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W. B. Yeats and the Language of Sculpture

W. B. Yeats and the Language of Sculpture PDF Author: Jack Quin
Publisher: Oxford University Press
ISBN: 0192654861
Category : Literary Criticism
Languages : en
Pages : 225

Book Description
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, public monuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in the city, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.

W. B. Yeats and the Language of Sculpture

W. B. Yeats and the Language of Sculpture PDF Author: Jack Quin
Publisher: Oxford University Press
ISBN: 0192654861
Category : Literary Criticism
Languages : en
Pages : 225

Book Description
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, public monuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in the city, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.

Walter Pater and the Language of Sculpture

Walter Pater and the Language of Sculpture PDF Author: Lene ?termark-Johansen
Publisher: Routledge
ISBN: 1351537229
Category : Art
Languages : en
Pages : 403

Book Description
Walter Pater and the Language of Sculpture is the first monograph to discuss the Victorian critic Walter Pater's attitude to sculpture. It brings together Pater's aesthetic theories with his theories on language and writing, to demonstrate how his ideas of the visual and written language are closely interlinked. Going beyond Pater's views on sculpture as an art form, this study traces the notion of relief (rilievo) and hybrid form in Pater, and his view of the writer as sculptor, a carver in language. Alongside her treatment of rilievo as a pervasive trope, Lene ?termark-Johansen also employs the idea of rivalry (paragone) more broadly, examining Pater's concern with positioning himself as an art critic in the late Victorian art world. Situating Pater within centuries of European aesthetic theories as never before done, Walter Pater and the Language of Sculpture throws new light on the extraordinary complexity and coherence of Pater's writing: The critic is repositioned solidly within Victorian art and literature.

The Image of the Feminine in the Poetry of W.B. Yeats and Angelos Sikelianos

The Image of the Feminine in the Poetry of W.B. Yeats and Angelos Sikelianos PDF Author: Anastasia Psoni
Publisher: Cambridge Scholars Publishing
ISBN: 1527523802
Category : Art
Languages : en
Pages : 480

Book Description
Modernism, as a powerful movement, saw the literary and artistic traditions, as well as pure science, starting to evolve radically, creating a crisis, even chaos, in culture and society. Within this chaos, myth offered an ordered picture of that world employing symbolic and poetic images. Both W.B. Yeats and Angelos Sikelianos embraced myth and symbols because they liberate imagination and raise human consciousness, bringing together humans and the cosmos. Being opposed to the rigidity of scientific materialism that inhibits spiritual development, the two poets were waiting for a new age and a new religion, expecting that they, themselves, would inspire their community and usher in the change. In their longing for a new age, archaeology was a magnetic field for Yeats and Sikelianos, as it was for many writers and thinkers. After Sir Arthur Evans’s discovery of the Minoan Civilization where women appeared so peacefully prominent, the dream of re-creating a gynocentric mythology was no longer a fantasy. In Yeats’s and Sikelianos’s gynocentric mythology, the feminine figure appears in various forms and, like in a drama, it plays different roles. Significantly, a gynocentric mythology permeates the work of the two poets and this mythology is of pivotal importance in their poetry, their poetics and even in their life as the intensity of their creative desire brought to them female personalities to inspire and guide them. Indeed, in Yeats’s and Sikelianos’s gynocentric mythology, the image of the feminine holds a place within a historical context taking the reader into a larger social, political and religious space.

Yeats and the Visual Arts

Yeats and the Visual Arts PDF Author: Elizabeth Bergmann Loizeaux
Publisher: Syracuse University Press
ISBN: 9780815629955
Category : Art
Languages : en
Pages : 276

Book Description
This beautifully illustrated book traces W. B. Yeats's fascination with the visual arts from his early years, which were strongly influenced by his father's paintings and the Pre-Raphaelite brotherhood, to his celebration in his old age of Greek sculpture, Byzantine mosaics, and Michaelangelo's art.

The Poetic Art of William Butler Yeats

The Poetic Art of William Butler Yeats PDF Author: Robert Lawrence Beum
Publisher: New York : F. Ungar Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 194

Book Description


The Language of Sculpture

The Language of Sculpture PDF Author: William Tucker
Publisher:
ISBN:
Category : Sculpture, European
Languages : en
Pages : 174

Book Description


The Aesthetics of Dedalus and Bloom

The Aesthetics of Dedalus and Bloom PDF Author: Marguerite Harkness
Publisher: Bucknell University Press
ISBN: 9780838750506
Category : Literary Collections
Languages : en
Pages : 230

Book Description
This study explores James Joyce's struggle to come to terms with the aesthetic outlooks current at the beginning of the century by examining his portrayal of their dangers and attractions in his two most fully realized characters, Stephen Dedalus in Portrait of the Artist as a Young Man and Leopold Bloom in Ulysses.

The Defective Art of Poetry

The Defective Art of Poetry PDF Author: B. Bennett
Publisher: Springer
ISBN: 1137381884
Category : Literary Criticism
Languages : en
Pages : 199

Book Description
Treating the work of Sappho, Goethe, Blake, Hölderlin, Verlaine, George, Mörike, and Yeats in detail, Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. This study delves into the irresolvable conflict between a poem's guise as quasi-architectural stasis and quasi-musical kinesis.

W.B. Yeats: Assessments 1889-1959

W.B. Yeats: Assessments 1889-1959 PDF Author: David Pierce
Publisher:
ISBN:
Category :
Languages : en
Pages : 610

Book Description


Expressions of Nationhood in Bronze & Stone

Expressions of Nationhood in Bronze & Stone PDF Author: Síghle Bhreathnach-Lynch
Publisher: Merrion Press
ISBN: 1788550684
Category : Art
Languages : en
Pages : 475

Book Description
At the time of his death in 1945, Albert Power was the leading nationalist sculptor in the Irish Free State, yet within a few decades he was almost forgotten. This first major examination of his life and career tells of one artist’s contribution to national identity before and after political independence. In sculpture, at that time, the emphasis was on creating a pantheon of ‘new’ Irish heroes by means of monumental and portrait commissions. Power’s work, however, sprang from deeply held nationalist beliefs and he felt that subject matter alone was insufficient to ensure a distinctive Irish art. Wherever possible he deliberately chose native stone, believing that this best conveyed a nationalist sentiment, such as the limestone he used in the beloved monument to Padraic Ó Conaire in Galway. His political commissions from 1922 onward reveal the new State’s desire for a national political and cultural identity, and in this book Power’s sculpture is explored both at the time of its production and within the broader context of writers and artists who wished to contribute to the new nation’s cultural identity, a legacy that modern Ireland enjoys today.