Author: Anthony David Nuttall
Publisher: Yale University Press
ISBN: 9780300118650
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
In pursuit of a powerful, common-sense argument about realism, renowned scholar A. D. Nuttall discusses English eighteenth-century and French neo-classical conceptions of realism, and considers Julius Caesar, Coriolanus, The Merchant of Venice, Othello, and both parts of King Henry IV as a prolonged feat of mimesis, with particular emphasis on Shakespeare’s perception of society and culture as subject to historical change. Shakespeare is chosen as the great example of realism because he addresses not only the stable characteristics but also the flux of things, and he is thus seen as a perceiver of that flux and not a mere specimen. An acknowledged classic of literary studies, A New Mimesis is reissued here with a new preface by the author.
A New Mimesis
Author: Anthony David Nuttall
Publisher: Yale University Press
ISBN: 9780300118650
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
In pursuit of a powerful, common-sense argument about realism, renowned scholar A. D. Nuttall discusses English eighteenth-century and French neo-classical conceptions of realism, and considers Julius Caesar, Coriolanus, The Merchant of Venice, Othello, and both parts of King Henry IV as a prolonged feat of mimesis, with particular emphasis on Shakespeare’s perception of society and culture as subject to historical change. Shakespeare is chosen as the great example of realism because he addresses not only the stable characteristics but also the flux of things, and he is thus seen as a perceiver of that flux and not a mere specimen. An acknowledged classic of literary studies, A New Mimesis is reissued here with a new preface by the author.
Publisher: Yale University Press
ISBN: 9780300118650
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
In pursuit of a powerful, common-sense argument about realism, renowned scholar A. D. Nuttall discusses English eighteenth-century and French neo-classical conceptions of realism, and considers Julius Caesar, Coriolanus, The Merchant of Venice, Othello, and both parts of King Henry IV as a prolonged feat of mimesis, with particular emphasis on Shakespeare’s perception of society and culture as subject to historical change. Shakespeare is chosen as the great example of realism because he addresses not only the stable characteristics but also the flux of things, and he is thus seen as a perceiver of that flux and not a mere specimen. An acknowledged classic of literary studies, A New Mimesis is reissued here with a new preface by the author.
Mimesis
Author: Erich Auerbach
Publisher:
ISBN: 9780691012698
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780691012698
Category :
Languages : en
Pages :
Book Description
Mimesis
Author: Erich Auerbach
Publisher: Princeton University Press
ISBN: 1400847958
Category : Literary Criticism
Languages : en
Pages : 616
Book Description
More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written. This Princeton Classics edition includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.
Publisher: Princeton University Press
ISBN: 1400847958
Category : Literary Criticism
Languages : en
Pages : 616
Book Description
More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written. This Princeton Classics edition includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.
A New Mimesis
Author: A. D. Nuttall
Publisher:
ISBN: 9781551113906
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
In pursuit of a powerful, commonsense argument about realism, renowned scholar A. D. Nuttall discusses English eighteenth-century and French neoclassical conceptions of realism and considers Julius Caesar, Coriolanus, The Merchant of Venice, Othello, and both parts of King Henry IV as a prolonged feat of mimesis, with particular emphasis on Shakespeare's perception of society and culture as subject to historical change. Shakespeare is chosen as the great example of realism because he addresses not only the stable characteristics but also the flux of things, and he is thus seen as a perceiver of that flux and not a mere specimen. An acknowledged classic of literary studies, A New Mimesis is reissued here with a new preface by the author. Book jacket.
Publisher:
ISBN: 9781551113906
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
In pursuit of a powerful, commonsense argument about realism, renowned scholar A. D. Nuttall discusses English eighteenth-century and French neoclassical conceptions of realism and considers Julius Caesar, Coriolanus, The Merchant of Venice, Othello, and both parts of King Henry IV as a prolonged feat of mimesis, with particular emphasis on Shakespeare's perception of society and culture as subject to historical change. Shakespeare is chosen as the great example of realism because he addresses not only the stable characteristics but also the flux of things, and he is thus seen as a perceiver of that flux and not a mere specimen. An acknowledged classic of literary studies, A New Mimesis is reissued here with a new preface by the author. Book jacket.
Mimesis, Desire, and the Novel
Author: Pierpaolo Antonello
Publisher: MSU Press
ISBN: 1628951737
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Fifty years after its publication in English, René Girard’s Deceit, Desire, and the Novel (1965) has never ceased to fascinate, challenge, inspire, and sometimes irritate, literary scholars. It has become one of the great classics of literary criticism, and the notion of triangular desire is now part of the theoretical parlance among critics and students. It also represents the genetic starting point for what has become one of the most encompassing, challenging, and far-reaching theories conceived in the humanities in the last century: mimetic theory. This book provides a forum for new generations of scholars and critics to reassess, challenge, and expand the theoretical and hermeneutical reach of key issues brought forward by Girard’s book, including literary knowledge, realism and representation, imitation and the anxiety of influence, metaphysical desire, deviated transcendence, literature and religious experience, individualism and modernity, and death and resurrection. It also provides a more extensive and detailed historical understanding of the representation of desire, imitation, and rivalry within European and world literature, from Dante to Proust and from Dickens to Jonathan Littell.
Publisher: MSU Press
ISBN: 1628951737
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Fifty years after its publication in English, René Girard’s Deceit, Desire, and the Novel (1965) has never ceased to fascinate, challenge, inspire, and sometimes irritate, literary scholars. It has become one of the great classics of literary criticism, and the notion of triangular desire is now part of the theoretical parlance among critics and students. It also represents the genetic starting point for what has become one of the most encompassing, challenging, and far-reaching theories conceived in the humanities in the last century: mimetic theory. This book provides a forum for new generations of scholars and critics to reassess, challenge, and expand the theoretical and hermeneutical reach of key issues brought forward by Girard’s book, including literary knowledge, realism and representation, imitation and the anxiety of influence, metaphysical desire, deviated transcendence, literature and religious experience, individualism and modernity, and death and resurrection. It also provides a more extensive and detailed historical understanding of the representation of desire, imitation, and rivalry within European and world literature, from Dante to Proust and from Dickens to Jonathan Littell.
Refiguring Mimesis
Author: Jonathan Holmes
Publisher: Univ of Hertfordshire Press
ISBN: 9781902806358
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
"A wide-ranging collection by an exciting group of scholars, this is a timely and impressive contribution to a topic that, since Plato, has continued to perplex and stimulate philosophers and literary scholars alike."--Jacket.
Publisher: Univ of Hertfordshire Press
ISBN: 9781902806358
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
"A wide-ranging collection by an exciting group of scholars, this is a timely and impressive contribution to a topic that, since Plato, has continued to perplex and stimulate philosophers and literary scholars alike."--Jacket.
Atmosphere/Atmospheres
Author: Tonino Griffero
Publisher: Mimesis
ISBN: 8869772047
Category : Architecture
Languages : en
Pages : 104
Book Description
What is an “Atmosphere”? As part of the book series “Atmospheric Spaces”, this volume analyses a new phenomenological and aesthetic paradigm based on the notion of the “Atmosphere”, conceived as a feeling spread out into the external space rather than as a private mood. The idea of “Atmosphere” is here explored from different perspectives and disciplines, in the context of a full valorization of the so-called “affective turn” in Humanities.
Publisher: Mimesis
ISBN: 8869772047
Category : Architecture
Languages : en
Pages : 104
Book Description
What is an “Atmosphere”? As part of the book series “Atmospheric Spaces”, this volume analyses a new phenomenological and aesthetic paradigm based on the notion of the “Atmosphere”, conceived as a feeling spread out into the external space rather than as a private mood. The idea of “Atmosphere” is here explored from different perspectives and disciplines, in the context of a full valorization of the so-called “affective turn” in Humanities.
Mimesis and Empire
Author: Barbara Fuchs
Publisher: Cambridge University Press
ISBN: 9780521543507
Category : Drama
Languages : en
Pages : 232
Book Description
This 2001 book offers a comparative look at European and New World early modern culture.
Publisher: Cambridge University Press
ISBN: 9780521543507
Category : Drama
Languages : en
Pages : 232
Book Description
This 2001 book offers a comparative look at European and New World early modern culture.
Mimesis
Author: Valery Podoroga
Publisher: Verso Books
ISBN: 1786636654
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Ground-breaking work of philosophy and Russian Literature: translated for the first time Valery Podoroga was one of the most important thinkers of his generation. Here his most famous work is translated into English for the first time. In it he gives a panorama view of Russian writing, focusing in on the work of Nikolai Gogol, Fyodor Dostoevsky and Andrei Bely. He identifies these authors as pioneers in creating an 'other literature'. This constituted a new form of mimesis or vision of the world, in opposition to the Imperial and national myths. In Mimesis Podoroga develops and elaborates his analytic anthropological approach on these authors with startling effect, excavating the identities and forms of Russian literature, and society. He places an emphasis on how a literary work is a process of world building: both internally by creating a fictive world, but also how it reflects the wider world in which it was produced, and the power with which it changes the world. Finally, the literary work’s ability to exist in a time that is other than its own time, a time where it does not have a contemporary reader and an author who exercises his will, but where it nonetheless continues to mean something. Mimesis is rightly seen as the masterwork of one of the world's leading literary thinkers.
Publisher: Verso Books
ISBN: 1786636654
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Ground-breaking work of philosophy and Russian Literature: translated for the first time Valery Podoroga was one of the most important thinkers of his generation. Here his most famous work is translated into English for the first time. In it he gives a panorama view of Russian writing, focusing in on the work of Nikolai Gogol, Fyodor Dostoevsky and Andrei Bely. He identifies these authors as pioneers in creating an 'other literature'. This constituted a new form of mimesis or vision of the world, in opposition to the Imperial and national myths. In Mimesis Podoroga develops and elaborates his analytic anthropological approach on these authors with startling effect, excavating the identities and forms of Russian literature, and society. He places an emphasis on how a literary work is a process of world building: both internally by creating a fictive world, but also how it reflects the wider world in which it was produced, and the power with which it changes the world. Finally, the literary work’s ability to exist in a time that is other than its own time, a time where it does not have a contemporary reader and an author who exercises his will, but where it nonetheless continues to mean something. Mimesis is rightly seen as the masterwork of one of the world's leading literary thinkers.
(New) Fascism
Author: Nidesh Lawtoo
Publisher: MSU Press
ISBN: 1628953713
Category : Political Science
Languages : en
Pages : 286
Book Description
Fascism tends to be relegated to a dark chapter of European history, but what if new forms of fascism are currently returning to the forefront of the political scene? In this book, Nidesh Lawtoo furthers his previous diagnostic of crowd behavior, identification, and mimetic contagion to account for the growing shadow cast by authoritarian leaders who rely on new media to take possession of the digital age. Donald Trump is considered here as a case study to illustrate Nietzsche’s untimely claim that, one day, “ ‘actors,’ all kinds of actors, will be the real masters.” In the process, Lawtoo joins forces with a genealogy of mimetic theorists—from Plato to Girard, through Nietzsche, Tarde, Le Bon, Freud, Bataille, Lacoue-Labarthe, and Nancy, among others—to show that (new) fascism may not be fully “new,” let alone original; yet it effectively reloads the old problematics of mimesis via new media that have the disquieting power to turn politics itself into a fiction.
Publisher: MSU Press
ISBN: 1628953713
Category : Political Science
Languages : en
Pages : 286
Book Description
Fascism tends to be relegated to a dark chapter of European history, but what if new forms of fascism are currently returning to the forefront of the political scene? In this book, Nidesh Lawtoo furthers his previous diagnostic of crowd behavior, identification, and mimetic contagion to account for the growing shadow cast by authoritarian leaders who rely on new media to take possession of the digital age. Donald Trump is considered here as a case study to illustrate Nietzsche’s untimely claim that, one day, “ ‘actors,’ all kinds of actors, will be the real masters.” In the process, Lawtoo joins forces with a genealogy of mimetic theorists—from Plato to Girard, through Nietzsche, Tarde, Le Bon, Freud, Bataille, Lacoue-Labarthe, and Nancy, among others—to show that (new) fascism may not be fully “new,” let alone original; yet it effectively reloads the old problematics of mimesis via new media that have the disquieting power to turn politics itself into a fiction.