Theatre in the Victorian Age PDF Download

Author: Michael R. Booth
Publisher: Cambridge University Press
ISBN: 9780521348379
Category : Drama
Languages : en
Pages : 244

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Book Description
A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.

Author: K. Newey
Publisher: Springer
ISBN: 0230276512
Category : Performing Arts
Languages : en
Pages : 268

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Book Description
This is the first book to explore the involvement of John Ruskin with the popular theatre of his time. Based on original archival research, this book offers a fresh look at the aesthetic and social theories of Ruskin and his direct and indirect influence on the commercial theatre of the late nineteenth century.

Author: John Mccormick
Publisher: University of Iowa Press
ISBN: 1587295180
Category : Art
Languages : en
Pages : 301

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Book Description
In this fascinating and colorful book, researcher and performer John McCormick focuses on the marionette world of Victorian Britain between its heyday after 1860 and its waning years from 1895 to 1914. Situating the rich and diverse puppet theatre in the context of entertainment culture, he explores both the aesthetics of these dancing dolls and their sociocultural significance in their life and time. The history of marionette performances is interwoven with live-actor performances and with the entire gamut of annual fairs, portable and permanent theatres, music halls, magic lantern shows, waxworks, panoramas, and sideshows. McCormick has drawn upon advertisements in the Era, an entertainment paper, between the 1860s and World War I, and articles in the World’s Fair, a paper for showpeople, in the first fifty years of the twentieth century, as well as interviews with descendants of the marionette showpeople and close examinations of many of the surviving puppets. McCormick begins his study with an exploration of the Victorian marionette theatre in the context of other theatrical events of the day, with proprietors and puppeteers, and with the venues where they performed. He further examines the marionette’s position as an actor not quite human but imitating humans closely enough to be considered empathetic; the ways that physical attributes were created with wood, paint, and cloth; and the dramas and melodramas that the dolls performed. A discussion of the trick figures and specialized acts that each company possessed, as well as an exploration of the theatre’s staging, lighting, and costuming, follows in later chapters. McCormick concludes with a description of the last days of marionette theatre in the wake of changing audience expectations and the increasing popularity of moving pictures. This highly enjoyable and readable study, often illuminated by intriguing anecdotes such as that of the Armenian photographer who fell in love with and abducted the Holden company’s Cinderella marionette in 1881, will appeal to everyone fascinated by the magic of nineteenth-century theatre, many of whom will discover how much the marionette could contribute to that magic.

Author: Michael R. Booth
Publisher: Routledge
ISBN: 131738945X
Category : Literary Criticism
Languages : en
Pages : 245

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Book Description
Originally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.

Author: A. Heinrich
Publisher: Springer
ISBN: 0230236790
Category : Performing Arts
Languages : en
Pages : 242

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Book Description
This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of 'Ruskinian theatre', an approach to theatre which values its educative purpose as well as its aesthetic expression.

Author: Amy Lehman
Publisher: McFarland
ISBN: 0786454717
Category : Performing Arts
Languages : en
Pages : 213

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Book Description
Spiritualists in the nineteenth century spoke of the "Borderland," a shadowy threshold where the living communed with the dead, and where those in the material realm could receive comfort or advice from another world. The skilled performances of mostly female actors and performers made the "Borderland" a theatre, of sorts, in which dramas of revelation and recognition were produced in the forms of seances, trances, and spiritualist lectures. This book examines some of the most fascinating American and British actresses of the Victorian era, whose performances fairly mesmerized their audiences of amused skeptics and ardent believers. It also focuses on the transformative possibilities of the spiritualist theatre, revealing how the performances allowed Victorian women to speak, act, and create outside the boundaries of their restricted social and psychological roles.

Author: Jane W. Stedman
Publisher: Oxford University Press, USA
ISBN: 9780198161745
Category : Composers
Languages : en
Pages : 424

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Book Description
Sir William Schwenck Gilbert (1836-1911) was the most brilliant dramatist of Victorian England. A daring and cynical playwright, the forerunner of Oscar Wilde and George Bernard Shaw, he was also a prolific journalist and humorous poet (his Bab Ballads are still widely read), and he achieved worldwide fame through his long collaboration with the composer Arthur Sullivan, a collaboration that created such classics as H. M. S. Pinafore, The Mikado, and all the other Savoy operas. Now the story of this remarkable writer's life - and of his stormy relationship with Sullivan - is here chronicled by a renowned authority on Gilbert and on the theatrical and literary scene in Victorian London. For this biography, Jane W. Stedman has returned to original sources, has interviewed survivors, and has scoured a whole variety of Victorian periodicals for reviews, and personal comment. Gilbert emerges as a much more complex and interesting figure than has previously been thought. The book is a worthy companion piece to Arthur Jacobs's recent biography Arthur Sullivan: A Victorian Musician.

Author: Kerry Powell
Publisher: Cambridge University Press
ISBN: 1139826425
Category : Drama
Languages : en
Pages : 312

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Book Description
This 2004 Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre, both in its own time and on the contemporary stage. The volume opens with a brief overview and introduction surveying the theatre of the time followed by an essay contextualizing the theatre within the frame of Victorian and Edwardian culture as a whole. Succeeding chapters examine specific aspects of performance, production, and theatre, including the music, the actors, stagecraft and the audiences themselves; plays and playwriting and issues of class and gender are also explored. Chapters also deal with comedy, farce and melodrama, while other essays bring forward new topics and approaches that cross the boundaries of traditional investigation, including analysis of the economics of theatre and of the theatricality of personal identity.

Author: Richard Southern
Publisher: Newton Abbot : David & Charles
ISBN:
Category : Performing Arts
Languages : en
Pages : 120

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Book Description

Author: Edward Ziter
Publisher: Cambridge University Press
ISBN: 9780521818292
Category : Drama
Languages : en
Pages : 260

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Book Description
This book explores the impact of the Middle East and the Orient on writing and performance in nineteenth-century British theatre.