Author: Barbara Fuchs Publisher: Bloomsbury Publishing ISBN: 1350231835 Category : Performing Arts Languages : en Pages : 247
Book Description
Offering one of the first scholarly examinations of digital and distanced performance since the global shutdown of theaters in March 2020, Barbara Fuchs provides both a record of the changes and a framework for thinking through theater's transformation. Though born of necessity, recent productions offer a new world of practice, from multi-platform plays on Zoom, WhatsApp, and Instagram, to enhancement via filters and augmented reality, to urban distanced theater that enlivens streetscapes and building courtyards. Based largely outside the commercial theater, these productions transcend geographic and financial barriers to access new audiences, while offering a lifeline to artists. This study charts how virtual theater puts pressure on existing assumptions and definitions, transforming the conditions of both theater-making and viewership. How are participatory, site-specific, or devised theater altered under physical-distancing requirements? How do digital productions blur the line between film and theater? What does liveness mean in a time of pandemic? In its seven chapters, Theater of Lockdown focuses on digital and distanced productions from the Americas, Europe, and Australia, offering scholarly analysis and interviews. Productions examined include Theater in Quarantine's “closet work” in New York; Forced Entertainment's (Sheffield, UK), End Meeting for All, I, II, and III; the work of Madrid-based company Grumelot; and the virtuosic showmanship of EFE Tres in Mexico City.
Author: Kc Wayland Publisher: ISBN: 9781682734094 Category : Languages : en Pages : 373
Book Description
Lockdown follows a small group of inmates and guards trapped inside a section of Twin Towers Jail, in L.A. As the dichotomy of the guard/inmate relationship continues to break down, they are forced to work together and find a way to escape while the rest of the world ends around them. Everything is made worse with the discovery that much of the prison population has developed a sickness that makes them violent and deranged; inhuman. The story is written and designed to be an audio drama, a thrilling adventure in the "Theater for the mind" that create a unique aural world for the listener.
Author: Caridad Svich Publisher: Bloomsbury Publishing ISBN: 1350241083 Category : Performing Arts Languages : en Pages : 255
Book Description
Featuring conversations with theatre makers in the US and UK during the first 8 months of the Covid-19 lockdown, this collection reveals the innovations in digital theatre as artists, companies and theatres had to adjust to the restrictions and formulate new ways of working and reaching audiences. Besides documenting in their own words the work that was generated, this book captures the artists' dreams for a new post-Covid reality in which theatre is reimagined and issues of racial and economic injustice are addressed. With conversations grouped under 5 broad areas, a host of theatre makers candidly discuss the present and the future of theatre: * R/evolution: How should theatre evolve rather than re-set? What kind of field could this be, if the arts sector is to survive in the US and UK and if white supremacist, classist, ableist, and patriarchal structures are dismantled, and acts of regeneration and reformation occur? * What does theatre look like at the local and hyper-local level and when working with young people and communities at risk? * What are the challenges of creating work in the digital realm and/or exploring socially distanced performance in new ways? * How may theatre address social inequalities and be a place for acts of political and artistic resistance? How has the pandemic galvanised their commitments to communities, arts advocacy, use of languages on the stage and page, and considerations of the living archive? * Acts of communion with audiences, readers, fellow artists, students, and within ensembles and collectives. How do we find new ways to gather and make when liveness and the shared experience are challenged?
Author: Erin Sullivan Publisher: ISBN: 9781350247833 Category : Digital media Languages : en Pages : 256
Book Description
"This edited collection offers the first in-depth analysis and sourcebook for 'lockdown Shakespeare'. It brings together scholars of stage, screen, early modern and adaptation studies to examine the work that emerged during the COVID-19 pandemic of 2020 and considers issues of form, liveness, reception and community. Interviews with theatre makers and artists illuminate the challenges and benefits of creating new work online, while educators consider how digital tools have facilitated the teaching of Shakespeare through performance. Together, the chapters in this book offer readers the definitive work on the evolution and adaptation of Shakespeare online during the global pandemic. From The Show Must Go Online , which presented the entire canon via YouTube, to Creation Theatre's interactive The Tempest and Macbeth , which used Zoom as their stage, the book documents the variety and richness of work that emerged. It reveals how, by taking Shakespeare online in new and innovative ways, the theatre industry sparked the evolution of new forms of performance with their own conventions, aesthetics and notions of liveness. Such work also opened up possibilities for international collaboration, with many productions involving casts spread across several countries and attracting audiences located around the world. Productions discussed include TSMGO 's T he Winter's Tale, Arden Theatre Company's A Midsummer Night's Dream and Matthew Warcus's In Camera: Lungs."--
Author: David Weber-Krebs Publisher: ISBN: 9789493148383 Category : Languages : en Pages : 288
Book Description
Locked down at home during the first wave of Covid-19, David Weber-Krebs kept on thinking about the day when theatres would open their doors again. At that point, it was somehow difficult to even picture that moment. On the 8th of April, 2020, in the middle of the lockdown, David sent an e-mail to his peers: artists, scholars, curators, and spectators belonging to different art communities. In this e-mail, there was a simple question: What will happen on your first theatre visit after the lockdown? It was an invitation to imagine the future of theatre from this very specific moment when theatres were all closed and when it was not clear how and when and if they would open again.
Author: Caridad Svich Publisher: ISBN: 9781350241091 Category : Theater Languages : en Pages : 248
Book Description
"Featuring conversations with theatre-makers in the US and UK during the first eight months of Covid-19 lockdown, this collection reveals the innovations in digital theatre as artists, companies and theatres had to adjust to the restrictions and formulate new ways of working and reaching audiences. Besides documenting in their own words the work that was generated, the book captures the artists' dreams for a new post-Covid reality in which theatre is reimagined and issues of racial and economic injustice are addressed. With conversations grouped under 5 broad areas, a host of theatre-makers candidly discuss the present and the future of theatre: * R/evolution: How should theatre evolve rather than re-set? What kind of field could this be, if the arts sector is to survive in the US and UK and if white supremacist, classist, ableist and patriarchal structures are dismantled and acts of regeneration and reformation occur? * What does theatre look like at the local and hyper-local level and when working with young people and communities at risk? * The challenges of creating work in the digital realm and/or exploring socially distanced performance in new ways. * How may theatre address social inequalities and be a place for acts of political and artistic resistance? How has the pandemic galvanised their commitments to communities, arts advocacy, use of languages on the stage and page, and considerations of the living archive? * Acts of communion with audiences, readers, fellow artists, students, and within ensembles and collectives. How do we find new ways to gather and make when liveness and the shared experience are challenged?"--
Author: Gemma Kate Allred Publisher: Bloomsbury Publishing ISBN: 1350247812 Category : Performing Arts Languages : en Pages : 297
Book Description
This edited collection offers the first in-depth analysis and sourcebook for 'Lockdown Shakespeare'. It brings together scholars of stage, screen, early modern and adaptation studies to examine the work that emerged during the Covid-19 pandemic and considers issues of form, liveness, reception, presence and community. Interviews with theatre makers and artists illuminate the challenges and benefits of creating new work online, while educators consider how digital tools have facilitated the teaching of Shakespeare through performance. Together, the chapters in this book offer readers the definitive work on the performance and adaptation of Shakespeare online during the pandemic. From The Show Must Go Online, which presented Shakespeare's First Folio via YouTube, to Creation Theatre and Big Telly's interactive The Tempest and Macbeth, which used Zoom as their stage, the book documents the variety and richness of work that emerged during the pandemic. It reveals how, by taking Shakespeare online in new and innovative ways, the theatre industry sparked the evolution of new forms of performance with their own conventions, aesthetics and notions of liveness. Among the other productions discussed are Arden Theatre Company's A Midsummer Night's Dream, Tender Claws' 'The Under Presents: Tempest', The Shakespeare Ensemble's What You Will, Merced Shakespearefest's Ricardo II, CtrlAltRepeat's Midsummer Night Stream, Sally McLean's Shakespeare Republic: #AllTheWebsAStage (The Lockdown Chronicles) and Justina Taft Mattos's Moore – A Pacific Island Othello.
Author: Danielle Rosvally Publisher: Bloomsbury Publishing ISBN: 1350318485 Category : Drama Languages : en Pages : 265
Book Description
What does it mean for early modern theatre to be 'live'? How have audiences over time experienced a sense of 'liveness'? This collection extends discussions of liveness to works from the 16th and 17th centuries, both in their initial incarnations and contemporary adaptations. Drawing on theatre and performance studies, as well as media theory, this volume uses the concept of liveness to consider how early modern theatre – including non-Western and non-traditional performance – employs embodiment, materiality, temporality and perception to impress on its audience a sensation of presence. The volume's contributors adopt varying approaches and cover a range of topics from material and textual studies, to early modern rehearsal methods, to digital and VR theatre, to the legacy of Shakespearean performance in global theatrical repertoires. This collection uses both early modern and contemporary performance practices to challenge our understanding of live performance. Productions and adaptions discussed include the Royal Shakespeare Company's Dream (2021), CREW's Hands on Hamlet (2017), Kit Monkman's Macbeth (2018), Arslanköy Theatre Company's Kraliçe Lear (2019), and a season of productions by the Original Practice Shakespeare Festival. Early Modern Liveness looks beyond theatrical events as primary sites of interpretive authority and examines the intimate and ephemeral experience of encountering early modern theatre in its diverse manifestations.
Author: Jason Pizzarello Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
Inspired by true events, a group of theater students have just finished performing a play when the unthinkable happens - the school goes under lockdown. Caught in various rooms throughout the school, the students have to figure out what to do, who to trust, and if they're ever going to feel safe again.
Author: Barbara Fuchs
Author: Barbara Fuchs
Author: Kc Wayland
Author: Caridad Svich
Author: Erin Sullivan
Author: David Weber-Krebs
Author: Caridad Svich
Author: Gemma Kate Allred
Author: Danielle Rosvally
Author: Jason Pizzarello