Author: Laura Alexander
Publisher: Cambridge Scholars Publishing
ISBN: 1527589714
Category : Social Science
Languages : en
Pages : 272
Book Description
This collection features studies on trauma, literary theory, and psychoanalysis in women’s writing. It examines the ways in which literature helps to heal the wounded self, and it particularly concentrates attention on the way women explain the traumatic experiences of war, violence, or displacement. Covering a global range of women writers, this book focuses on the psychoanalytic role of literature in helping recover the voices buried by intense pain and suffering and to help those voices be heard. Literature brings the unconscious into being and focus, reconfiguring life through narration. These essays look at the relationship between traumatic experience and literary form.
Literary Trauma
Author: Deborah M. Horvitz
Publisher: State University of New York Press
ISBN: 0791491897
Category : Social Science
Languages : en
Pages : 184
Book Description
This book examines portrayals of political and psychological trauma, particularly sexual trauma, in the work of seven American women writers. Concentrating on novels by Charlotte Perkins Gilman, Pauline Hopkins, Gayl Jones, Leslie Marmon Silko, Dorothy Allison, Joyce Carol Oates, and Margaret Atwood, Horvitz investigates whether memories of violent and oppressive trauma can be preserved, even transformed into art, without reproducing that violence. The book encompasses a wide range of personal and political traumas, including domestic abuse, incest, rape, imprisonment, and slavery, and argues that an analysis of sadomasochistic violence is our best protection against cyclical, intergenerational violence, a particularly timely and important subject as we think about how to stop "hate" crimes and other forms of political and psychic oppression.
Publisher: State University of New York Press
ISBN: 0791491897
Category : Social Science
Languages : en
Pages : 184
Book Description
This book examines portrayals of political and psychological trauma, particularly sexual trauma, in the work of seven American women writers. Concentrating on novels by Charlotte Perkins Gilman, Pauline Hopkins, Gayl Jones, Leslie Marmon Silko, Dorothy Allison, Joyce Carol Oates, and Margaret Atwood, Horvitz investigates whether memories of violent and oppressive trauma can be preserved, even transformed into art, without reproducing that violence. The book encompasses a wide range of personal and political traumas, including domestic abuse, incest, rape, imprisonment, and slavery, and argues that an analysis of sadomasochistic violence is our best protection against cyclical, intergenerational violence, a particularly timely and important subject as we think about how to stop "hate" crimes and other forms of political and psychic oppression.
Women Writing Trauma in Literature
Author: Laura Alexander
Publisher: Cambridge Scholars Publishing
ISBN: 1527589714
Category : Social Science
Languages : en
Pages : 272
Book Description
This collection features studies on trauma, literary theory, and psychoanalysis in women’s writing. It examines the ways in which literature helps to heal the wounded self, and it particularly concentrates attention on the way women explain the traumatic experiences of war, violence, or displacement. Covering a global range of women writers, this book focuses on the psychoanalytic role of literature in helping recover the voices buried by intense pain and suffering and to help those voices be heard. Literature brings the unconscious into being and focus, reconfiguring life through narration. These essays look at the relationship between traumatic experience and literary form.
Publisher: Cambridge Scholars Publishing
ISBN: 1527589714
Category : Social Science
Languages : en
Pages : 272
Book Description
This collection features studies on trauma, literary theory, and psychoanalysis in women’s writing. It examines the ways in which literature helps to heal the wounded self, and it particularly concentrates attention on the way women explain the traumatic experiences of war, violence, or displacement. Covering a global range of women writers, this book focuses on the psychoanalytic role of literature in helping recover the voices buried by intense pain and suffering and to help those voices be heard. Literature brings the unconscious into being and focus, reconfiguring life through narration. These essays look at the relationship between traumatic experience and literary form.
Trauma Fiction
Author: Anne Whitehead
Publisher: Edinburgh University Press
ISBN: 074866601X
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The literary potential of trauma is examined in this book, bringing trauma theory and literary texts together for the first time. Trauma Fiction focuses on the ways in which contemporary novelists explore the theme of trauma and incorporate its structures into their writing. It provides innovative readings of texts by Pat Barker, Jackie Kay, Anne Michaels, Toni Morrison, Caryl Phillips, W. G. Sebald and Binjamin Wilkomirski. It also considers the ways in which trauma has affected fictional form, exploring how novelists have responded to the challenge of writing traumatic narratives, and identifying the key stylistic features associated with the genre. In addition, the book introduces the reader to key critics in the field of trauma theory such as Cathy Caruth, Shoshana Felman and Geoffrey Hartman. The linking of trauma theory and literary texts not only sheds light on works of contemporary fiction, it also points to the inherent connections between trauma theory and the literary which have often been overlooked. The distinction between literary theme and style in the book opens up major questions regarding the nature of trauma itself. Trauma, like the novels discussed, is shown to take an uncertain but productive place between content and form.Key Features*Idenitifes and explores a new and evolving genre in contemporary fiction*Thinks through the relation between trauma and literature*Produces innovative readings of key works of contemporary fiction *Provides an introduction to key ideas in trauma theory
Publisher: Edinburgh University Press
ISBN: 074866601X
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The literary potential of trauma is examined in this book, bringing trauma theory and literary texts together for the first time. Trauma Fiction focuses on the ways in which contemporary novelists explore the theme of trauma and incorporate its structures into their writing. It provides innovative readings of texts by Pat Barker, Jackie Kay, Anne Michaels, Toni Morrison, Caryl Phillips, W. G. Sebald and Binjamin Wilkomirski. It also considers the ways in which trauma has affected fictional form, exploring how novelists have responded to the challenge of writing traumatic narratives, and identifying the key stylistic features associated with the genre. In addition, the book introduces the reader to key critics in the field of trauma theory such as Cathy Caruth, Shoshana Felman and Geoffrey Hartman. The linking of trauma theory and literary texts not only sheds light on works of contemporary fiction, it also points to the inherent connections between trauma theory and the literary which have often been overlooked. The distinction between literary theme and style in the book opens up major questions regarding the nature of trauma itself. Trauma, like the novels discussed, is shown to take an uncertain but productive place between content and form.Key Features*Idenitifes and explores a new and evolving genre in contemporary fiction*Thinks through the relation between trauma and literature*Produces innovative readings of key works of contemporary fiction *Provides an introduction to key ideas in trauma theory
The Trauma of Gender
Author: Helene Moglen
Publisher: Univ of California Press
ISBN: 0520225899
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
"The Trauma of Gender is a wonderfully crafted text, provocative, insightful, and imaginative. Moglen not only shows us how to read the intrapsychic processes at work in fiction, but offers a careful consideration of the social form that loss, mourning, and desire take in the fictions she considers. Along the way, she develops a nuanced account of the origin of the novel, showing her readers in subtle ways how the beginnings of fiction and the beginnings of fantasy are interwoven. Her text exemplifies psychoanalytic literary criticism at its best, offering a fine and probing study of the social and psychic dimensions of literary works."—Judith Butler, author of Gender Trouble "These extremely powerful and authoritative new readings of important canonical texts will set a new standard for discussions of the novel as a genre. Moglen's work as an interpreter of literary texts and of psychoanalytic theories is superior, and her muscular writing style is well-suited to the pleasurably pessimistic bent of her critical mind."—Lisa L. Moore, author of Dangerous Intimacies: Toward a Sapphic History of the British Novel "In this lucid and perceptive study, Helene Moglen looks steadily at the shadow side of canonical eighteenth-century fiction and sees the psychic costs of waxing individualism. The book is an excellent corrective to the view that the novel is a triumphant expression of bourgeois values."—Catherine Gallagher, author of Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820
Publisher: Univ of California Press
ISBN: 0520225899
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
"The Trauma of Gender is a wonderfully crafted text, provocative, insightful, and imaginative. Moglen not only shows us how to read the intrapsychic processes at work in fiction, but offers a careful consideration of the social form that loss, mourning, and desire take in the fictions she considers. Along the way, she develops a nuanced account of the origin of the novel, showing her readers in subtle ways how the beginnings of fiction and the beginnings of fantasy are interwoven. Her text exemplifies psychoanalytic literary criticism at its best, offering a fine and probing study of the social and psychic dimensions of literary works."—Judith Butler, author of Gender Trouble "These extremely powerful and authoritative new readings of important canonical texts will set a new standard for discussions of the novel as a genre. Moglen's work as an interpreter of literary texts and of psychoanalytic theories is superior, and her muscular writing style is well-suited to the pleasurably pessimistic bent of her critical mind."—Lisa L. Moore, author of Dangerous Intimacies: Toward a Sapphic History of the British Novel "In this lucid and perceptive study, Helene Moglen looks steadily at the shadow side of canonical eighteenth-century fiction and sees the psychic costs of waxing individualism. The book is an excellent corrective to the view that the novel is a triumphant expression of bourgeois values."—Catherine Gallagher, author of Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820
A Woman, a Plan, an Outline of a Man
Author: Sarah Kasbeer
Publisher:
ISBN: 9781733150514
Category :
Languages : en
Pages : 159
Book Description
Literary Nonfiction. Essays. Sarah Kasbeer's vivid descriptions of growing up in Illinois recall the coming-of-age memoirs of Mary Karr, but written for the #MeToo era. As an adult living in New York during this clarifying cultural moment, she has no choice but to fully reckon with the aftermath of her own trauma. Artful and entertaining, this debut collection explores sexuality, desire, privilege, shame, and the ways we find to heal. "In A WOMAN, A PLAN, AN OUTLINE OF A MAN one woman picks up the pieces of a typical all-American girlhood: the abusive boyfriends, the sexual assaults, and the pervasive feelings of isolation and shame. I emerged from this collection oddly hopeful about the process of healing, especially if it can bring us a book like this."--Alice Bolin "Kasbeer is a born raconteur whose stories name some of the loneliest parts of growing up female and turn them joyful with insight and levity."--Melissa Febos "This book is a god damn treasure; it is a dagger and an emancipation, a slice and a stitch, as devastating as it is darkly funny."--Mira Ptacin "An astonishing collection not for the faint of heart. Kasbeer speaks the unspoken and dares to be vulnerable in a world of facades."--Chloe Caldwell "A book every woman will relate to and every man should understand."--Tyrese Coleman
Publisher:
ISBN: 9781733150514
Category :
Languages : en
Pages : 159
Book Description
Literary Nonfiction. Essays. Sarah Kasbeer's vivid descriptions of growing up in Illinois recall the coming-of-age memoirs of Mary Karr, but written for the #MeToo era. As an adult living in New York during this clarifying cultural moment, she has no choice but to fully reckon with the aftermath of her own trauma. Artful and entertaining, this debut collection explores sexuality, desire, privilege, shame, and the ways we find to heal. "In A WOMAN, A PLAN, AN OUTLINE OF A MAN one woman picks up the pieces of a typical all-American girlhood: the abusive boyfriends, the sexual assaults, and the pervasive feelings of isolation and shame. I emerged from this collection oddly hopeful about the process of healing, especially if it can bring us a book like this."--Alice Bolin "Kasbeer is a born raconteur whose stories name some of the loneliest parts of growing up female and turn them joyful with insight and levity."--Melissa Febos "This book is a god damn treasure; it is a dagger and an emancipation, a slice and a stitch, as devastating as it is darkly funny."--Mira Ptacin "An astonishing collection not for the faint of heart. Kasbeer speaks the unspoken and dares to be vulnerable in a world of facades."--Chloe Caldwell "A book every woman will relate to and every man should understand."--Tyrese Coleman
Women Writing Trauma in Literature
Author: Laura Alexander
Publisher:
ISBN: 9781527529748
Category :
Languages : en
Pages : 0
Book Description
This collection features studies on trauma, literary theory, and psychoanalysis in women's writing. It examines the ways in which literature helps to heal the wounded self, and it particularly concentrates attention on the way women explain the traumatic experiences of war, violence, or displacement. Covering a global range of women writers, this book focuses on the psychoanalytic role of literature in helping recover the voices buried by intense pain and suffering and to help those voices be heard. Literature brings the unconscious into being and focus, reconfiguring life through narration. These essays look at the relationship between traumatic experience and literary form.
Publisher:
ISBN: 9781527529748
Category :
Languages : en
Pages : 0
Book Description
This collection features studies on trauma, literary theory, and psychoanalysis in women's writing. It examines the ways in which literature helps to heal the wounded self, and it particularly concentrates attention on the way women explain the traumatic experiences of war, violence, or displacement. Covering a global range of women writers, this book focuses on the psychoanalytic role of literature in helping recover the voices buried by intense pain and suffering and to help those voices be heard. Literature brings the unconscious into being and focus, reconfiguring life through narration. These essays look at the relationship between traumatic experience and literary form.
Intersectional Trauma in American Women Writers' Incest Novels from the 1990s
Author: Marinella Rodi-Risberg
Publisher: Springer Nature
ISBN: 3030966194
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
This book explores the intersections of sexualized, gendered, and racialized traumas in five US novels about father-daughter incest from the 1990s. It examines how incest can be connected to wider past and present structural oppression and institutional abuse, and what fiction looks like that testifies against and references a historical background of slavery, poverty, settler colonialism, annexation, and immigration. Investigating the means of resistance used against attempts at silencing and denial in these texts, the book also shows how contemporary women’s novels can propose social change. Overall, this study uniquely argues that the individual trauma of incest in these texts must be understood in relation to histories of and present collective wounding against marginalized communities. By sitting at the intersections between trauma theory and US third world feminism, it allows for theory to meet literary activism.
Publisher: Springer Nature
ISBN: 3030966194
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
This book explores the intersections of sexualized, gendered, and racialized traumas in five US novels about father-daughter incest from the 1990s. It examines how incest can be connected to wider past and present structural oppression and institutional abuse, and what fiction looks like that testifies against and references a historical background of slavery, poverty, settler colonialism, annexation, and immigration. Investigating the means of resistance used against attempts at silencing and denial in these texts, the book also shows how contemporary women’s novels can propose social change. Overall, this study uniquely argues that the individual trauma of incest in these texts must be understood in relation to histories of and present collective wounding against marginalized communities. By sitting at the intersections between trauma theory and US third world feminism, it allows for theory to meet literary activism.
Modernist Women Writers and War
Author: Julie Goodspeed-Chadwick
Publisher: LSU Press
ISBN: 0807138169
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
In Modernist Women Writers and War, Julie Goodspeed-Chadwick examines important avant-garde writings by three American women authors and shows that during World Wars I and II a new kind of war literature emerged—one in which feminist investigation of war and trauma effectively counters the paradigmatic war experience long narrated by men. In the past, Goodspeed-Chadwick explains, scholars have not considered writings by women as part of war literature. They have limited "war writing" to works by men, such as William Butler Yeats's poem "An Irish Airman Foresees His Death" (1919), which relies on a male perspective: a pilot contemplates his forthcoming flight, his duty to his country, and his life in combat. But works by Djuna Barnes, H.D., and Gertrude Stein set in wartime reveal experiences and views of war markedly different from those of male writers. They write women and their bodies into their texts, thus creating space for female war writing, insisting on female presence in wartime, and, perhaps most significantly, critiquing war and patriarchal politics, often in devastating fashion. Goodspeed-Chadwick begins with Barnes, who in her surrealist novel Nightwood (1936) emphasizes the actual perversity of war by placing it in contrast to the purported perverse and deviant behavior of her main characters. In her epic poem Trilogy (1944–1946), H.D. validates female suffering and projects a feminist, spiritual worldview that fosters healing from the ravages of war. Stein, for her part, in her experimental novel Mrs. Reynolds (1952) and her long love poem Lifting Belly (1953), captures her experience of the everyday reality of war on the home front, within the domestic economy of her household. In these works, the female body stands as the primary textual marker or symbol of female identity—an insistence on women's presence in both the text and in the world outside the book. The strategies employed by Barnes, H.D., and Stein in these texts serve to produce a new kind of writing, Goodspeed-Chadwick reveals, one that ineluctably constructs a female identity within, and authorship of, the war narrative.
Publisher: LSU Press
ISBN: 0807138169
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
In Modernist Women Writers and War, Julie Goodspeed-Chadwick examines important avant-garde writings by three American women authors and shows that during World Wars I and II a new kind of war literature emerged—one in which feminist investigation of war and trauma effectively counters the paradigmatic war experience long narrated by men. In the past, Goodspeed-Chadwick explains, scholars have not considered writings by women as part of war literature. They have limited "war writing" to works by men, such as William Butler Yeats's poem "An Irish Airman Foresees His Death" (1919), which relies on a male perspective: a pilot contemplates his forthcoming flight, his duty to his country, and his life in combat. But works by Djuna Barnes, H.D., and Gertrude Stein set in wartime reveal experiences and views of war markedly different from those of male writers. They write women and their bodies into their texts, thus creating space for female war writing, insisting on female presence in wartime, and, perhaps most significantly, critiquing war and patriarchal politics, often in devastating fashion. Goodspeed-Chadwick begins with Barnes, who in her surrealist novel Nightwood (1936) emphasizes the actual perversity of war by placing it in contrast to the purported perverse and deviant behavior of her main characters. In her epic poem Trilogy (1944–1946), H.D. validates female suffering and projects a feminist, spiritual worldview that fosters healing from the ravages of war. Stein, for her part, in her experimental novel Mrs. Reynolds (1952) and her long love poem Lifting Belly (1953), captures her experience of the everyday reality of war on the home front, within the domestic economy of her household. In these works, the female body stands as the primary textual marker or symbol of female identity—an insistence on women's presence in both the text and in the world outside the book. The strategies employed by Barnes, H.D., and Stein in these texts serve to produce a new kind of writing, Goodspeed-Chadwick reveals, one that ineluctably constructs a female identity within, and authorship of, the war narrative.
Teaching Anglophone South Asian Women Writers
Author: Deepika Bahri
Publisher: Modern Language Association
ISBN: 1603294910
Category : Language Arts & Disciplines
Languages : en
Pages : 223
Book Description
Global and cosmopolitan since the late nineteenth century, anglophone South Asian women's writing has flourished in many genres and locations, encompassing diverse works linked by issues of language, geography, history, culture, gender, and literary tradition. Whether writing in the homeland or in the diaspora, authors offer representations of social struggle and inequality while articulating possibilities for resistance. In this volume experienced instructors attend to the style and aesthetics of the texts as well as provide necessary background for students. Essays address historical and political contexts, including colonialism, partition, migration, ecological concerns, and evolving gender roles, and consider both traditional and contemporary genres such as graphic novels, chick lit, and Instapoetry. Presenting ideas for courses in Asian studies, women's studies, postcolonial literature, and world literature, this book asks broadly what it means to study anglophone South Asian women's writing in the United States, in Asia, and around the world.
Publisher: Modern Language Association
ISBN: 1603294910
Category : Language Arts & Disciplines
Languages : en
Pages : 223
Book Description
Global and cosmopolitan since the late nineteenth century, anglophone South Asian women's writing has flourished in many genres and locations, encompassing diverse works linked by issues of language, geography, history, culture, gender, and literary tradition. Whether writing in the homeland or in the diaspora, authors offer representations of social struggle and inequality while articulating possibilities for resistance. In this volume experienced instructors attend to the style and aesthetics of the texts as well as provide necessary background for students. Essays address historical and political contexts, including colonialism, partition, migration, ecological concerns, and evolving gender roles, and consider both traditional and contemporary genres such as graphic novels, chick lit, and Instapoetry. Presenting ideas for courses in Asian studies, women's studies, postcolonial literature, and world literature, this book asks broadly what it means to study anglophone South Asian women's writing in the United States, in Asia, and around the world.
Trauma Narratives in Italian and Transnational Women’s Writing
Author: Tiziana de Rogatis
Publisher: Sapienza Università Editrice
ISBN: 8893772558
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
This edited volume is the first to propose new readings of Italian and transnational female-authored texts through the lens of Trauma Studies. Illuminating a space that has so far been left in the shadows, Trauma Narratives in Italian and Transnational Women’s Writing provides new insights into how the trope of trauma shapes the narrative, temporal and linguistic dimension of these works. The various contributions delineate a landscape of female-authored Italian and transnational trauma narratives and their complex textual negotiation of suffering and pathos, from the twentieth century to the present day. These zones of trauma engender a new aesthetics and a new reading of history and cultural memory as an articulation of female creativity and resistance against a dominant cultural and social order.
Publisher: Sapienza Università Editrice
ISBN: 8893772558
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
This edited volume is the first to propose new readings of Italian and transnational female-authored texts through the lens of Trauma Studies. Illuminating a space that has so far been left in the shadows, Trauma Narratives in Italian and Transnational Women’s Writing provides new insights into how the trope of trauma shapes the narrative, temporal and linguistic dimension of these works. The various contributions delineate a landscape of female-authored Italian and transnational trauma narratives and their complex textual negotiation of suffering and pathos, from the twentieth century to the present day. These zones of trauma engender a new aesthetics and a new reading of history and cultural memory as an articulation of female creativity and resistance against a dominant cultural and social order.