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Writing History, Writing Trauma

Writing History, Writing Trauma PDF Author: Dominick LaCapra
Publisher: JHU Press
ISBN: 1421414015
Category : Literary Criticism
Languages : en
Pages : 265

Book Description
An updated edition of a major work in trauma studies. Trauma and its aftermath pose acute problems for historical representation and understanding. In Writing History, Writing Trauma, Dominick LaCapra critically analyzes attempts by theorists and literary critics to come to terms with trauma and with the crucial role post-traumatic testimonies—notably Holocaust testimonies—assume in thought and in writing. These attempts are addressed in a series of six interlocking essays that adapt psychoanalytic concepts to historical analysis, while employing sociocultural and political critique to elucidate trauma and its aftereffects in culture and in people. This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book.

Writing History, Writing Trauma

Writing History, Writing Trauma PDF Author: Dominick LaCapra
Publisher: JHU Press
ISBN: 1421414007
Category : History
Languages : en
Pages : 265

Book Description
This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book.

Writing History, Writing Trauma

Writing History, Writing Trauma PDF Author: Dominick LaCapra
Publisher: JHU Press
ISBN: 1421414015
Category : Literary Criticism
Languages : en
Pages : 265

Book Description
An updated edition of a major work in trauma studies. Trauma and its aftermath pose acute problems for historical representation and understanding. In Writing History, Writing Trauma, Dominick LaCapra critically analyzes attempts by theorists and literary critics to come to terms with trauma and with the crucial role post-traumatic testimonies—notably Holocaust testimonies—assume in thought and in writing. These attempts are addressed in a series of six interlocking essays that adapt psychoanalytic concepts to historical analysis, while employing sociocultural and political critique to elucidate trauma and its aftereffects in culture and in people. This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book.

Stories Are What Save Us

Stories Are What Save Us PDF Author: David Chrisinger
Publisher: JHU Press
ISBN: 1421440806
Category : Language Arts & Disciplines
Languages : en
Pages : 240

Book Description
A foreword by former soldier and memoirist Brian Turner, author of My Life as a Foreign Country, and an afterword by military wife and memoirist Angela Ricketts, author of No Man's War: Irreverent Confessions of an Infantry Wife, bookend the volume.

Trauma Narratives in Italian and Transnational Women’s Writing

Trauma Narratives in Italian and Transnational Women’s Writing PDF Author: Tiziana de Rogatis
Publisher: Sapienza Università Editrice
ISBN: 8893772558
Category : Literary Criticism
Languages : en
Pages : 376

Book Description
This edited volume is the first to propose new readings of Italian and transnational female-authored texts through the lens of Trauma Studies. Illuminating a space that has so far been left in the shadows, Trauma Narratives in Italian and Transnational Women’s Writing provides new insights into how the trope of trauma shapes the narrative, temporal and linguistic dimension of these works. The various contributions delineate a landscape of female-authored Italian and transnational trauma narratives and their complex textual negotiation of suffering and pathos, from the twentieth century to the present day. These zones of trauma engender a new aesthetics and a new reading of history and cultural memory as an articulation of female creativity and resistance against a dominant cultural and social order.

Women Writing Trauma in Literature

Women Writing Trauma in Literature PDF Author: Laura Alexander
Publisher: Cambridge Scholars Publishing
ISBN: 1527589714
Category : Social Science
Languages : en
Pages : 272

Book Description
This collection features studies on trauma, literary theory, and psychoanalysis in women’s writing. It examines the ways in which literature helps to heal the wounded self, and it particularly concentrates attention on the way women explain the traumatic experiences of war, violence, or displacement. Covering a global range of women writers, this book focuses on the psychoanalytic role of literature in helping recover the voices buried by intense pain and suffering and to help those voices be heard. Literature brings the unconscious into being and focus, reconfiguring life through narration. These essays look at the relationship between traumatic experience and literary form.

The Postcolonial Historical Novel

The Postcolonial Historical Novel PDF Author: H. Dalley
Publisher: Springer
ISBN: 1137450096
Category : Literary Criticism
Languages : en
Pages : 226

Book Description
The Postcolonial Historical Novel is the first systematic work to examine how the historical novel has been transformed by its appropriation in postcolonial writing. It proposes new ways to understand literary realism, and explores how the relationship between history and fiction plays out in contemporary African and Australasian writing.

Facing Diasporic Trauma

Facing Diasporic Trauma PDF Author: Fatim Boutros
Publisher: BRILL
ISBN: 9004308156
Category : Literary Criticism
Languages : en
Pages : 170

Book Description
Slavery is a recurring motif in the writings of Fred D’Aguiar, John Hearne and Caryl Phillips. They narrate the fates of silenced victims who share the traumatic experience of racial violence even if otherwise separated through time, space, and gender.

Trauma and Recovery in the Twenty-First-Century Irish Novel

Trauma and Recovery in the Twenty-First-Century Irish Novel PDF Author: Kathleen Costello-Sullivan
Publisher: Syracuse University Press
ISBN: 0815654332
Category : Literary Criticism
Languages : en
Pages : 212

Book Description
The desire to engage and confront traumatic subjects was a facet of Irish literature for much of the twentieth century. Yet, just as Irish society has adopted a more direct and open approach to the past, so too have Irish authors evolved in their response to, and literary uses of, trauma. In Trauma and Recovery in the Twenty-First-Century Irish Novel, Costello-Sullivan considers the ways in which the Irish canon not only represents an ongoing awareness of trauma as a literary and cultural force, but also how this representation has shifted since the end of the twentieth and beginning of the twenty-first century. While earlier trauma narratives center predominantly on the role of silence and the individual and/or societal suffering that traumas induce, twenty-first-century Irish narratives increasingly turn from just the recognition of traumatic experiences toward exploring and representing the process of healing and recovery both structurally and narratively. Through a series of keenly observed close readings, Costello-Sullivan explores the work of Colm Tóibín, John Banville, Anne Enright, Emma Donohue, Colum McCann, and Sebastian Barry. In highlighting the power of narrative to amend and address memory and trauma, Costello-Sullivan argues that these works reflect a movement beyond merely representing trauma toward also representing the possibility of recovery from it.

Manifestos for History

Manifestos for History PDF Author: Sue Morgan
Publisher: Routledge
ISBN: 1134183720
Category : History
Languages : en
Pages : 257

Book Description
Manifestos for History is a thought provoking and controversial text that through a star studded collection of essays presents a wide ranging discussion of the nature and future of history in the twenty-first century.

German Cinema - Terror and Trauma

German Cinema - Terror and Trauma PDF Author: Thomas Elsaesser
Publisher: Routledge
ISBN: 1134627645
Category : Performing Arts
Languages : en
Pages : 390

Book Description
In German Cinema – Terror and Trauma Since 1945, Thomas Elsaesser reevaluates the meaning of the Holocaust for postwar German films and culture, while offering a reconsideration of trauma theory today. Elsaesser argues that Germany's attempts at "mastering the past" can be seen as both a failure and an achievement, making it appropriate to speak of an ongoing 'guilt management' that includes not only Germany, but Europe as a whole. In a series of case studies, which consider the work of Konrad Wolf, Alexander Kluge, Rainer Werner Fassbinder, Herbert Achterbusch and Harun Farocki, as well as films made in the new century, Elsaesser tracks the different ways the Holocaust is present in German cinema from the 1950s onwards, even when it is absent, or referenced in oblique and hyperbolic ways. Its most emphatically "absent presence" might turn out to be the compulsive afterlife of the Red Army Faction, whose acts of terror in the 1970s were a response to—as well as a reminder of—Nazism’s hold on the national imaginary. Since the end of the Cold War and 9/11, the terms of the debate around terror and trauma have shifted also in Germany, where generational memory now distributes the roles of historical agency and accountability differently. Against the background of universalized victimhood, a cinema of commemoration has, if anything, confirmed the violence that the past continues to exert on the present, in the form of missed encounters, retroactive incidents, unintended slippages and uncanny parallels, which Elsaesser—reviving the full meaning of Freud’s Fehlleistung—calls the parapractic performativity of cultural memory.