Words with Music PDF Download

Author: Lehman Engel
Publisher: Hal Leonard Corporation
ISBN: 1557835543
Category : Music
Languages : en
Pages : 482

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Book Description
The dean of Broadway musical directors examines the dynamics of how the book, music and lyrics work together to create such hits as My Fair Lady, Fiddler on the Roof, Guys and Dolls, Hair, Pal Joey, West Side Story, Company, South Pacific, Threepenny Opera and Porgy and Bess. Howard Kissel, chief theater critic for the New York Daily News, extends the reach of Engel's subjects by bringing them up to date with commentary on such shows as A Chorus Line, Nine, Sunday in the Park with George, Rent, Working and Falsettos. Kissel offers a thoughtful history on how musical theater has evolved in the three decades since Engel wrote Words with Music (1972) and how Engel's classic work remains vital and illuminating today.

Author: Paul Morley
Publisher: Bloomsbury Publishing
ISBN: 1408864347
Category : Music
Languages : en
Pages : 368

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Book Description
Has pop burnt itself out? Inspired by the video for Kylie Minogue's hit single 'Can't Get You Out of My Head', acclaimed rock journalist Paul Morley is driving with Kylie towards a virtual city built of sound and ideas in search of the answer. Their journey bridges the various paradoxes of twentieth-century culture, as they encounter a succession of celebrities and geniuses - including Madonna, Kraftwerk, Wittgenstein and the ghost of Elvis Presley - and explore the iconic and the obscure, the mechanical and the digital, the avant-garde and the very nature of pop itself.

Author: Trevor Herbert
Publisher: Oxford University Press
ISBN: 0199888329
Category : Music
Languages : en
Pages : 256

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Book Description
Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is a writing guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of the internet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volume gives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format. This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links to key resources.

Author: Philip Glass
Publisher: W. W. Norton & Company
ISBN: 1631490818
Category : Biography & Autobiography
Languages : en
Pages : 288

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Book Description
New York Times Bestseller "Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow." —Corinna da Fonseca-Wollheim, New York Times Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.

Author: Lehman Engel
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 296

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Book Description

Author: James E. Perone
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 168

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Book Description
This scholarly analysis of the music of Taylor Swift identifies how and why she is one of the early 21st century's most recognizable and most popular stars. By the age of 13, singer-songwriter Taylor Swift had already inked a development deal with a major record label. This early milestone was an appropriate predictor of what accomplishments were to come. Now a superstar artist with an international fanbase of millions and several critically acclaimed and commercially successful albums, Swift has established herself as one of the most important musicians of the 21st century. This accessible book serves Taylor Swift fans as well as students of contemporary popular music and popular culture, critically examining all of this young artist's work to date. The book's organization is primarily chronological, covering Taylor Swift's album and single releases in order of release date while also documenting the elements of her music and personality that have made her popular with fans of country music and pop music across a surprisingly diverse age range of listeners. The chapters address how Swift's songs have been viewed by some fans as anthems of empowerment or messages of encouragement, particularly by members of the LGBTQ community, those who have been bullied or been seen as outsiders, and emerging artists. The final chapter places Swift's work and her public persona in the context of her times with respect to her use of and relationship with technology—for example, her use of social media and songwriting technology—and her expressions of a new type of feminism that is unlike the feminism of the 1970s.

Author: Walter Legge
Publisher: Psychology Press
ISBN: 9780415921084
Category : Music
Languages : en
Pages : 304

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Book Description
Walter Legge was one of the greatest ever record producers. His many other activities included founding a great orchestra, the Philharmonia, which he ran for eighteen years as a 'benevolent dictator'. Music formed the central core of his life, but the printed word was also a vital source of inspiration and education. In his writings Walter Legge reveals clearly the many facets of his own remarkable personality, and from his correspondence with the great names of his day we gain rich insight into the musical world in which he played so great a part.

Author: Christopher R. Gabel
Publisher: Bloomsbury Publishing USA
ISBN: 1573567299
Category : Social Science
Languages : en
Pages : 170

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Book Description
Sting has successfully established himself as one of the most important singer-songwriters in Western popular music over the past twenty years. His affinity for collaborative work and disparate musical styles has pushed his music into an astonishing array of contexts, but no matter what the style or who the collaborator, Sting's voice always remains distinct, and this fact has earned him success amongst a correspondingly broad audience. The Words and Music of Sting subdivides Sting's life and works into rough periods of creative activity and offers a fantastic opportunity to view Sting's many stylistic changes within a coherent general framework. After analyzing Sting's musical output album by album and song by song, author Christopher Gable sums up Sting's accomplishments and places him on the continuum of influential singer-songwriters, showing how he differs and relates to other artists of the same period. Aside from his commercial success, Sting is also interesting for the use of recurring themes in his lyrics (such as family relationships, love, war, spirituality, and work) and for his use of jazz and world music to illustrate or work against the meaning of a song. Sting's life also sheds light on his music, as his working-class roots in Newcastle, England are never far removed from his international superstardom. Throughout his life, he has been musically open-minded and inquisitive, always seeking out new styles and often incorporating them into his compositions.

Author: John Stevens
Publisher: Cambridge University Press
ISBN: 9780521245074
Category : Music
Languages : en
Pages : 582

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Book Description
This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.

Author: Thomas Gurke
Publisher: Springer Nature
ISBN: 3030855430
Category : Literary Criticism
Languages : en
Pages : 265

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Book Description
Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or ‘the’ popular and what role(s) does music play in it? What is the function of the popular, and is ‘pop’ a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the ‘popular’? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?