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Author: Jake Austen Publisher: Chicago Review Press ISBN: 1569762414 Category : Music Languages : en Pages : 386
Book Description
From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like" Shindig! "and "Soul Train "somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when" Saturday Night Live "invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.
Author: Jake Austen Publisher: Chicago Review Press ISBN: 1569762414 Category : Music Languages : en Pages : 386
Book Description
From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like" Shindig! "and "Soul Train "somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when" Saturday Night Live "invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.
Author: Natalie Hopkinson Publisher: Duke University Press ISBN: 0822352117 Category : History Languages : en Pages : 234
Book Description
Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.
Author: Charlie Brooker Publisher: Faber & Faber ISBN: 9780571272198 Category : Satire, English Languages : en Pages : 0
Book Description
TV Go Home began life in the late 1990s as an outrageously funny website by Charlie Brooker which parodied the Radio Times, and was turned into a book in 2001 when Brooker was still a relative unknown. It was a brutal and surreal satire of the world of TV, media and celebrity, written with Brooker's trademark savage wit. Unavailable for some years, we are republishing it to reach his many thousands of new fans. In TV Go Home, visit a parallel world where reality TV and 'new media' have got completely out of control. Shows include Daily Mail Island, where inhabitants of a small island are force-fed the newspaper and become ever more outraged, an eternal version of Watchdog where viewers are invited to 'phone in and complain about every single facet of every single object, product and service in the world' and various extremely rude shows featuring Mick Hucknall's testicles. Star of the book is Brooker's famous creation Nathan Barley, pretentious Hoxton new-media type 'whose very existence indelibly tarnishes the world's already questionable track record'. Not for the faint-hearted, TV Go Home is a gloriously funny, filthy and spectacularly angry book.
Author: R. L. Stine Publisher: Scholastic Inc. ISBN: 0545910404 Category : Juvenile Fiction Languages : en Pages : 127
Book Description
Goosebumps now on Disney+! Todd loves his basement worm farm. Worms are fascinating creatures--it's just a convenient bonus that they happen to gross out his family. But when Todd starts to find worms in unlikely and unwanted places, like his bed, his toothbrush, and his spaghetti--the tables have turned. Now Todd is the one running scared!
Author: Jake Austen Publisher: Lawrence Hill Books ISBN: 9781556525728 Category : Music Languages : en Pages : 369
Book Description
Traces the history of rock music on American television, profiling shows such as "Saturday Night Live", "The Ed Sullivan Show", and "American Idol" and individual television performances from various artists.
Author: Julie Malnig Publisher: Oxford University Press ISBN: 0197536255 Category : Music Languages : en Pages : 241
Book Description
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The 1950s was a watershed decade for American culture and dance. The era witnessed the ascendancy of rock and roll music and recorded sound, the rise of the teenager as a marketing demographic, the beginnings of television, and a new phase of the country's struggle with race. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Author: Ted Okuda Publisher: Lake Claremont Press ISBN: 9781893121171 Category : History Languages : en Pages : 292
Book Description
There was a time when every television station in Chicago produced or aired programming for children, and this book discusses the back stories and details of this special era from the people who created, lived, and enjoyed it, such as producers, on-air personalities, and fans. This compendium describes how from the late 1940s through the early 1970s, local television stations created a golden age of children's television unique in American broadcasting and how the FCC changed the regulations governing the relationship between sponsors and local programming in 1972, effectively bringing the genre to a close since the programs operated under strict budgetary constraints. The story of this chapter in television history show the richness of imagination and inventiveness of children's programming and the devotion of the fans. Featured shows include Bozo's Circus; Garfield Goose; Kukla, Fran, & Ollie; The Mulqueen's Kiddie-A-Go-Go; Ray Rayner and Friends; and Super Circus. "Today, we can be nostalgic about the passing of great local children's fare such as Bozo's Circus . . . and Garfield Goose. However, I believe that today's children have more and better choices in programming . . . . What is missing is the localism, the heart and soul that emanated from these and other programs. Economics, regulation, and expectations for what a program should look like have altered children's television forever. As you read this book, perhaps you will not only find memories or curiosities from a bygone era, but inspiration to create children's television for today's audiences. A pie in the face is still funny, kids still like to dance, and the last time I looked, you could still buy six buckets and nail them to a board and call it a Grand Prize Game."—from the foreword by Neal Sabin, WCIU-TV, Chicago Behind-the-Scenes Stories of the Golden Age of Chicago Children's Television as Told by the People Who Lived It At one time every station in Chicago—a maximum of five, until 1964—produced or aired some programming for children. From the late 1940s through the early 1970s, local television stations created a golden age of children's television unique in American broadcasting. Though the shows often operated under strict budgetary constraints, these programs were rich in imagination, inventiveness, and devoted fans. The mere mention of their names brings smiles to the faces of Midwestern Baby Boomers everywhere: Kukla, Fran, & Ollie, Super Circus, Garfield Goose, Bozo's Circus, Mulqueens' Kiddie-A-Go-Go, BJ & Dirty Dragon, Ray Rayner and Friends, and a host of others. In 1972 the FCC changed the regulations governing the relationship between sponsors and local programming, effectively bringing to a close this chapter of television history. What Chicago kids' show had American Bandstand host Dick Clark dancing on T.V. for the first time ever? Why did one have to wait months and, more often, years to get tickets for Bozo's Circus? Which very popular and successful host never wanted to do a children's T.V. show? Who really made the puppet Garfield Goose (you may not have known it was a mystery)? Remember the talent that bit the head off a parakeet on live TV and the shocked emcee's reaction? What sent television executives into a quandary when Kiddie-A-Go-Go went on the air? Which show was almost forced off the air because a giant soft drink company opposed a so-called rival's use of the word sip? Now, discover the back stories and details of this special era from the people who created, lived, and enjoyed it—producers, on-air personalities, and fans.
Author: Jake Austen
Author: Jake Austen
Author: Nathan Rutstein
Author: Natalie Hopkinson
Author: Charlie Brooker
Author: R. L. Stine
Author: Jake Austen
Author: Julie Malnig
Author: Ted Okuda
Author: 
Author: Walter McDowell