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Transnational Representations of the U.S. Borderlands. Outlaw Women in Contemporary "Border Cinema"

Transnational Representations of the U.S. Borderlands. Outlaw Women in Contemporary Author: Jeanette Gonsior
Publisher: GRIN Verlag
ISBN: 334603531X
Category : Literary Collections
Languages : en
Pages : 202

Book Description
Master's Thesis from the year 2014 in the subject American Studies - Miscellaneous, grade: 1,0, Humboldt-University of Berlin (Department of English and American Studies), language: English, abstract: The Mexican Revolution of the 1910s alone is considered to have inspired some hundreds of border films, mostly documentaries and docudramas. The Mexican film industry has a nearly equally long history of representing the U.S.-Mexico borderlands. According to Norma Iglesias-Prieto, one of the leading scholars in the field of Mexican border cinema, more than 300 border films were produced in Mexico between 1936 and 1996. “By the 1930s, Mexican producers were beginning to view the border as a profitable theme for Mexico’s national film industry” (Iglesias-Prieto 1998). Referring to Iglesias-Prieto’s classic book-length study "Entre yerba, polvo y plomo: Lo fronterizo visto por el cine mexicano" (1991), Fregoso argues that Mexico produced 147 border films in the decade between 1979 and 1989 alone (cp. 2003). Charles Ramírez Berg also points to a boom in 'cine fronterizo' in the 1980s: "Border films have flourished on the lowest end of the economic and aesthetic Mexican moviemaking scale for decades. The 'narcotraficante' film, a Mexican police genre, is the most popular (...)

Transnational Representations of the U.S. Borderlands. Outlaw Women in Contemporary "Border Cinema"

Transnational Representations of the U.S. Borderlands. Outlaw Women in Contemporary Author: Jeanette Gonsior
Publisher: GRIN Verlag
ISBN: 334603531X
Category : Literary Collections
Languages : en
Pages : 202

Book Description
Master's Thesis from the year 2014 in the subject American Studies - Miscellaneous, grade: 1,0, Humboldt-University of Berlin (Department of English and American Studies), language: English, abstract: The Mexican Revolution of the 1910s alone is considered to have inspired some hundreds of border films, mostly documentaries and docudramas. The Mexican film industry has a nearly equally long history of representing the U.S.-Mexico borderlands. According to Norma Iglesias-Prieto, one of the leading scholars in the field of Mexican border cinema, more than 300 border films were produced in Mexico between 1936 and 1996. “By the 1930s, Mexican producers were beginning to view the border as a profitable theme for Mexico’s national film industry” (Iglesias-Prieto 1998). Referring to Iglesias-Prieto’s classic book-length study "Entre yerba, polvo y plomo: Lo fronterizo visto por el cine mexicano" (1991), Fregoso argues that Mexico produced 147 border films in the decade between 1979 and 1989 alone (cp. 2003). Charles Ramírez Berg also points to a boom in 'cine fronterizo' in the 1980s: "Border films have flourished on the lowest end of the economic and aesthetic Mexican moviemaking scale for decades. The 'narcotraficante' film, a Mexican police genre, is the most popular (...)

Borderland Films

Borderland Films PDF Author: Dominique Brégent-Heald
Publisher: U of Nebraska Press
ISBN: 0803276737
Category : Performing Arts
Languages : en
Pages : 448

Book Description
"An examination of the intersection of North American borderlands and culture, as portrayed through early twentieth-century cinema"--

Filmosophy - About Framptons Radically New Way of Understanding Cinema

Filmosophy - About Framptons Radically New Way of Understanding Cinema PDF Author: Martin Thiele
Publisher: GRIN Verlag
ISBN: 3640335104
Category : Motion pictures
Languages : en
Pages : 53

Book Description
Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.

Filmosophy

Filmosophy PDF Author: Daniel Frampton
Publisher: Columbia University Press
ISBN: 1904764851
Category : Motion pictures
Languages : en
Pages : 266

Book Description
'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.

Ethnicity, Economy and Historical Deconstruction in the Bakassi Borderland

Ethnicity, Economy and Historical Deconstruction in the Bakassi Borderland PDF Author: Olukoya Ogen
Publisher: GRIN Verlag
ISBN: 3656152136
Category : History
Languages : en
Pages : 77

Book Description
Research Paper (undergraduate) from the year 2012 in the subject History - Africa, grade: none, course: African Borderland History, language: English, abstract: This study offers a compelling revision of the meagre Nigerian historiography on the Bakassi Peninsula. It argues that Nigeria's claim of ownership of the Peninsula is logically indefensible and historically unsustainable. It contends further that Efik irredentism which found its expression in Nigeria's attempt to forcefully annex the Bakassi Peninsula is based on historical claims that are in reality largely ahistorical. The study is of the opinion that Nigeria's occupation of, and attempts to exercise sovereignty over the Peninsula emanated from the predictable desire of the Nigerian ruling elite to appropriate Bakassi's abundant natural resources and the strategic advantage that the Peninsula holds for Nigeria's oil interests in the Gulf of Guinea. This study further analyses the border-cum-migration problematics that prevail in the Peninsula. It argues that patterns of migrant life rooted in historic and still functioning socio-cultural and economic networks persist in defiance equally of national and international agreements and political claims to ethnic solidarity. The study concludes that peace can only be guaranteed in the Bakassi Peninsula, and indeed in virtually all conflict prone African borderlands, if African governments respect the old 'glass houses rule' (i.e. the 1964 Cairo Declaration by the OAU) and acknowledge that colonial treaties and national borders, irrespective of their arbitrariness and artificiality, constitute the foundation of all modern African state structures.

Representations

Representations PDF Author: LuMing Mao
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 362

Book Description
Asian American rhetorics, produced through cultural contact between Asian traditions and US English, also comprise a dynamic influence on the cultural conditions and practices within which they move. Though always interesting to linguists and "contact language" scholars, in an increasingly globalized era, these subjects are of interest to scholars in a widening range of disciplines—especially those in rhetoric and writing studies. Mao, Young, and their contributors propose that Asian American discourse should be seen as a spacious form, one that deliberately and selectively incorporates Asian “foreign-ness” into the English of Asian Americans. These authors offer the concept of a dynamic “togetherness-in-difference” as a way to theorize the contact and mutual influence. Chapters here explore a rich diversity of histories, theories, literary texts, and rhetorical practices. Collectively, they move the scholarly discussion toward a more nuanced, better balanced, critically informed representation of the forms of Asian American rhetorics and the cultural work that they do.

Borderities and the Politics of Contemporary Mobile Borders

Borderities and the Politics of Contemporary Mobile Borders PDF Author: A. Amilhat-Szary
Publisher: Springer
ISBN: 1137468858
Category : Political Science
Languages : en
Pages : 308

Book Description
This book explores the emerging forms and functions of contemporary mobile borders. It deals with issues of security, technology, migration and cooperation while addressing the epistemological and political questions that they raise. The 'borderities' approach illuminates the question of how borders can be the site of both power and counter-power.

George Washington Gómez

George Washington Gómez PDF Author: Américo Paredes
Publisher: Arte Publico Press
ISBN: 9781611921540
Category : Fiction
Languages : en
Pages : 308

Book Description
In the 1930s, Américo Paredes, the renowned folklorist, wrote a novel set to the background of the struggles of Texas Mexicans to preserve their property, culture and identity in the face of Anglo-American migration to and growing dominance over the Rio Grande Valley. Episodes of guerilla warfare, land grabs, racism, jingoism, and abuses by the Texas Rangers make this an adventure novel as well as one of reflection on the making of modern day Texas. George Washington GÑmez is a true precursor of the modern Chicano novel.

Postfeminism and Contemporary Hollywood Cinema

Postfeminism and Contemporary Hollywood Cinema PDF Author: J. Gwynne
Publisher: Springer
ISBN: 113730684X
Category : Performing Arts
Languages : en
Pages : 353

Book Description
By analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema, Postfeminism and Contemporary Hollywood Cinema presents diverse interrogations of popular cinema and illustrates the need for a renewed scholarly focus on contemporary film production.

Queer Representation, Visibility, and Race in American Film and Television

Queer Representation, Visibility, and Race in American Film and Television PDF Author: Melanie Kohnen
Publisher: Routledge
ISBN: 1136519890
Category : Social Science
Languages : en
Pages : 212

Book Description
This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.