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Author: Robert Wallace Publisher: ISBN: Category : Juvenile Nonfiction Languages : en Pages : 200
Book Description
A selection of the works of Leonardo the artist, the scientist and anticipator of the modern age of technology and invention is accompanied by a text which presents and analyzes the stages of Leonardo's life and growth, including numerous quotations from his own notes and writings.
Author: Robert Wallace Publisher: ISBN: Category : Juvenile Nonfiction Languages : en Pages : 200
Book Description
A selection of the works of Leonardo the artist, the scientist and anticipator of the modern age of technology and invention is accompanied by a text which presents and analyzes the stages of Leonardo's life and growth, including numerous quotations from his own notes and writings.
Author: Leonardo (da Vinci) Publisher: Metropolitan Museum of Art ISBN: 1588390330 Category : Drawing, Italian Languages : en Pages : 802
Book Description
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.
Author: Susie Hodge Publisher: Flame Tree Illustrated ISBN: 9781787552920 Category : Art Languages : en Pages : 0
Book Description
Exploring the life and works of the great artist, World’s Greatest Art: Da Vinci considers the achievements of Italy’s most well-known and influential artist. The book follows his artistic development, from early drawings and paintings while apprentice to artist Andrea del Verrocchio, to his later works, including the renowned Mona Lisa as well as his scientific observations and inventions that still impact the world today.
Author: Johannes Nathan Publisher: ISBN: 9783836554411 Category : Art Languages : en Pages : 0
Book Description
From anatomical studies to architectural plans, complex engineering designs to pudgy infant portraits: discover the delicate finesse of one of the most talented minds, and hands, in history. This Bibliotheca Universalis edition presents more than 600 of Leonardo da Vinci's masterful drawings.
Author: Leonardo da Vinci Publisher: Library of Alexandria ISBN: 1465514147 Category : Fiction Languages : en Pages : 1118
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Robert Wallace
Author: Robert Wallace
Author: R. Wallace
Author: Robert Wallace
Author: Robert Wallace
Author: Frank Zöllner
Author: Robert Wallace
Author: Leonardo (da Vinci)
Author: Susie Hodge
Author: Johannes Nathan
Author: Leonardo da Vinci