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Author: Rudolf Neuhäuser Publisher: Springer ISBN: 9401746990 Category : Social Science Languages : en Pages : 260
Book Description
Russian literature between 1750 and the romantic age presents a confus ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Karamzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.
Author: Rudolf Neuhäuser Publisher: Springer ISBN: 9401746990 Category : Social Science Languages : en Pages : 260
Book Description
Russian literature between 1750 and the romantic age presents a confus ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Karamzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.
Author: Jon Klancher Publisher: John Wiley & Sons ISBN: 9781444308570 Category : Literary Criticism Languages : en Pages : 312
Book Description
A Concise Companion to the Romantic Age provides newperspectives on the relationships between literature and culture inBritain from 1780 to 1830 Provides original essays from a variety of multi-disciplinaryscholars on the Romantic era Includes fresh insights into such topics as religiouscontroversy and politics, empire and nationalism, and therelationship of Romanticism to modernist aesthetics Ranges across the Romantic era's literary, visual, andnon-fictional genres
Author: Isaiah Berlin Publisher: ISBN: Category : Art Languages : en Pages : 360
Book Description
'I was exhausted at the end, & yet I am sure that if ever I saw & heard anyone in a true state of inspiration it was then.'So wrote Isaiah Berlin's secretary Lelia Brodersen to a friend in 1952, after hearing one of Berlin's Mary Flexner Lectures at Bryn Mawr College, Pennsylvania. POLITICAL IDEAS IN THE ROMANTIC AGE, written in preparation for these lectures, was heavily revised by Berlin afterwards, though he never brought it to final published form. But it is a work of the greatest interest, both for what Berlin says about his subject and for what it tells us about his own intellectual development. It is the only text he ever wrote in which he laid out in one connected account most of his key insights about the history of ideas in the period which he made his own - the 'romantic age'- the bridge between the eighteenth and ninetheenth centuries. This is also the mine from which Berlin quarried many of his well-known later publications, including 'Two Concepts of Liberty', 'Historical Inevitability' and his essays on Vico and Herder; the continuities and changes that appear when the earlier and later versions of his ideas are compared throw new light on his thought. Written in Berlin's characteristically accessible style, the book also contains much that is not to be found elsewhere in his writings. It is a distillate of his formative early work in the history of ideas, and the longest continuous text he ever wrote. The often problematic script left by Berlin has been edited for publication by Henry Hardy. Joshua Cherniss contributes an introduction setting the work in its context in Berlin's life and work, and a bibliography of related works by Berlin and others.
Author: Joanna Rostek Publisher: Routledge ISBN: 0429665318 Category : Business & Economics Languages : en Pages : 277
Book Description
This book examines the writings of seven English women economists from the period 1735–1811. It reveals that contrary to what standard accounts of the history of economic thought suggest, eighteenth- and early nineteenth-century women intellectuals were undertaking incisive and gender-sensitive analyses of the economy. Women’s Economic Thought in the Romantic Age argues that established notions of what constitutes economic enquiry, topics, and genres of writing have for centuries marginalised the perspectives and experiences of women and obscured the knowledge they recorded in novels, memoirs, or pamphlets. This has led to an underrepresentation of women in the canon of economic theory. Using insights from literary studies, cultural studies, gender studies, and feminist economics, the book develops a transdisciplinary methodology that redresses this imbalance and problematises the distinction between literary and economic texts. In its in-depth readings of selected writings by Sarah Chapone, Mary Wollstonecraft, Mary Hays, Mary Robinson, Priscilla Wakefield, Mary Ann Radcliffe, and Jane Austen, this book uncovers the originality and topicality of their insights on the economics of marriage, women and paid work, and moral economics. Combining historical analysis with conceptual revision, Women’s Economic Thought in the Romantic Age retrieves women’s overlooked intellectual contributions and radically breaks down the barriers between literature and economics. It will be of interest to researchers and students from across the humanities and social sciences, in particular the history of economic thought, English literary and cultural studies, gender studies, economics, eighteenth-century and Romantic studies, social history, and the history of ideas.
Author: Andrew Piper Publisher: University of Chicago Press ISBN: 0226669742 Category : Literary Criticism Languages : en Pages : 320
Book Description
At the turn of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era’s “bookish” culture. According to Andrew Piper, romantic writing and romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and to want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book’s identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book’s rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
Author: Jerome J. McGann Publisher: Oxford University Press, USA ISBN: 9780198604327 Category : Literary Criticism Languages : en Pages : 832
Book Description
This anthology explores the full range of verse published in Britain between 1785 and 1832, one of the most fertile periods for English poetry. Selections from all the major and minor poets are included, as well as examples of the many other kinds of verse which continued to be written duringthe period: political and satirical verse, 'sentimental' verse, regional and dialect verse, and verse in translation.Organizing the book by date of first publication, Jerome J. McGann calls attention to the historical and cultural contexts in which the poetry is embedded. Old familiar poems are thrown into new relationships, and traditional views of the poetry of the period challenged.
Author: R. Neuhauser Publisher: Springer Science & Business Media ISBN: 9789024715497 Category : History Languages : en Pages : 272
Book Description
Russian literature between 1750 and the romantic age presents a confus ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Kararnzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.
Author: Jonathan Wordsworth Publisher: Penguin UK ISBN: 0141905654 Category : Poetry Languages : en Pages : 1044
Book Description
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
Author: Robin Jarvis Publisher: Routledge ISBN: 1317877438 Category : Literary Criticism Languages : en Pages : 232
Book Description
The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.
Author: Rudolf Neuhäuser
Author: Rudolf Neuhäuser
Author: Jon Klancher
Author: Isaiah Berlin
Author: 
Author: Joanna Rostek
Author: Andrew Piper
Author: Jerome J. McGann
Author: R. Neuhauser
Author: Jonathan Wordsworth
Author: Robin Jarvis