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Author: Michele K. Gillespie Publisher: LSU Press ISBN: 9780807136638 Category : History Languages : en Pages : 240
Book Description
"A sweeping yet rigorous analysis of Dixon and his work. The collection approaches the southern intellectual through multiple methodologies -- from literary theory and film studies to social history and religious studies. We get an exhaustive yet diverse perspective on Dixon's influence and legacy." -- Journal of American History Thomas Dixon Jr. (1864--1946), best remembered today as the author of the racist novels that served as the basis for D. W. Griffith's controversial 1915 classic film The Birth of a Nation, also enjoyed great renown in his lifetime as a minister, lecturer, lawyer, and actor. Although this native southerner's blatantly racist, chauvinistic, and white supremacist views are abhorrent today, his contemporary audiences responded enthusiastically to Dixon. In Thomas Dixon Jr. and the Birth of Modern America, distinguished scholars of religion, film, literature, music, history, and gender studies offer a provocative examination of Dixon's ideas, personal life, and career and in the process illuminate the evolution of white racism in the early twentieth century and its legacy down to the present. The contributors analyze Dixon's sermons, books, plays, and films seeking to understand the appeal of his message within the white culture of the Progressive era. They also explore the critical responses of African Americans contemporary with Dixon. By delving into the context and complexity of Dixon's life, the contributors also raise fascinating questions about the power of popular culture in forming Americans' views in any age. "An important and valuable addition to the literature on turn-of-the-century white supremacy." -- Journal of Southern History
Author: Michele K. Gillespie Publisher: LSU Press ISBN: 9780807136638 Category : History Languages : en Pages : 240
Book Description
"A sweeping yet rigorous analysis of Dixon and his work. The collection approaches the southern intellectual through multiple methodologies -- from literary theory and film studies to social history and religious studies. We get an exhaustive yet diverse perspective on Dixon's influence and legacy." -- Journal of American History Thomas Dixon Jr. (1864--1946), best remembered today as the author of the racist novels that served as the basis for D. W. Griffith's controversial 1915 classic film The Birth of a Nation, also enjoyed great renown in his lifetime as a minister, lecturer, lawyer, and actor. Although this native southerner's blatantly racist, chauvinistic, and white supremacist views are abhorrent today, his contemporary audiences responded enthusiastically to Dixon. In Thomas Dixon Jr. and the Birth of Modern America, distinguished scholars of religion, film, literature, music, history, and gender studies offer a provocative examination of Dixon's ideas, personal life, and career and in the process illuminate the evolution of white racism in the early twentieth century and its legacy down to the present. The contributors analyze Dixon's sermons, books, plays, and films seeking to understand the appeal of his message within the white culture of the Progressive era. They also explore the critical responses of African Americans contemporary with Dixon. By delving into the context and complexity of Dixon's life, the contributors also raise fascinating questions about the power of popular culture in forming Americans' views in any age. "An important and valuable addition to the literature on turn-of-the-century white supremacy." -- Journal of Southern History
Author: Adena Spingarn Publisher: Stanford University Press ISBN: 1503606090 Category : Literary Criticism Languages : en Pages : 452
Book Description
Uncle Tom charts the dramatic cultural transformation of perhaps the most controversial literary character in American history. From his origins as the heroic, Christ-like protagonist of Harriet Beecher Stowe's anti-slavery novel, the best-selling book of the nineteenth century after the Bible, Uncle Tom has become a widely recognized epithet for a black person deemed so subservient to whites that he betrays his race. Readers have long noted that Stowe's character is not the traitorous sycophant that his name connotes today. Adena Spingarn traces his evolution in the American imagination, offering the first comprehensive account of a figure central to American conversations about race and racial representation from 1852 to the present. We learn of the radical political potential of the novel's many theatrical spinoffs even in the Jim Crow era, Uncle Tom's breezy disavowal by prominent voices of the Harlem Renaissance, and a developing critique of "Uncle Tom roles" in Hollywood. Within the stubborn American binary of black and white, citizens have used this rhetorical figure to debate the boundaries of racial difference and the legacy of slavery. Through Uncle Tom, black Americans have disputed various strategies for racial progress and defined the most desirable and harmful images of black personhood in literature and popular culture.
Author: Daylet Domínguez Publisher: Taylor & Francis ISBN: 1000932680 Category : Literary Collections Languages : en Pages : 140
Book Description
With a focus on nineteenth century Cuba, this volume examines understudied forms of mobility and networks that emerged during Second Slavery. After being forcibly taken across the Atlantic, enslaved Africans were moved within Cuba, and sometimes sold to owners in other Caribbean islands or the U.S. South. The chapters included in this book, written by historians and literary critics, pay special attention to debates between abolitionists and proslavery ideologues, the ways in which people and ideas moved from the countryside to the city, from one Caribbean Island to the next, and from the United States or the coasts of West Africa to the sugarcane fields. They examine how enslaved persons ran away or were captured and coerced to relocate; how they mobilized information and ideas to ameliorate their situation; and how they were used to advance other people’s interests. Movement, these chapters show, was regularly deployed to reinforce enslavement and the suppression of rights, while at times helping people in their struggle for freedom. This book will be a great resource for academics, researchers, and advanced students of Latin American Literature, Global Slavery and Postcolonial Studies. The chapters were originally published in the journal Atlantic Studies: Global Currents.
Author: Gaines M. Foster Publisher: LSU Press ISBN: 0807181951 Category : History Languages : en Pages : 280
Book Description
The Limits of the Lost Cause challenges prevailing ways of thinking about the impact of the Civil War on the American South. Above all, Gaines Foster’s work encourages Americans to confront the new divisions within their society even as they wrestle with old national—not just southern—failings.
Author: Carole Emberton Publisher: LSU Press ISBN: 0807166030 Category : History Languages : en Pages : 305
Book Description
Academic studies of the Civil War and historical memory abound, ensuring a deeper understanding of how the war’s meaning has shifted over time and the implications of those changes for concepts of race, citizenship, and nationhood. The Reconstruction era, by contrast, has yet to receive similar attention from scholars. Remembering Reconstruction ably fills this void, assembling a prestigious lineup of Reconstruction historians to examine the competing social and historical memories of this pivotal and violent period in American history. Many consider the period from 1863 (beginning with slave emancipation) to 1877 (when the last federal troops were withdrawn from South Carolina and Louisiana) an “unfinished revolution” for civil rights, racial-identity formation, and social reform. Despite the cataclysmic aftermath of the war, the memory of Reconstruction in American consciousness and its impact on the country’s fraught history of identity, race, and reparation has been largely neglected. The essays in Remembering Reconstruction advance and broaden our perceptions of the complex revisions in the nation's collective memory. Notably, the authors uncover the impetus behind the creation of black counter-memories of Reconstruction and the narrative of the “tragic era” that dominated white memory of the period. Furthermore, by questioning how Americans have remembered Reconstruction and how those memories have shaped the nation's social and political history throughout the twentieth century, this volume places memory at the heart of historical inquiry.
Author: Lloyd E. Ambrosius Publisher: Cambridge University Press ISBN: 1107163064 Category : History Languages : en Pages : 283
Book Description
This book critiques President Woodrow Wilson's statecraft and diplomacy during World War I, notably with respect to religion and race.
Author: Adam McKible Publisher: Columbia University Press ISBN: 0231559496 Category : Literary Criticism Languages : en Pages : 178
Book Description
In the early twentieth century, the Saturday Evening Post was perhaps the most popular and influential magazine in the United States, establishing literary reputations and shaping American culture. In the popular imagination, it is best remembered for Norman Rockwell’s covers, which nostalgically depicted a wholesome and idyllic American way of life. But beneath those covers lurked a more troubling reality. Under the direction of its longtime editor, George Horace Lorimer, the magazine helped justify racism and white supremacy. It published works by white authors that made heavy use of paternalistic tropes and demeaning humor, portraying Jim Crow segregation and violence as simple common sense. Circulating Jim Crow demonstrates how the Post used stereotypical dialect fiction to promulgate white supremacist ideology and dismiss Black achievements, citizenship, and humanity. Adam McKible tells the story of Lorimer’s rise to prominence and examines the white authors who provided the editor and his readers with the caricatures they craved. He also explores how Black writers of the Harlem Renaissance pushed back against the Post and its commodified racism. McKible places the erstwhile household names who wrote for the magazine in conversation with figures such as Paul Laurence Dunbar, F. Scott Fitzgerald, Ann Petry, W. E. B. Du Bois, and William Faulkner. Revealing the role of the Saturday Evening Post in normalizing racism for millions of readers, this book also offers a new understanding of how Black writers challenged Jim Crow ideology.
Author: Andrew B. Leiter Publisher: LSU Press ISBN: 0807146358 Category : Literary Criticism Languages : en Pages : 570
Book Description
Andrew B. Leiter presents the first book-length study of the sexually violent African American man, or "black beast," as a composite literary phenomenon. According to Leiter, the black beast theme served as a fundamental link between the Harlem and Southern Renaissances, with writers from both movements exploring its psychological, cultural, and social ramifications. Indeed, Leiter asserts that the two groups consciously engaged one another's work as they struggled to define roles for black masculinity in a society that viewed the black beast as the raison d'être for segregation. Leiter begins by tracing the nineteenth-century origins of the black beast image, and then provides close readings of eight writers who demonstrate the crucial impact anxieties about black masculinity and interracial sexuality had on the formation of American literary modernism. James Weldon Johnson's The Autobiography of an Ex-Colored Man, Walter White's The Fire in the Flint, George Schuyler's Black No More, William Faulkner's Light in August, Margaret Mitchell's Gone with the Wind, Allen Tate's The Fathers, Erskine Caldwell's Trouble in July, and Richard Wright's Native Son, as well as other works, provide strong evidence that perceptions of black male sexual violence shaped segregation, protest traditions, and the literature that arose from them. Leiter maintains that the environment of southern race relations -- which allowed such atrocities as the Atlanta riot of 1906, numerous lynchings, Virginia's Racial Integrity Act, and the Scottsboro trials -- influenced in part the development of both the Harlem and Southern Renaissances. While the black beast image had the most pernicious impact on African American individual and communal identities, he says the "threat" of black masculinity also shaped concepts of white national and communal identities, as well as white femininity and masculinity. In the Shadow of the Black Beast signals a fresh interpretation of a literary stereotype within its social and historical context.
Author: Michele K. Gillespie
Author: Michele K. Gillespie
Author: Thomas Dixon
Author: Thomas Dixon
Author: Adena Spingarn
Author: Daylet Domínguez
Author: Gaines M. Foster
Author: Carole Emberton
Author: Lloyd E. Ambrosius
Author: Adam McKible
Author: Andrew B. Leiter