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Author: Tessa Roynon Publisher: OUP Oxford ISBN: 0191501670 Category : History Languages : en Pages : 234
Book Description
In this volume, Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Discussing all ten of her published novels to date, Roynon examines the ways in which classical myth, literature, history, social practice, and religious ritual make their presence felt in Morrison's writing. Combining original and detailed close readings with broader theoretical discussion, she argues that Morrison's classical allusiveness is characterized by a strategic ambivalence. Adopting a thematic, rather than novel-by-novel approach, Roynon demonstrates that Morrison's classicism is fundamental to the transformative critique of American history and culture that her work effects. Building on recent developments in race theory, transnational studies, and Classical Reception studies, the volume positions Morrison within a genealogy of intellectuals who have challenged the purported conservative nature of Greek and Roman tradition, and who have revealed its construction as a 'white' or pure and purifying force to be a fabrication of the Enlightenment. Exploring the ways in which Morrison's dialogue with Homer, Aeschylus, Euripides, Virgil, and Ovid relates to her simultaneous dialogue with many other American literary forebears - from Cotton Mather to Willa Cather, or from Pauline Hopkins to F.Scott Fitzgerald and William Faulkner - Roynon shows that Morrison's classicism enables her to fulfil her own imperative that 'the past has to be revised'.
Author: Tessa Roynon Publisher: OUP Oxford ISBN: 0191501670 Category : History Languages : en Pages : 234
Book Description
In this volume, Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Discussing all ten of her published novels to date, Roynon examines the ways in which classical myth, literature, history, social practice, and religious ritual make their presence felt in Morrison's writing. Combining original and detailed close readings with broader theoretical discussion, she argues that Morrison's classical allusiveness is characterized by a strategic ambivalence. Adopting a thematic, rather than novel-by-novel approach, Roynon demonstrates that Morrison's classicism is fundamental to the transformative critique of American history and culture that her work effects. Building on recent developments in race theory, transnational studies, and Classical Reception studies, the volume positions Morrison within a genealogy of intellectuals who have challenged the purported conservative nature of Greek and Roman tradition, and who have revealed its construction as a 'white' or pure and purifying force to be a fabrication of the Enlightenment. Exploring the ways in which Morrison's dialogue with Homer, Aeschylus, Euripides, Virgil, and Ovid relates to her simultaneous dialogue with many other American literary forebears - from Cotton Mather to Willa Cather, or from Pauline Hopkins to F.Scott Fitzgerald and William Faulkner - Roynon shows that Morrison's classicism enables her to fulfil her own imperative that 'the past has to be revised'.
Author: Tessa Roynon Publisher: BAAS Paperbacks ISBN: 9781474434041 Category : Literary Criticism Languages : en Pages : 288
Book Description
This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson.
Author: Justine Baillie Publisher: A&C Black ISBN: 1441183108 Category : Literary Criticism Languages : en Pages : 239
Book Description
Covering her essays, short stories and dramatic works as well as her novels, this is a comprehensive study of Morrison's place in contemporary American culture.
Author: Patrice D. Rankine Publisher: Univ of Wisconsin Press ISBN: 0299220036 Category : Literary Criticism Languages : en Pages : 268
Book Description
In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca. Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics—contrary to expectations throughout American culture—has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America’s broader cultural integrity, one that is inclusive and historic. Outstanding Academic Title, Choice Magazine
Author: T. Walters Publisher: Springer ISBN: 0230608876 Category : Literary Criticism Languages : en Pages : 197
Book Description
This is a groundbreaking study exploring the significant relationship between western classical mythology and African American women's literature. A comparative analysis of classical revisions by eighteenth and nineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from the Black female perspective and to counteract denigrating contemporary cultural and social myths that disempower and devalue Black womanhood. Through their adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberating space where they can 'speak the unspeakable' and empower their subjects as well as themselves.
Author: Brett M. Rogers Publisher: Classical Presences ISBN: 0190228334 Category : History Languages : en Pages : 401
Book Description
For all its concern with change in the present and future, science fiction is deeply rooted in the past and, surprisingly, engages especially deeply with the ancient world. Indeed, both as an area in which the meaning of "classics" is actively transformed and as an open-ended set of texts whose own 'classic' status is a matter of ongoing debate, science fiction reveals much about the roles played by ancient classics in modern times. Classical Traditions in Science Fiction is the first collection in English dedicated to the study of science fiction as a site of classical receptions, offering a much-needed mapping of that important cultural and intellectual terrain. This volume discusses a wide variety of representative examples from both classical antiquity and the past four hundred years of science fiction, beginning with science fiction's "rosy-fingered dawn" and moving toward the other-worldly literature of the present day. As it makes its way through the eras of science fiction, Classical Traditions in Science Fiction exposes the many levels on which science fiction engages the ideas of the ancient world, from minute matters of language and structure to the larger thematic and philosophical concerns.
Author: Mariangela Palladino Publisher: BRILL ISBN: 9004360042 Category : Literary Criticism Languages : en Pages : 175
Book Description
Ethics and Aesthetics in Toni Morrison’s Fiction explores the relationship between ethics and aesthetics in Toni Morrison’s fiction. Palladino’s work foregrounds ambiguity as a key feature of narrative ethics.
Author: Toni Morrison Publisher: Vintage ISBN: 0525562796 Category : Literary Collections Languages : en Pages : 370
Book Description
NATIONAL BESTSELLER • Here is the Nobel Prize winner in her own words: a rich gathering of her most important essays and speeches, spanning four decades that "speaks to today’s social and political moment as directly as this morning’s headlines” (NPR). These pages give us her searing prayer for the dead of 9/11, her Nobel lecture on the power of language, her searching meditation on Martin Luther King Jr., her heart-wrenching eulogy for James Baldwin. She looks deeply into the fault lines of culture and freedom: the foreigner, female empowerment, the press, money, “black matter(s),” human rights, the artist in society, the Afro-American presence in American literature. And she turns her incisive critical eye to her own work (The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, Paradise) and that of others. An essential collection from an essential writer, The Source of Self-Regard shines with the literary elegance, intellectual prowess, spiritual depth, and moral compass that have made Toni Morrison our most cherished and enduring voice.
Author: Robert Kiely Publisher: Harvard University Press ISBN: 9780674767034 Category : Education Languages : en Pages : 332
Book Description
Reverse Tradition invites the reader of postmodern fiction to travel back to the nineteenth-century novel without pretending to let go of contemporary anxieties and expectations. What happens to the reader of Beckett when he or she returns to Melville? Or to the enthusiast of Toni Morrison who rereads Charlotte Bronte? While Robert Kiely does not claim that all fictions begin to look alike, he finds unexpected and illuminating pleasures in examining a variety of ways in which new texts reflect on old. In this engaging book, Kiely not only juxtaposes familiar authors in unfamiliar ways; he proposes a countertradition of intertextuality and a way to release the genie of postmodernism from the bottleneck of the late twentieth century. Placing the reader's response at the crux, he offers arresting new readings by pairing, among others, Jorge Luis Borges with Mark Twain, and Maxine Hong Kingston with George Eliot. In the process, he tests and challenges common assumptions about transparency in nineteenth-century realism and a historical opacity in early and late postmodernism.
Author: Tessa Roynon
Author: Tessa Roynon
Author: Tessa Roynon
Author: Justine Baillie
Author: Patrice D. Rankine
Author: T. Walters
Author: Tessa Roynon
Author: Brett M. Rogers
Author: Mariangela Palladino
Author: Toni Morrison
Author: Robert Kiely