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Author: Julia Jarcho Publisher: Cambridge University Press ISBN: 1107132355 Category : Drama Languages : en Pages : 287
Book Description
This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.
Author: Julia Jarcho Publisher: Cambridge University Press ISBN: 1107132355 Category : Drama Languages : en Pages : 287
Book Description
This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.
Author: Julia Jarcho Publisher: Cambridge University Press ISBN: 1108165842 Category : Drama Languages : en Pages : 287
Book Description
It is time to change the way we talk about writing in theater. This book offers a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage. While performance studies, German Theaterwissenschaft, and even text-based drama studies have commonly envisioned theatrical performance as something that must operate beyond the limits of the textual imagination, this book shows how a series of writers have actively shaped new conceptions of theater's radical potential. Engaging with a range of theorists, including Theodor Adorno, Jarcho reveals a modern tradition of 'negative theatrics,' whose artists undermine the here and now of performance in order to challenge the value and the power of the existing world. This vision emerges through surprising new readings of modernist classics - by Henry James, Gertrude Stein, and Samuel Beckett - as well as contemporary American works by Suzan-Lori Parks, Elevator Repair Service, and Mac Wellman.
Author: Eric Bentley Publisher: Hal Leonard Corporation ISBN: 9781557832795 Category : Performing Arts Languages : en Pages : 500
Book Description
(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.
Author: Edward Braun Publisher: A&C Black ISBN: 1408149257 Category : Performing Arts Languages : en Pages : 229
Book Description
Beginning with the triple impulses of Naturalism, symbolism and the grotesque, the bulk of the book concentrates on the most famous directors of this century - Stanislavski, Reinhardt, Graig, Meyerhold, Piscator, Brecht, Artuaud and Grotowski. Braun's guide is more practical than theoretical, delineating how each director changed the tradition that came before him.
Author: Mary C. Henderson Publisher: Watson-Guptill Publications ISBN: 0823088235 Category : Biography & Autobiography Languages : en Pages : 320
Book Description
Jo Mielziner (1901-1976) was an acclaimed scenic designer of the Americanheatre. Over five decades his career spanned the flowering of the modernheatre in the USA, and he designed many of its most famous productions,ncluding "A Streetcar Named Desire", "Death of a Salesman", "Guys and Dolls"nd "Carousel". He worked with a roster of great playwrights, directors androducers on a staggering total of 260 shows, many of them theatricalremieres, but also including ballets, operas and motion pictures. Heioneered many concepts of design - such as the capturing of a visualetaphor for the production -that are taken for granted today. His influenceor succeeding generations has been enormous. This study covers his life andork and is illustrated with sketches and fully-rendered designs.
Author: Sarah Balkin Publisher: University of Michigan Press ISBN: 0472131486 Category : Performing Arts Languages : en Pages : 199
Book Description
Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.
Author: Alyssa Quint Publisher: Indiana University Press ISBN: 0253038626 Category : Performing Arts Languages : en Pages : 300
Book Description
Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that "breathed the European spirit into our old jargon." Quint uses Goldfaden’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden’s work on stage absorbed the theater into their everyday lives. Goldfaden’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.
Author: Andrew Bozio Publisher: Oxford University Press ISBN: 019258572X Category : Literary Criticism Languages : en Pages : 226
Book Description
Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama. It demonstrates this, first, by establishing how characters think through their surroundings — not only how they orient themselves within unfamiliar or otherwise strange locations, but also how their environs function as the scaffolding for perception, memory, and other forms of embodied thought. It then contends that these moments of thinking through place theorise and thematise the work that playgoers undertook in reimagining the stage as the setting of the dramatic fiction. By tracing the relationship between these two registers of thought in such plays as The Malcontent, Dido Queen of Carthage, Tamburlaine, King Lear, The Knight of the Burning Pestle, and Bartholomew Fair, this book shows that drama makes visible the often invisible means by which embodied subjects acquire a sense of their surroundings. It also reveals how, in doing so, theatre altered the way that playgoers perceived, experienced, and imagined place in early modern England.
Author: Natasha Korda Publisher: University of Pennsylvania Press ISBN: 081220431X Category : Literary Criticism Languages : en Pages : 345
Book Description
Labors Lost offers a fascinating and wide-ranging account of working women's behind-the-scenes and hitherto unacknowledged contributions to theatrical production in Shakespeare's time. Natasha Korda reveals that the purportedly all-male professional stage relied on the labor, wares, ingenuity, and capital of women of all stripes, including ordinary crafts- and tradeswomen who supplied costumes, props, and comestibles; wealthy heiresses and widows who provided much-needed capital and credit; wives, daughters, and widows of theater people who worked actively alongside their male kin; and immigrant women who fueled the fashion-driven stage with a range of newfangled skills and commodities. Combining archival research on these and other women who worked in and around the playhouses with revisionist readings of canonical and lesser-known plays, Labors Lost retrieves this lost history by detailing the diverse ways women participated in the work of playing, and the ways male players and playwrights in turn helped to shape the cultural meanings of women's work. Far from a marginal phenomenon, the gendered division of theatrical labor was crucial to the rise of the commercial theaters in London and had an influence on the material culture of the stage and the dramatic works of Shakespeare and his contemporaries.
Author: Andrew Sofer Publisher: University of Michigan Press ISBN: 047202633X Category : Performing Arts Languages : en Pages : 272
Book Description
In The Stage Life of Props, Andrew Sofer aims to restore to certain props the performance dimensions that literary critics are trained not to see, then to show that these props are not just accessories, but time machines of the theater. Using case studies that explore the Eucharistic wafer on the medieval stage, the bloody handkerchief on the Elizabethan stage, the skull on the Jacobean stage, the fan on the Restoration and early eighteenth-century stage, and the gun on the modern stage, Andrew Sofer reveals how stage props repeatedly thwart dramatic convention and reinvigorate theatrical practice. While the focus is on specific objects, Sofer also gives us a sweeping history of half a millennium of stage history as seen through the device of the prop, revealing that as material ghosts, stage props are a way for playwrights to animate stage action, question theatrical practice, and revitalize dramatic form. Andrew Sofer is Assistant Professor of English, Boston College. He was previously a stage director.
Author: Julia Jarcho
Author: Julia Jarcho
Author: Julia Jarcho
Author: Eric Bentley
Author: Edward Braun
Author: Mary C. Henderson
Author: Sarah Balkin
Author: Alyssa Quint
Author: Andrew Bozio
Author: Natasha Korda
Author: Andrew Sofer