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Trinity and Incarnation in Anglo-Saxon Art and Thought

Trinity and Incarnation in Anglo-Saxon Art and Thought PDF Author: Barbara C. Raw
Publisher: Cambridge University Press
ISBN: 9780521553711
Category : Literary Criticism
Languages : en
Pages : 264

Book Description
An illustrated study of the theology of the Trinity as expressed in the literature and art of the late Anglo-Saxon period.

Trinity and Incarnation in Anglo-Saxon Art and Thought

Trinity and Incarnation in Anglo-Saxon Art and Thought PDF Author: Barbara C. Raw
Publisher: Cambridge University Press
ISBN: 9780521553711
Category : Literary Criticism
Languages : en
Pages : 264

Book Description
An illustrated study of the theology of the Trinity as expressed in the literature and art of the late Anglo-Saxon period.

Trinity and Incarnation in Anglo-Saxon Art and Thought

Trinity and Incarnation in Anglo-Saxon Art and Thought PDF Author: Barbara Catherine Raw
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 221

Book Description


Preaching Apocrypha in Anglo-Saxon England

Preaching Apocrypha in Anglo-Saxon England PDF Author: Brandon Hawk
Publisher: University of Toronto Press
ISBN: 1487516983
Category : Literary Criticism
Languages : en
Pages : 293

Book Description
Preaching Apocrypha in Anglo-Saxon England is the first in-depth study of Christian apocrypha focusing specifically on the use of extra-biblical narratives in Old English sermons. The work contributes to our understanding of both the prevalence and importance of apocrypha in vernacular preaching, by assessing various preaching texts from Continental and Anglo-Saxon Latin homiliaries, as well as vernacular collections like the Vercelli Book, the Blickling Book, Ælfric’s Catholic Homilies, and other manuscripts from the tenth through twelfth centuries. Vernacular sermons were part of a media ecology that included Old English poetry, legal documents, liturgical materials, and visual arts. Situating Old English preaching within this network establishes the range of contexts, purposes, and uses of apocrypha for diverse groups in Anglo-Saxon society: cloistered religious, secular clergy, and laity, including both men and women. Apocryphal narratives did not merely survive on the margins of culture, but thrived at the heart of mainstream Anglo-Saxon Christianity.

The Trinity

The Trinity PDF Author: Stephen T. Davis
Publisher: OUP Oxford
ISBN: 0191529796
Category : Religion
Languages : en
Pages : 422

Book Description
This interdisciplinary study is the result of an international and ecumenical meeting of nineteen scholars held in New York at Easter 1998: the Trinity Summit. Biblical experts examine the scriptural roots of trinitarian doctrine, patristic scholars correct those who continue to misinterpret the trinitarian teaching of the Cappadocians and Augustine, and five scholars examine systematic and foundational issues like the viability of social models for the Trinity. The volume ends with a study of the Trinity in art and the challenge of preaching the Trinity today. The international reputation of the participants reflects and guarantees the high quality of this joint work.

The Art of Anglo-Saxon England

The Art of Anglo-Saxon England PDF Author: Catherine E. Karkov
Publisher: Boydell Press
ISBN: 1843836289
Category : Art
Languages : en
Pages : 350

Book Description
Providing a fresh appraisal of the art of Anglo-Saxon England, this text looks at its influence upon the creation of an identity as a nation.

Art and Political Thought in Medieval England, C. 1150-1350

Art and Political Thought in Medieval England, C. 1150-1350 PDF Author: Laura Slater
Publisher: Boydell & Brewer
ISBN: 178327333X
Category : Art
Languages : en
Pages : 320

Book Description
An exploration of how power and political society were imagined, represented and reflected on in medieval English art

Anglo-Saxon Gestures and the Roman Stage

Anglo-Saxon Gestures and the Roman Stage PDF Author: Charles Reginald Dodwell
Publisher: Cambridge University Press
ISBN: 9780521661881
Category : Art
Languages : en
Pages : 256

Book Description
This 1999 book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. Reginald Dodwell was an eminent art historian and former Director of the Whitworth Art Gallery in Manchester. In this, his last book, he notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence. He presents evidence for dating the archetype of the Terence manuscripts to the mid-third century, and argues persuasively that their gestures reflect actual stage conventions. He identifies a repertory of eighteen Terentian gestures whose meaning can be ascertained from the dramatic contexts in which they occur, and conducts a detailed examination of the use of the gestures in Anglo-Saxon manuscripts. The book, which is extensively illustrated, illuminates our understanding of the vigour of late Anglo-Saxon art and its ability to absorb and transpose continental influence.

Aesthetics and the Incarnation in Early Medieval Britain

Aesthetics and the Incarnation in Early Medieval Britain PDF Author: Tiffany Beechy
Publisher: University of Notre Dame Pess
ISBN: 0268205140
Category : History
Languages : en
Pages : 289

Book Description
This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a “contact zone” of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the “Word that was made flesh,” the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic—an enigma—and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain—Bede, Gregory the Great, and Isidore most prominent among them. Beechy’s study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán’s De locis sanctis (“On the holy lands”); and the difficult esoterica of the wisdom tradition.

The Life of the Mind in Old English Poetry

The Life of the Mind in Old English Poetry PDF Author: Antonina Harbus
Publisher: BRILL
ISBN: 9004488138
Category : Literary Criticism
Languages : en
Pages : 230

Book Description
Ideas about the human mind are culturally specific and over time vary in form and prominence. The Life of the Mind in Old English Poetry presents the first extensive exploration of Anglo-Saxon beliefs about the mind and how these views informed Old English poetry. It identifies in this poetry a particular cultural focus on the mental world and formulates a multivalent model of the mind behind it, as the seat of emotions, the site of temptation, the container of knowledge, and a heroic weapon. The Life of the Mind in Old English Poetry treats a wide range of Old English literary genres (in the context of their Latin sources and analogues where applicable) in order to discover how ideas about the mind shape the narrative, didactic, and linguistic design of poetic discourse. Particular attention is paid to the rich and slippery vernacular vocabulary for the mind which suggests a special interest in the subject in Old English poetry. The book argues that Anglo-Saxon poets were acutely conscious of mental functions and perceived the psychological basis not only of the cognitive world, but also of the emotions and of the spiritual life.

The Christian Tradition in Anglo-Saxon England

The Christian Tradition in Anglo-Saxon England PDF Author: Paul Cavill
Publisher: DS Brewer
ISBN: 9780859918411
Category : Education
Languages : en
Pages : 238

Book Description
Essays exploring a wide array of sources that show the importance of Christian ideas and influences in Anglo-Saxon England. A unique and important contribution to both teaching and scholarship. Professor Elaine Treharne, Stanford University. This is a collection of essays exploring a wide array of sources that show the importance ofChristian ideas and influences in Anglo-Saxon England. The range of treatment is exceptionally diverse. Some of the essays develop new approaches to familiar texts, such as Beowulf, The Wanderer and The Seafarer; others deal with less familiar texts and genres to illustrate the role of Christian ideas in a variety of contexts, from preaching to remembrance of the dead, and from the court of King Cnut to the monastic library. Some of the essays are informative, providing essential background material for understanding the nature of the Bible, or the distinction between monastic and cleric in Anglo-Saxon England; others provide concise surveys of material evidence orgenres; others still show how themes can be used in constructing and evaluating courses teaching the tradition. Contributors: GRAHAM CAIE, PAUL CAVILL, CATHERINE CUBITT, JUDITH JESCH, RICHARD MARSDEN, ELISABETH OKASHA, BARBARA C. RAW, PHILIPPA SEMPER, DABNEY BANKERT, SANTHA BHATTACHARJI, HUGH MAGENNIS, MARY SWAN, JONATHAN M. WOODING.