judgement can contribute to the cultivation of moral character is developed. It is argued that Kant held that art, including narrative art like the novel, can be sublime. Kant's theory of the sublime is shown to be relevant for modern works of art, and the application of this Kantian framework throws new light on the discussion of the moral aspects of Beckett's literary work. According to this account, Molloy is a sublime work of art, and despite its amoral content can serve the reader's moral cultivation.

Author: Bjorn K. Myskja
Publisher:
ISBN:
Category :
Languages : en
Pages : 313

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Author: Mark Nixon
Publisher: Bloomsbury Publishing
ISBN: 1441160027
Category : Literary Criticism
Languages : en
Pages : 642

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Over the last decade, Samuel Beckett's popularity has rocketed around the world and he is increasingly recognised as one of the most important and influential writers of the twentieth century but there has been very little scholarly work on Beckett's reception outside Europe. This comprehensive volume brings together essays from leading critics on Beckett's international critical reception. Due to Beckett's linguistic and artistic abilities, he was intimately involved in the translation and production of his writings in German, French, English and Spanish; and consequently countries using these languages have sophisticated critical traditions. However, many other countries have adopted Beckett as their own, from places where he lived for lengthy periods of his life (England, France, Ireland and Germany), to those finding directly applicable political messages in his work (such as ex-Soviet states including the Czech Republic and Romania), and those countries whose national literary traditions bear heavily upon his work (e.g. Norway and Italy). This fascinating volume reveals Beckett's evolving critical reception from contemporary reviews to the present.

Author: Paul Crowther
Publisher: Clarendon Press
ISBN: 0191520039
Category : Philosophy
Languages : en
Pages : 186

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In recent years Kant's aesthetic theory has been the subject of a widespread revival of interest amongst English-speaking philosophers. This revival, however, has not so far encompassed Kant's aesthetic of the sublime. This neglect is unfortunate because, amongst Continental philosophers, the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Paul Crowther thus breaks new ground by providing what is probably the first monograph in any language to be devoted exclusively to Kant's theory of the sublime.

Author: Charles A. Carpenter
Publisher: A&C Black
ISBN: 144118421X
Category : Reference
Languages : en
Pages : 525

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Author: David Ellison
Publisher: Cambridge University Press
ISBN: 113943084X
Category : Literary Criticism
Languages : en
Pages : 306

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David Ellison's book is an investigation into the historical origins and textual practice of European literary Modernism. Ellison's study traces the origins of Modernism to the emergence of early German Romanticism from the philosophy of Immanuel Kant, and emphasizes how the passage from Romanticism to Modernism can be followed in the gradual transition from the sublime to the uncanny. Arguing that what we call High Modernism cannot be reduced to a religion of beauty, an experimentation with narrative form, or even a reflection on time and consciousness, Ellison demonstrates that Modernist textuality is characterized by the intersection, overlapping, and crossing of aesthetic and ethical issues. Beauty and morality relate to each other as antagonists struggling for dominance within the related fields of philosophy and theory on the one hand (Kant, Kierkegaard, Nietzsche, Freud) and imaginative literature on the other (Baudelaire, Proust, Gide, Conrad, Woolf, Kafka).

Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241

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In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.

Author: Robert Doran
Publisher: Cambridge University Press
ISBN: 1107101530
Category : Art
Languages : en
Pages : 329

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The first in-depth treatment of the major theories of the sublime from Longinus to Kant.

Author: David Tucker
Publisher: Rodopi
ISBN: 9401211639
Category : History
Languages : en
Pages : 316

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