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Author: CHARLIE. WINTER Publisher: ISBN: 9781787385672 Category : Languages : en Pages :
Book Description
The summer of 2014--when the Islamic State seized Mosul, Iraq's second city; captured vast swathes of eastern Syria; and declared itself a latter-day Caliphate--marked a turning point in the history of photography, one that pushed its already contested relationship with reality to its very limits. Uniquely obsessed with narrative, image management and branding, the Islamic State used cameras as weapons in its formative years as a Caliphate. The tens of thousands of propaganda photographs captured during this time were used to denote policy, to navigate through defeat and, perhaps most importantly, to construct an impossible reality: a totalising image-world of Salafi-Jihadist symbols and myths. Based on a deep examination of the 20,000 photographs Charlie Winter collected from the Islamic State's covert networks online in 2017, this book explores the process by which the Caliphate shook the foundations of modern war photography. Focusing on the period at which it was its strongest, Winter identifies the implicit value systems that underpinned its ideological appeal, and evaluates its uniquely malign contribution to the history of the photographic image. The Terrorist Imagetravels to the heart of what made the Islamic State tick during its prime, providing unique insights into its global appeal and mobilisation successes.
Author: CHARLIE. WINTER Publisher: ISBN: 9781787385672 Category : Languages : en Pages :
Book Description
The summer of 2014--when the Islamic State seized Mosul, Iraq's second city; captured vast swathes of eastern Syria; and declared itself a latter-day Caliphate--marked a turning point in the history of photography, one that pushed its already contested relationship with reality to its very limits. Uniquely obsessed with narrative, image management and branding, the Islamic State used cameras as weapons in its formative years as a Caliphate. The tens of thousands of propaganda photographs captured during this time were used to denote policy, to navigate through defeat and, perhaps most importantly, to construct an impossible reality: a totalising image-world of Salafi-Jihadist symbols and myths. Based on a deep examination of the 20,000 photographs Charlie Winter collected from the Islamic State's covert networks online in 2017, this book explores the process by which the Caliphate shook the foundations of modern war photography. Focusing on the period at which it was its strongest, Winter identifies the implicit value systems that underpinned its ideological appeal, and evaluates its uniquely malign contribution to the history of the photographic image. The Terrorist Imagetravels to the heart of what made the Islamic State tick during its prime, providing unique insights into its global appeal and mobilisation successes.
Author: Charlie Winter Publisher: Hurst Publishers ISBN: 1787388557 Category : Political Science Languages : en Pages : 261
Book Description
The summer of 2014–when the Islamic State seized Mosul, Iraq’s second city; captured vast swathes of eastern Syria; and declared itself a latter-day Caliphate–marked a turning point in the history of photography, one that pushed its already contested relationship with reality to its very limits. Uniquely obsessed with narrative, image management and branding, the Islamic State used cameras as weapons in its formative years as a Caliphate. The tens of thousands of propaganda photographs captured during this time were used to denote policy, to navigate through defeat and, perhaps most importantly, to construct an impossible reality: a totalising image-world of Salafi-Jihadist symbols and myths. Based on a deep examination of the 20,000 photographs Charlie Winter collected from the Islamic State’s covert networks online in 2017, this book explores the process by which the Caliphate shook the foundations of modern war photography. Focusing on the period in which it was at its strongest, Winter identifies the implicit value systems that underpinned the Caliphate’s ideological appeal, and evaluates its uniquely malign contribution to the history of the photographic image. The Terrorist Image travels to the heart of what made the Islamic State tick during its prime, providing unique insights into its global appeal and mobilisation successes.
Author: Philip Jenkins Publisher: Transaction Publishers ISBN: 9780202366746 Category : Language Arts & Disciplines Languages : en Pages : 244
Book Description
The book acts as a guide to the images of terrorism that we see daily in the mass media. The author believes that our perceptions of terrorism are formed by the interaction of bureaucratic agencies, academics and private experts. These images and stereotypes that we are offered do not necessarily reflect objective reality.
Author: W. J. T. Mitchell Publisher: University of Chicago Press ISBN: 0226532607 Category : Art Languages : en Pages : 239
Book Description
The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Exploring the role of verbal and visual images in the War on Terror, the author finds a conflict whose shaky metaphoric and imaginary conception has created its own reality.
Author: John Tulloch Publisher: Routledge ISBN: 1136285431 Category : Social Science Languages : en Pages : 234
Book Description
This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror. Icons of War and Terror explores theories of iconic images of war and terror, not as received pieties but as challenging uncertainties; in doing so, it engages with both critical discourse and conventional image-making. The authors draw on these theories to re-investigate the media/global context of some of the most iconic representations of war and terror in the international ‘risk society’. Among these photojournalistic images are: Nick Ut’s Pulitzer Prize winning photograph of a naked girl, Kim Phuc, running burned from a napalm attack in Vietnam in June 1972; a quintessential ‘ethnic cleansing’ image of massacred Kosovar Albanian villagers at Racak on January 15, 1999, which finally propelled a hesitant Western alliance into the first of the ‘new humanitarian wars’; Luis Simco’s photograph of marine James Blake Miller, ‘the Marlboro Man’, at Fallujah, Iraq, 2004; the iconic toppling of the World Trade Centre towers in New York by planes on September 11, 2001; and the ‘Falling Man’ icon – one of the most controversial images of 9/11; the image of one of the authors of this book, as close-up victim of the 7/7 terrorist attack on London, which the media quickly labelled iconic. This book will be of great interest to students of media and war, sociology, communications studies, cultural studies, terrorism studies and security studies in general.
Author: Charlie Winter Publisher: Oxford University Press ISBN: 0197667422 Category : Political Science Languages : en Pages : 262
Book Description
The summer of 2014--when the Islamic State seized Mosul, Iraq's second city; captured vast swathes of eastern Syria; and declared itself a latter-day Caliphate--marked a turning point in the history of photography, one that pushed its already contested relationship with reality to its very limits. Uniquely obsessed with narrative, image management and branding, the Islamic State used cameras as weapons in its formative years as a Caliphate. The tens of thousands of propaganda photographs captured during this time were used to denote policy, to navigate through defeat and, perhaps most importantly, to construct an impossible reality: a totalizing image-world of Salafi-Jihadist symbols and myths. Based on a deep examination of the 20,000 photographs Charlie Winter collected from the Islamic State's covert networks online in 2017, this book explores the process by which the Caliphate shook the foundations of modern war photography. Focusing on the period in which it was at its strongest, Winter identifies the implicit value systems that underpinned the Caliphate's ideological appeal, and evaluates its uniquely malign contribution to the history of the photographic image. The Terrorist Image travels to the heart of what made the Islamic State tick during its prime, providing unique insights into its global appeal and mobilization successes.
Author: Neville Bolt Publisher: ISBN: 9780231703161 Category : Communication in politics Languages : en Pages : 0
Book Description
Fast-moving, self-perpetuating images of violence have radically changed the nature of insurgency in modern times, and the global media trafficking in these images have fundamentally transformed the act and speed of the exchange among populations. First satellite TV, then laptops and the Internet, and now cellphones and social media, new technologies have revolutionized the act of communication and have collapsed the impediments of time and distance. Rebels who hope to overthrow states and revolutionaries who aim to establish transnational, ideological communities have only to utilize these dynamic technologies to advance their goals. Yet trial and error has also taught a key lesson: in a visual world, the pull of the violent image is more powerful and resonant than the draw of the carefully-crafted word. Neville Bolt dives headfirst into the innovative strategies of today's revolutionaries and their fascinating appropriation of the nineteenth-century practice of "propaganda of the deed," or the political act of violence. No longer is the terrorist act simply a means to push governments to overreact, therefore shredding their legitimacy and credibility. The deed has instead become an efficient tool to initiate a campaign of shock and awe, exposing and exploiting the grievances that underlie communities' fragile ties. Images of 9/11, 7/7, Abu Ghraib, and "collateral damage" are the contemporary weapons of choice. The Violent Image explores the emotional and psychological components of this visual "moment of shock," or the binding of emotive pictures to messages causing popular uprisings. From terrorist groups such as the Fenians and the Taliban to the architects of the ongoing Arab Spring, this study follows insurgents and their manipulation of violent imagery to build narratives and bring social change. Taking advantage of the "war of ideas," new revolutionaries generate surges of support that spread virally through global networks, often so quickly that states are unable to respond in time and kind. This book ultimately asks whether the world has reached a point in which insurgents and populations are driving images and ideas so rapidly that we are already in the grip of a new era of revolutionary politics.
Author: Louise Richardson Publisher: Random House Trade Paperbacks ISBN: 0812975448 Category : Political Science Languages : en Pages : 338
Book Description
“This is at the top of my list for best books on terrorism.” –Jessica Stern, author of Terror in the Name of God: Why Religious Militants Kill How can the most powerful country in the world feel so threatened by an enemy infinitely weaker than we are? How can loving parents and otherwise responsible citizens join terrorist movements? How can anyone possibly believe that the cause of Islam can be advanced by murdering passengers on a bus or an airplane? In this important new book, groundbreaking scholar Louise Richardson answers these questions and more, providing an indispensable guide to the greatest challenge of our age. After defining–once and for all–what terrorism is, Richardson explores its origins, its goals, what’s to come, and what is to be done about it. Having grown up in rural Ireland and watched her friends join the Irish Republican Army, Richardson knows from firsthand experience how terrorism can both unite and destroy a community. As a professor at Harvard, she has devoted her career to explaining terrorist movements throughout history and around the globe. From the biblical Zealots to the medieval Islamic Assassins to the anarchists who infiltrated the cities of Europe and North America at the turn of the last century, terrorists have struck at enemies far more powerful than themselves with targeted acts of violence. Yet Richardson understands that terrorists are neither insane nor immoral. Rather, they are rational political actors who often deploy carefully calibrated tactics in a measured and reasoned way. What is more, they invariably go to great lengths to justify their actions to themselves, their followers, and, often, the world. Richardson shows that the nature of terrorism did not change after the attacks of September 11, 2001; what changed was our response. She argues that the Bush administration’s “global war on terror” was doomed to fail because of an ignorance of history, a refusal to learn from the experience of other governments, and a fundamental misconception about how and why terrorists act. As an alternative, Richardson offers a feasible strategy for containing the terrorist threat and cutting off its grassroots support. The most comprehensive and intellectually rigorous account of terrorism yet, What Terrorists Want is a daring intellectual tour de force that allows us, at last, to reckon fully with this major threat to today’s global order. KIRKUS- starred review "The short answer? Fame and payback, perhaps even a thrill. The long answer? Read this essential, important primer. Terrorist groups have many motives and ideologies, notes Richardson (Executive Dean/Radcliffe Institute for Advanced Study), but they tend to similar paths: They are founded by mature, well-educated men but staffed by less learned and certainly more pliable youths; they are fueled by a sense of injustice and the conviction that only they are morally equipped to combat it; they see themselves as defenders and not aggressors; they often define the terms of battle. And, of course, this commonality: "Terrorists have elevated practices that are normally seen as the excesses of warfare to routine practice, striking noncombatants not as an unintended side effect but as a deliberate strategy." Thus massacres, suicide bombings and assassinations are all in a day's work. Richardson argues against Karl Rove, who after 9/11 mocked those who tried to understand the enemy, by noting that only when authorities make efforts to get inside the minds of their terrorist enemies do they succeed in defeating them, as with the leadership of the Shining Path movement in Peru. Still, as Rove knows, if terrorists share a pathology, then so do at least some of their victims: Once attacked, people in democratic societies are more than willing to trade freedom for security. Richardson closes by offering a set of guidelines for combating terrorism, with such easily remembered rules as "Live by your principles" and "Engage others in countering terrorists with you"–observing, in passing, that the Bush administration's attack on Iraq and subsequent occupation will likely be remembered as serving as a recruiting poster for still more terrorists. How to win? Develop communities, settle grievances, exercise patience and intelligence. That said, watch for more terrorism to come: "We are going to have to learn to live with it and to accept it as a price of living in a complex world." _________________________________________________________________________________ “Louise Richardson . . . has now produced the overdue and essential primer on terrorism and how to tackle it. What Terrorists Want is the book many have been waiting for.”—The New York Times Book Review (Editor’s Choice) “Lucid and powerful, Richardson’s book refutes the dangerous idea that there’s no point in trying to understand terrorists. . . . rich, readable.”—Los Angeles Times Book Review “The kind of brisk and accessible survey of terrorism-as-modus operandi that has been sorely missing for the past five years . . . [What Terrorists Want] ought to be required reading as the rhetoric mounts this campaign season.”—The American Prospect “Richardson is one of the relative handful of experts who have been studying the history and practice of terrorism since the Cold War. . . . This book is a welcome source of information. It’s written by a true expert, giving her measured thoughts.”—Christian Science Monitor “Richardson’s clear language and deep humanity make What Terrorists Want the one book that must be read by everyone who cares about why people resort to the tactic of terrorism.”–Desmond M. Tutu, Archbishop Emeritus “This is a book of hope. Terrorism, like the poor, will always be with us in one form or another. But given sensible policies, we can contain it without destroying what we hold dear.”–Financial Times “A passionate, incisive, and groundbreaking argument that provocatively overturns the myths surrounding terrorism.”–Mary Robinson, former president of Ireland and former UN High Commissioner for Human Rights “In its lucid analysis and summary, [What Terrorists Want] is simply the best thing of its kind available now in this highly crowded area.”–The Evening Standard “If a reader has the time to read only one book on terrorism, What Terrorists Want is that book. Extensive historical knowledge, personal contacts, enormous analytic skills, common sense, and a fine mix of lucidity and clarity, make of this work a most satisfying dissection of terrorists’ motives and goals, and of the effects of September 11, 2001. Richardson also offers a sharp critique of American counterterrorism policies, and a sensible plan for better ones.”–Stanley Hoffmann, Buttenwieser University Professor, Harvard University “An astonishingly insightful analysis by one of the world’s leading authorities on terrorism, this book is filled with wisdom–based not only on the author’s extensive and long-term study of terrorism but also on her experience growing up in a divided Ireland.”–Jessica Stern, author of Terror in the Name of God: Why Religious Militants Kill “A wide-ranging, clear headed, crisply written, cogently argued anatomy of terrorist groups around the world.”–Peter Bergen, senior fellow, New America Foundation, and author of The Osama bin Laden I Know: An Oral History of al Qaeda’s Leader “Among the numerous books published on terrorism after the 9/11 attacks, Louise Richardson’s stands out as an unusually wise, sensible, and humane treatise. An engrossing and lucid book, which hopefully will be read by many and spread its unique spirit of realistic optimism.” –Ariel Merari, Professor of Psychology, Tel Aviv University “Thoughtful and stimulating . . . Controversially, and indeed courageously, [Richardson] argues that, instead of regarding the terrorists–even al-Qaeda types–as mindless and irrational creatures motivated by dark forces of evil, it would be more constructive to examine and seek to moderate some of the grievances that drive previously normal and even nondescript characters to kill and maim innocent people they don’t even know.”–The Irish Times “A textbook and a myth-buster . . . [Richardson] is calling for nothing less than a total re-evaluation of how we consider, and react to, terrorism. . . . What Terrorists Want ought to be on the bookshelf in every government office. Certainly, for any student of international affairs it is an essential reading.” –The Atlantic Affairs
Author: Unattributed 9.11 Photographer Publisher: Good Press ISBN: Category : Political Science Languages : en Pages : 281
Book Description
This eBook edition of "9/11 Through The Lens" has been formatted to the highest digital standards and adjusted for all devices. 250 high resolution color photographs arranged in a chronological sequence and showing the disastrous aftermath of two airplanes crashing into the Twin Towers of the World Trade Center in lower Manhattan after being highjacked by terrorists on September 11, 2001. Includes the burning towers seen from uptown; the photographer's trip to the ground zero area; and the conditions north of the World Trade Center, near West Street. Also views of New York City Fire Department fire fighting and rescue operations in the areas near West Street, the Verizon Building, 7 World Trade Center, the North Bridge, the Customs House, the Winter Garden, and the American Express Tower at the World Financial Center.
Author: Tareq Y. Ismael Publisher: Routledge ISBN: 1136990186 Category : Political Science Languages : en Pages : 304
Book Description
From the terrorist attacks of September 11, 2001 in New York to the Madrid and London bombings of 2004 and 2005, the presence of Muslim communities in the West has generated security issues and major political concern. The government, the media, and the general public have raised questions regarding potential links between Western Muslims, radical Islam and terrorism. This speculation has given rise to popular myths concerning the Islamic world and led to a host of illiberal measures such as illegal warranting, denial of Habeas Corpus, "black prisons" and extreme torture throughout the democratic world. This book challenges the authenticity of these myths and examines the ways in which they have been used to provide an ideological cover for the "war on terror" and the subsequent Iraq war. It argues that they are not only unfounded and hollow, but have also served a dangerous purpose, namely war-mongering and the empowering of the national-security state. It further considers the origin and transmission of these myths, focusing on media, government policy and popular discourse.
Author: CHARLIE. WINTER
Author: CHARLIE. WINTER
Author: Charlie Winter
Author: Philip Jenkins
Author: W. J. T. Mitchell
Author: John Tulloch
Author: Charlie Winter
Author: Neville Bolt
Author: Louise Richardson
Author: Unattributed 9.11 Photographer
Author: Tareq Y. Ismael