Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The World of Roman Song PDF full book. Access full book title The World of Roman Song by Thomas N. Habinek. Download full books in PDF and EPUB format.
Author: Thomas N. Habinek Publisher: JHU Press ISBN: 9780801881053 Category : Foreign Language Study Languages : en Pages : 356
Book Description
Winner of the Classics and Ancient History award in the Professional and Scholarly Publishing Awards given by the Association of American Publishers In this bold work, Thomas Habinek offers an entirely new theoretical perspective on Roman cultural history. Although English words such as "literature" and "religion" have their origins in Latin, the Romans had no such specific concepts. Rather, much of the sense of these words was captured in the Latin word carmen, usually translated into English as "song." Habinek argues that for the Romans, "song" encompassed a wide range of ritualized speech, including elements of poetry, storytelling, and even the casting of spells. Habinek begins with the fraternal societies, or sodalitates, which predated the Republic and endured into the Imperial era, and whose rites, although adapted over time to different deities and cults, were from the beginning centered on song (perhaps most notably in the ancient Carmen Saliare). He goes on to show how this early use of song became a paradigm for cultural reproduction throughout Roman history. Ritual mastery of the chaos of everyday life, embodied and enacted in song, produced and transmitted the beliefs on which Roman culture was founded and by which Roman communities were sustained. By the emergence of the Empire, "song," in all of its senses, served in particular to reproduce the power of the state, organizing relations of power at every level of society. The World of Roman Song presents a systematic and comprehensive approach to Roman cultural history. Informed and imaginative, this book challenges classicists, social theorists, and literary scholars to engage in a provocative discussion of the power of song.
Author: Thomas N. Habinek Publisher: JHU Press ISBN: 9780801881053 Category : Foreign Language Study Languages : en Pages : 356
Book Description
Winner of the Classics and Ancient History award in the Professional and Scholarly Publishing Awards given by the Association of American Publishers In this bold work, Thomas Habinek offers an entirely new theoretical perspective on Roman cultural history. Although English words such as "literature" and "religion" have their origins in Latin, the Romans had no such specific concepts. Rather, much of the sense of these words was captured in the Latin word carmen, usually translated into English as "song." Habinek argues that for the Romans, "song" encompassed a wide range of ritualized speech, including elements of poetry, storytelling, and even the casting of spells. Habinek begins with the fraternal societies, or sodalitates, which predated the Republic and endured into the Imperial era, and whose rites, although adapted over time to different deities and cults, were from the beginning centered on song (perhaps most notably in the ancient Carmen Saliare). He goes on to show how this early use of song became a paradigm for cultural reproduction throughout Roman history. Ritual mastery of the chaos of everyday life, embodied and enacted in song, produced and transmitted the beliefs on which Roman culture was founded and by which Roman communities were sustained. By the emergence of the Empire, "song," in all of its senses, served in particular to reproduce the power of the state, organizing relations of power at every level of society. The World of Roman Song presents a systematic and comprehensive approach to Roman cultural history. Informed and imaginative, this book challenges classicists, social theorists, and literary scholars to engage in a provocative discussion of the power of song.
Author: Tosca A. C. Lynch Publisher: John Wiley & Sons ISBN: 1119275504 Category : History Languages : en Pages : 565
Book Description
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
Author: Lauren Curtis Publisher: Cambridge University Press ISBN: 1108923704 Category : History Languages : en Pages : 381
Book Description
In Greek mythology, the Muses are Memory's daughters. Their genealogy suggests a deep connection between music and memory in Graeco-Roman culture, but how was this connection understood and experienced by ancient authors, artists, performers, and audiences? How is music remembered and how does it memorialize in a world before recording technology, where sound accumulated differently than it does today? This volume explores music's role in the discourses of cultural memory, communication, and commemoration in ancient Greek and Roman societies. It reveals the many and varied ways in which musical memory formed a fundamental part of social, cultural, ritual, and political life in ancient Greek- and Latin-speaking communities, from classical Athens to Ptolemaic Alexandria and ancient Rome. Drawing on the contributors' interdisciplinary expertise in art history, philology, performance studies, history, and ethnomusicology, eleven original chapters and the editors' Introduction offer new approaches for the study of Graeco-Roman music and musical culture.
Author: Samuel N. Rosenberg Publisher: U of Nebraska Press ISBN: 9780803238985 Category : Music Languages : en Pages : 210
Book Description
The Roman de Fauvel describes the career of Fauvel, a horse-like figure whose overweening ambitions lead the writer to lament the evils of the world. He excites the attentions of the rich and powerful, presumes to court Lady Fortune, and provokes allÿkinds of outrage and grief. His very name is an anagram for Flaterie, Avarice, Vilanie, Varit (fickleness), Envie, and Lachet (cowardice). A long poetic narrative enlivened by polyphonic and monophonic songs, chants, and pictures, the Roman makes use of allegory and satire to express vehement moral criticism of the late medieval royal court and Church. This is the first modern, critical edition of the monophonic songs collected in the Roman de Fauvel in the early fourteenth century. Samuel N. Rosenberg and Hans Tischler set out to establish and interpret the lyrics and music of all the monophonic pieces, some seventy in all. Accompanying the full poetic and music texts are their English translations from the original Latin and French. This edition represents the kinds of close collaboration between philologist and musicologist that the Fauvel songs call fro but have never before received. Illustrating a wide variety of form and styles?including chivalric love songs, dance pieces, ballades, rondeaux, and nonsense compositions?The Monophonic Songs in the Roman de Fauvel is an extraordinary valuable anthology of music and a treasure trove of information about the period.
Author: James B. Tschen-Emmons Publisher: Bloomsbury Publishing USA ISBN: 1610696204 Category : Art Languages : en Pages : 361
Book Description
When Roman objects and artifacts are properly analyzed, they serve as valuable primary sources for learning about ancient history. This book provides the guidance and relevant historical context students need to see relics as evidence of long-past events and society. Artifacts from Ancient Rome is a unique social history that explores major aspects of daily life in a long-ago era via images of physical objects and historical information about these items. This book also affords "hands-on training" on how to approach primary sources. The author—a historian also trained as an archaeologist—begins by explaining the concept of using artifacts to understand and "see" the past and providing a primer for effectively analyzing artifacts. Entries on the artifacts follow, with each containing an introduction, a description of the artifact, an explanation of its significance, and a list of further sources of information. Readers of the book will not only gain a composite impression of daily life in ancient Rome through the study of artifacts from domestic life, religion, war, transportation, entertainment, and more, but will also learn how to best understand and analyze primary sources for learning.
Author: Rex Winsbury Publisher: A&C Black ISBN: 0715638297 Category : Literary Criticism Languages : en Pages : 249
Book Description
What was a Roman book? How did it differ from modern books? How were Roman books composed, published and distributed during the high period of Roman literature that encompassed, among others, Virgil, Horace, Ovid, Martial, Pliny and Tacitus? What was the ‘scribal art’ of the time? What was the role of bookshops and libraries? The publishing of Roman books has often been misrepresented by false analogies with contemporary publishing. This wide-ranging study re-examines, by appeal to what Roman authors themselves tell us, both the raw material and the aesthetic criteria of the Roman book, and shows how slavery was the ‘enabling infrastructure’ of literature. Roman publishing is placed firmly in the context of a society where the spoken still ranked above the written, helping to explain how some books and authors became politically dangerous and how the Roman book could be both an elite cultural icon and a contributor to Rome’s popular culture through the mass medium of the theatre.
Author: Basil Dufallo Publisher: University of Michigan Press ISBN: 0472221124 Category : History Languages : en Pages : 394
Book Description
The story of Roman Hellenism—defined as the imitation or adoption of something Greek by those subject to or operating under Roman power—begins not with Roman incursions into the Greek mainland, but in Italy, where our most plentiful and spectacular surviving evidence is concentrated. Think of the architecture of the Roman capital, the Campanian towns of Pompeii and Herculaneum buried by Vesuvius, and the Hellenic culture of the Etruscans. Perhaps “everybody knows” that Rome adapted Greek culture in a steadily more “sophisticated” way as its prosperity and might increased. This volume, however, argues that the assumption of smooth continuity, let alone steady “improvement,” in any aspect of Roman Hellenism can blind us to important aspects of what Roman Hellenism really is and how it functions in a given context. As the first book to focus on the comparison of Roman Hellenisms per se, Comparing Roman Hellenisms in Italy shows that such comparison is especially valuable in revealing how any singular instance of the phenomenon is situated and specific, and has its own life, trajectory, circumstances, and afterlife. Roman Hellenism is always a work in progress, is often strategic, often falls prey to being forgotten, decontextualized, or reread in later periods, and thus is in important senses contingent. Further, what we may broadly identify as a Roman Hellenism need not imply Rome as the only center of influence. Roman Hellenism is often decentralized, and depends strongly on local agents, aesthetics, and materials. With this in mind, the essays concentrate geographically on Italy to lend both focus and breadth to our topic, as well as to emphasize the complex interrelation of Hellenism at Rome with Rome’s surroundings. Because Hellenism, whether as practiced by Romans or Rome’s subjects, is in fact widely diffused across far-flung geographical regions, the final part of the collection gestures to this broader context.
Author: Charles Goldberg Publisher: Routledge ISBN: 1000299007 Category : History Languages : en Pages : 243
Book Description
This volume explores the role that republican political participation played in forging elite Roman masculinity. It situates familiarly "manly" traits like militarism, aggressive sexuality, and the pursuit of power within a political system based on power sharing and cooperation. In deliberations in the Senate, at social gatherings, and on military campaign, displays of consensus with other men greased the wheels of social discourse and built elite comradery. Through literary sources and inscriptions that offer censorious or affirmative appraisal of male behavior from the Middle and Late Republic (ca. 300–31 BCE) to the Principate or Early Empire (ca. 100 CE), this book shows how the vir bonus, or "good man," the Roman persona of male aristocratic excellence, modulated imperatives for personal distinction and military and sexual violence with political cooperation and moral exemplarity. While the advent of one-man rule in the Empire transformed political power relations, ideals forged in the Republic adapted to the new climate and provided a coherent model of masculinity for emperor and senator alike. Scholars often paint a picture of Republic and Principate as distinct landscapes, but enduring ideals of male self-fashioning constitute an important continuity. Roman Masculinity and Politics from Republic to Empire provides a fascinating insight into the intertwined nature of masculinity and political power for anyone interested in Roman political and social history, and those working on gender in the ancient world more broadly.
Author: Thomas N. Habinek
Author: Thomas N. Habinek
Author: Jack Lindsay
Author: Tosca A. C. Lynch![Modern Music and Musicians: The pianist's guide. Preface ; The world's one hundred greatest piano pieces ; Famous pianists ; The leading methods of piano playing ; Special points of piano technics ; Hints to piano students ; Musical theory ; The orchestra and the art of conducting ; Special articles ; A history of music ; Stories of the opera[s] ; Stories of modern operas PDF](https://books.google.com/books/content/images/frontcover/wxZKAQAAMAAJ?fife=w80-h100)
Author: 
Author: Lauren Curtis
Author: Samuel N. Rosenberg
Author: James B. Tschen-Emmons
Author: Rex Winsbury
Author: Basil Dufallo
Author: Charles Goldberg