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Author: Jaques Cattell Press Publisher: R. R. Bowker ISBN: Category : Music Languages : en Pages : 814
Book Description
Provides biographical data on 9,038 members of the music community who are currently active and influential contributors to the creation, performance, preservation, or promotion of serious music in America.
Author: Jaques Cattell Press Publisher: R. R. Bowker ISBN: Category : Music Languages : en Pages : 814
Book Description
Provides biographical data on 9,038 members of the music community who are currently active and influential contributors to the creation, performance, preservation, or promotion of serious music in America.
Author: Alberta Lawrence Publisher: ISBN: Category : Authors, American Languages : en Pages : 1106
Book Description
"Covering the United States and Canada [with their possessions and neighbors] and containing the biographical and literary data of living authors whose birth or activities connect them with the continent of North America, with a press section devoted to journalists and magazine writers" (varies slightly).
Author: Adam Gussow Publisher: UNC Press Books ISBN: 1469660377 Category : Music Languages : en Pages : 333
Book Description
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
Author: Jonathan Zimmerman Publisher: Harvard University Press ISBN: 9780674045446 Category : Education Languages : en Pages : 330
Book Description
What do America's children learn about American history, American values, and human decency? Who decides? In this absorbing book, Jonathan Zimmerman tells the dramatic story of conflict, compromise, and more conflict over the teaching of history and morality in twentieth-century America. In history, whose stories are told, and how? As Zimmerman reveals, multiculturalism began long ago. Starting in the 1920s, various immigrant groups--the Irish, the Germans, the Italians, even the newly arrived Eastern European Jews--urged school systems and textbook publishers to include their stories in the teaching of American history. The civil rights movement of the 1960s and '70s brought similar criticism of the white version of American history, and in the end, textbooks and curricula have offered a more inclusive account of American progress in freedom and justice. But moral and religious education, Zimmerman argues, will remain on much thornier ground. In battles over school prayer or sex education, each side argues from such deeply held beliefs that they rarely understand one another's reasoning, let alone find a middle ground for compromise. Here there have been no resolutions to calm the teaching of history. All the same, Zimmerman argues, the strong American tradition of pluralism has softened the edges of the most rigorous moral and religious absolutism.
Author: Jaques Cattell Press
Author: Jaques Cattell Press
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Author: John William Leonard
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Author: Alberta Lawrence
Author: Dixie Hines
Author: Adam Gussow
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Author: Jonathan Zimmerman
Author: Guy A. Marco