Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Words Onscreen PDF full book. Access full book title Words Onscreen by Naomi S. Baron. Download full books in PDF and EPUB format.
Author: Naomi S. Baron Publisher: Oxford University Press ISBN: 0199315779 Category : Language Arts & Disciplines Languages : en Pages : 288
Book Description
People have been reading on computer screens for several decades now, predating popularization of personal computers and widespread use of the internet. But it was the rise of eReaders and tablets that caused digital reading to explode. In 2007, Amazon introduced its first Kindle. Three years later, Apple debuted the iPad. Meanwhile, as mobile phone technology improved and smartphones proliferated, the phone became another vital reading platform. In Words Onscreen, Naomi Baron, an expert on language and technology, explores how technology is reshaping our understanding of what it means to read. Digital reading is increasingly popular. Reading onscreen has many virtues, including convenience, potential cost-savings, and the opportunity to bring free access to books and other written materials to people around the world. Yet, Baron argues, the virtues of eReading are matched with drawbacks. Users are easily distracted by other temptations on their devices, multitasking is rampant, and screens coax us to skim rather than read in-depth. What is more, if the way we read is changing, so is the way we write. In response to changing reading habits, many authors and publishers are producing shorter works and ones that don't require reflection or close reading. In her tour through the new world of eReading, Baron weights the value of reading physical print versus online text, including the question of what long-standing benefits of reading might be lost if we go overwhelmingly digital. She also probes how the internet is shifting reading from being a solitary experience to a social one, and the reasons why eReading has taken off in some countries, especially the United States and United Kingdom, but not others, like France and Japan. Reaching past the hype on both sides of the discussion, Baron draws upon her own cross-cultural studies to offer a clear-eyed and balanced analysis of the ways technology is affecting the ways we read today--and what the future might bring.
Author: Naomi S. Baron Publisher: Oxford University Press ISBN: 0199315779 Category : Language Arts & Disciplines Languages : en Pages : 288
Book Description
People have been reading on computer screens for several decades now, predating popularization of personal computers and widespread use of the internet. But it was the rise of eReaders and tablets that caused digital reading to explode. In 2007, Amazon introduced its first Kindle. Three years later, Apple debuted the iPad. Meanwhile, as mobile phone technology improved and smartphones proliferated, the phone became another vital reading platform. In Words Onscreen, Naomi Baron, an expert on language and technology, explores how technology is reshaping our understanding of what it means to read. Digital reading is increasingly popular. Reading onscreen has many virtues, including convenience, potential cost-savings, and the opportunity to bring free access to books and other written materials to people around the world. Yet, Baron argues, the virtues of eReading are matched with drawbacks. Users are easily distracted by other temptations on their devices, multitasking is rampant, and screens coax us to skim rather than read in-depth. What is more, if the way we read is changing, so is the way we write. In response to changing reading habits, many authors and publishers are producing shorter works and ones that don't require reflection or close reading. In her tour through the new world of eReading, Baron weights the value of reading physical print versus online text, including the question of what long-standing benefits of reading might be lost if we go overwhelmingly digital. She also probes how the internet is shifting reading from being a solitary experience to a social one, and the reasons why eReading has taken off in some countries, especially the United States and United Kingdom, but not others, like France and Japan. Reaching past the hype on both sides of the discussion, Baron draws upon her own cross-cultural studies to offer a clear-eyed and balanced analysis of the ways technology is affecting the ways we read today--and what the future might bring.
Author: Naomi S. Baron Publisher: Oxford University Press, USA ISBN: 0199315760 Category : Language Arts & Disciplines Languages : en Pages : 321
Book Description
Users are easily distracted by other temptations on their devices, multitasking is rampant, and screens coax us to skim rather than read in-depth. What is more, if the way we read is changing, so is the way we write. In response to changing reading habits, many authors and publishers are producing shorter works and ones that don't require reflection or close reading. In her tour through the new world of eReading, Baron weights the value of reading physical print versus online text, including the question of what long-standing benefits of reading might be lost if we go overwhelmingly digital. She also probes how the internet is shifting reading from being a solitary experience to a social one, and the reasons why eReading has taken off in some countries, especially the United States and United Kingdom, but not others, like France and Japan.
Author: Michel Chion Publisher: Columbia University Press ISBN: 023154345X Category : Performing Arts Languages : en Pages : 301
Book Description
Michel Chion is well known in contemporary film studies for his innovative investigations into aspects of cinema that scholars have traditionally overlooked. Following his work on sound in film in Audio-Vision and Film, a Sound Art, Words on Screen is Chion's survey of everything the seventh art gives us to read on screen. He analyzes titles, credits, and intertitles, but also less obvious forms of writing that appear on screen, from the tear-stained letter in a character's hand to reversed writing seen in mirrors. Through this examination, Chion delves into the multitude of roles that words on screen play: how they can generate narrative, be torn up or consumed but still remain in the viewer's consciousness, take on symbolic dimensions, and bear every possible relation to cinematic space. With his characteristic originality, Chion performs a poetic inventory of the possibilities of written text in the film image. Taking examples from hundreds of films spanning years and genres, from the silents to the present, he probes the ways that words on screen are used and their implications for film analysis and theory. In the process, he opens up and unearths the specific poetry of visual text in film. Exhaustively researched and illustrated with hundreds of examples, Words on Screen is a stunning demonstration of a creative scholar's ability to achieve a radically new understanding of cinema.
Author: Ágnes Pethő Publisher: Cambridge Scholars Publishing ISBN: 1443806277 Category : Performing Arts Languages : en Pages : 405
Book Description
The screen has never been merely a canvas for the images to be displayed but also – to quote Jean-Luc Godard – “a blank page”, a surface for inscriptions and a “stage” for all kinds of linguistic occurrences be their audible or visual. Word did not come into the world of cinema at the time of the talkies but has been a primordial medial “companion” that has shaped the cinematic experience from its very beginnings. This volume offers a collection of essays that question the role of words and images in the context of moving pictures covering a wide area of their interconnectedness. How can we analyse literary adaptations? What is the role of adaptations in the evolution of specific national cinemas? In what way are written texts used in films? Is the model of the word and image relations used in silent films still applicable today? What major paradigms can be discerned within the multiplicity of ways Jean-Luc Godard’s cinema plays with words and images? Are these models of modernist or postmodern cinema reflected in films of other directors like R. W. Fassbinder? How do avant-garde works deal with the word and image debate? What are the connections of animation or computer games with verbal text and narrative? What is the phenomenon of jet-setting and how does it connect to the ideological implications of the relations between the culture of books and films? What happens when Hamlet is completely rewritten reflecting the ideology of late capitalism? What happens from the point of view of literariness or rejection of literariness when films are made vehicles of national propaganda? How do words get mediated through images? These are some of the questions addressed in the present volume by in-depth case studies of cinematic intermediality or more general surveys regarding cinema’s long lasting liaisons with language or literature.
Author: Enis Dinç Publisher: Bloomsbury Publishing ISBN: 075560203X Category : Performing Arts Languages : en Pages : 256
Book Description
Mustafa Kemal Atatürk was not widely known when he led the national resistance movement in Anatolia in 1919. However, the effort and attention that his government devoted to the creation of his public image gradually turned him into a superhuman figure in the eyes of many. Film played a crucial role in the creation and dissemination of this image and helped Atatürk to advance his project of building a new “imagined community” of the Turkish nation. But despite the impact of film and film-making on the political and cultural life of Early Republican Turkey, there is almost no research that has analysed this footage. Atatürk on Screen uncovers various film archives to reveal the significant, albeit paradoxical, role of film during this period. Enis Dinç shows that while film-making was crucial for the creation of Atatürk's public image and the presentation of Turkey's new modern image to the world, it also posed risks as it could be re-used, re-edited and re-framed for the purposes of counter-propaganda. The main analysis in the book is of the film footage itself, including rare contemporary cinematic sources which have never received comprehensive analysis before. The book also makes use of other primary sources such as letters, memoirs, newspapers, reports, newsletters and production files, providing readers with a multi-layered account of the period.
Author: Heike Schaefer Publisher: Springer Nature ISBN: 3030225453 Category : Literary Criticism Languages : en Pages : 277
Book Description
This essay collection explores the cultural functions the printed book performs in the digital age. It examines how the use of and attitude toward the book form have changed in light of the digital transformation of American media culture. Situated at the crossroads of American studies, literary studies, book studies, and media studies, these essays show that a sustained focus on the medial and material formats of literary communication significantly expands our accustomed ways of doing cultural studies. Addressing the changing roles of authors, publishers, and readers while covering multiple bookish formats such as artists’ books, bestselling novels, experimental fiction, and zines, this interdisciplinary volume introduces readers to current transatlantic conversations on the history and future of the printed book.
Author: Birgitta Sif Publisher: Candlewick Press ISBN: 076366247X Category : Juvenile Fiction Languages : en Pages : 33
Book Description
When Oliver's tennis ball rolls across his lawn into the yard of the girl next door, he realizes that his stuffed animals might not be companionship enough.
Author: Perspection, Inc. Publisher: Sybex ISBN: 9780782140057 Category : Computers Languages : en Pages : 324
Book Description
Take the Fundamental First Step to Mastering Microsoft Word 2002! Deciphering the basics of Word 2002 has never been easier, thanks to the Sybex Simply Visual method of teaching. Now you can use this proven method to master the essentials of Microsoft's premier word processor. Using easy-to-read screens, illustrations, and to-the-point explanations, this book takes you task by task through the program's user interface, key features, and tools, and gets you up to speed on the fundamentals you need to create professional-quality word processing documents. Learn by Seeing: Easy-to-follow examples and illustrations show you, screen by screen, the essential tasks and features of Microsoft Word 2002. Learn by Doing: Hands-on lessons guide you step by step through fundamental tasks in Word 2002. Learn the Skills You Need: Microsoft Word 2002 Simply Visual covers the program's most commonly used elements. This book will teach you how to * Create and customize document templates * Add multimedia to documents * Format paragraphs, lists, and tables * Route and review documents * Use Word for desktop and Web publishing ...and much more.
Author: Jessica Pressman Publisher: Oxford University Press ISBN: 0199937109 Category : Language Arts & Disciplines Languages : en Pages : 241
Book Description
Electronic literature is still in its nascent stages, and so too is the field of literary criticism engaging it. While most critical studies of born-digital literature celebrate it as a postmodern art form with roots in contemporary technologies and social interactions, this book provides an alternative genealogy. Digital Modernism examines exemplary cases of electronic literature that renovate modernist texts and poetics as a means of critiquing contemporary culture. This study suggests that by referencing modernism, "digital modernism" reframes that earlier literary tradition around questions of media and technology. Grounding her argument in literary history, media studies, and the practice of close-reading, Jessica Pressman pairs modernist works by Ezra Pound, James Joyce, and Bob Brown, with major digital works like William Poundstone's Project for the Tachistoscope {Bottomless Pit}, Young-hae Chang Heavy Industries's Dakota, and Judd Morrissey's The Jew's Daughter. She demonstrates how the modernist movement of the 1920s and 1930s laid the groundwork for the innovations of electronic literature. Accordingly, Digital Modernism makes the case for considering these digital creations as "literature" and argues for the value of reading them carefully, closely, and within literary history. Moreover, this remarkable study details how and why one of the most maligned of literary spaces, the web -- one accused of fostering reading habits that destroy deep attention and devalue hermeneutic analysis -- is actually the place where serious literature stages its rebellion and renaissance. Even more importantly, perhaps, this book argues for the importance of literature, literary study, and close reading in our digital age.
Author: Naomi S. Baron
Author: Naomi S. Baron
Author: Naomi S. Baron
Author: Michel Chion
Author: Ágnes Pethő
Author: Enis Dinç
Author: Heike Schaefer
Author: Victor Oscar Freeburg
Author: Birgitta Sif
Author: Perspection, Inc.
Author: Jessica Pressman