Author: Franz HoffmannPublisher:
ISBN:
Category :
Languages : en
Pages : 172
Book Description
Virtue Triumphant, Or, Anton, the Fisherman
Author: Franz HoffmannVirtue triumphant; or, Anton the fisherman
Author: Franz HoffmannStudies in Language and Literature
Author: University of WisconsinPublisher:
ISBN:
Category :
Languages : en
Pages : 724
Book Description
University of Wisconsin Studies in Language and Literature
Author: University of WisconsinPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 718
Book Description
A Bibliography of German Literature in English Translation
Author: Bayard Quincy MorganPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 752
Book Description
Studies in Language and Literature
Author: Half Hours of Scientific Amusement
Author: Gaston TissandierPublisher:
ISBN:
Category : Scientific recreations
Languages : en
Pages : 182
Book Description
British Museum Catalogue of printed Books
Author: European Drawings 2
Author: George R. GoldnerPublisher: Getty Publications
ISBN: 0892362197
Category : Drawing
Languages : en
Pages : 374
Book Description
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie WallertPublisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.