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UK FIlm Finance Handbook 2005/06: How To Fund Your Film

UK FIlm Finance Handbook 2005/06: How To Fund Your Film PDF Author: Adam P. Davies
Publisher: Netribution
ISBN: 9780955014307
Category : Business & Economics
Languages : en
Pages : 362

Book Description
The reader - from beginner making their first short film, through to experienced producer packaging an international multi-million pound co-production - is guided through the entire process of raising finance, in a book packed with interviews, case studies, expert tips and details of more than 200 funds.

UK FIlm Finance Handbook 2005/06: How To Fund Your Film

UK FIlm Finance Handbook 2005/06: How To Fund Your Film PDF Author: Adam P. Davies
Publisher: Netribution
ISBN: 9780955014307
Category : Business & Economics
Languages : en
Pages : 362

Book Description
The reader - from beginner making their first short film, through to experienced producer packaging an international multi-million pound co-production - is guided through the entire process of raising finance, in a book packed with interviews, case studies, expert tips and details of more than 200 funds.

The Film Finance Handbook

The Film Finance Handbook PDF Author: Adam P. Davies
Publisher: Netribution
ISBN: 0955014328
Category : Business & Economics
Languages : en
Pages : 247

Book Description
This is a complete guide to film finance around the world, from first web short film to mainstream international multi-million dollar co-production.

The Guerilla Film Makers Handbook

The Guerilla Film Makers Handbook PDF Author: Chris Jones
Publisher: A&C Black
ISBN: 9780826479884
Category : Performing Arts
Languages : en
Pages : 808

Book Description
This third edition of the UK's best-selling filmmaker's bible, builds upon the most successful features of the previous books. Including illustrations, diagrams, and box-outs, this book comes with a DVD, packed with further interviews with filmmakers, as well as theatrical trailers.

The Insider's Guide to Film Finance

The Insider's Guide to Film Finance PDF Author: Philip Alberstat
Publisher: Taylor & Francis
ISBN: 113604129X
Category : Performing Arts
Languages : en
Pages : 275

Book Description
Financing an independent feature film production is a highly complex process. This book demystifies the legal and commercial implications of a film from start to finish. It provides a detailed survey of each of the processes and players involved, and analyses of the legal and commercial issues faced by all of the participants in a film financing transaction. Packed with legal advice and straight forward explanations this is an essential reference for filmmakers worldwide. With contributions from leading professionals around the world, and an up-to-date international approach, this is an invaluable tool for producers, and others involved in the film industry. Includes: Case studies, Sample Recoupment Schedules, Alternative Financing Models, Glossary of Film Financing and Banking Terms Philip Alberstat is a media finance and production lawyer specialising in film, television and broadcasting. He has worked on films such as The 51st State, Goodbye Mr Steadman, Tooth and numerous television programmes and series. He is on the editorial board of Entertainment Law Review and is the author of The Independent Producers Guide to Film and TV Contracts (2000), and Law and the Media (2002). Philip is involved in raising finance for film and television productions and negotiating and structuring film and television deals. He undertakes corporate and commercial work and handles the intellectual property aspects of broadcasting and finance transactions. He has also executive produced numerous film and television productions. He won an Emmy Award in 2004 as an Executive Producer of the Film, "The Incredible Mrs. Ritchie". Philip joined Osborne Clarke as a partner in February 2002. Prior to that he was Head of Legal and Business Affairs with one of the largest independent TV production companies in the UK. He was previously Head of Media at Baker & McKenzie and began his career at Olswang. He was winner of the Lawyer/Hifal Award for Solicitor of the year in 1997 and is listed in Legal Experts in the area of Film Finance/Media.

Get Your Film Funded

Get Your Film Funded PDF Author: Caroline Hancock
Publisher:
ISBN: 9781904764137
Category : Business & Economics
Languages : en
Pages : 256

Book Description
An exhaustive roadmap to film funding structures and opportunities in the UK and an essential reference guide for producers and filmmakers raising finance at any level.

The Film Finance Handbook

The Film Finance Handbook PDF Author: Mike Downey
Publisher:
ISBN: 9788488773050
Category : Motion picture industry
Languages : en
Pages : 318

Book Description


The British National Bibliography

The British National Bibliography PDF Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1664

Book Description


Dictionary of Film Finance and Distribution

Dictionary of Film Finance and Distribution PDF Author: John W. Cones
Publisher: Algora Publishing
ISBN: 0875869955
Category : Art
Languages : en
Pages : 441

Book Description
This dictionary is an aid to anyone involved in seeking to finance a feature film project, especially independents. It covers terms used in film production and distribution, marketing, accounting, insurance, securities, corporate structures and general financial arenas. All of the principal forms of feature film finance are covered, including studio/distributors, production companies, lending institutions, co-financing, pre-sales, grants, foreign and passive investor financing involving the sale of a security.

43 Ways to Finance Your Feature Film

43 Ways to Finance Your Feature Film PDF Author: John W. Cones
Publisher: SIU Press
ISBN: 0809387395
Category : Business & Economics
Languages : en
Pages : 386

Book Description
John W. Cones has updated his now classic 43 Ways toFinance Your Feature Film: A Comprehensive Analysis of Film Finance with a substantially reorganized and expanded third edition. An essential reference guide for film professionals on every side of film financing, 43 Ways answers the question that every filmmaker and producer ultimately faces, the issue that can make or break any venture into the film industry: How do I finance my feature film? The third edition includes updated information and coverage of new options for financing. In his clear and concise style and with expertise amassed over his nearly twenty years of experience in the film finance industry, Cones breaks financing options down into six main areas: gifts and grants, investor financing, domestic government subsidies and tax incentive programs, lender financing, international finance options, and studio or industry financing. Beginning with the forms of financing most likely to be accessible to independent feature film producers, Cones proceeds to other forms that become increasingly available as the producer’s career matures. As an objective adviser, Cones provides specific, concise information regarding the many possible financing strategies and lists the distinct pros and cons of each strategy. This guide covers the options for film financing in rich detail so that even first-time producers and filmmakers will be able to make educated and informed decisions about the best approaches to financing their films. An extensive bibliography contains additional information about each form of film finance. Cones also counters much of the bad advice being provided by pseudoprofessional film finance consultants and points out scams that may separate unwary film producers from their money. Although the book focuses on financing feature films, much of its information is relevant to the financing of other kinds of projects, such as short films, documentaries, videos, and multimedia and theatrical endeavors. Anyone considering making or investing in a feature film will be well served by this practical and helpful guide.

Japanese Cinema Goes Global

Japanese Cinema Goes Global PDF Author: Yoshiharu Tezuka
Publisher: Hong Kong University Press
ISBN: 9888083325
Category : Social Science
Languages : en
Pages : 215

Book Description
Japan’s film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan’s national culture and the traditional sense of national belonging among Japanese people?