Experimental Film and Queer Materiality PDF Download

Author: Juan Antonio Suárez
Publisher:
ISBN: 9780197567012
Category : Experimental film
Languages : en
Pages : 0

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Book Description
"This book shows that experimental cinema revealed a peculiar latency of the modern everyday that can be called queer materiality. Queer materiality designates a sense of queer possibility in modern material culture, which often inspired queer artists and filmmakers to envision wayward bodies and behaviors; it also refers to the way in which sexual and social dissidence was embedded in the objects, technologies, substances, and spaces that make up the hardware of experience. Experimental film offers a rich archive of queer material engagements. This book studies various queer material configurations in the work of well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, or Jack Smith, but it also explores under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl or Teo Hernández. Combining history, formal analysis, and theoretical reflection, the book shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, mood-enhancers such as amphetamine, film grain, or noise have been mobilized in the articulation of queerness for the screen. The book's inquiry into the liveliness of matter and into the interface between sexuality and the material world directly resonates with a growing ecological consciousness and with current concerns about the definition and reach of the human in a universe of intricate post-human entanglements"--

Author: Juan Antonio Suárez
Publisher: Oxford University Press
ISBN: 0197566995
Category : Performing Arts
Languages : en
Pages : 313

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Book Description
Experimental Film and Queer Materiality studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hernández.

Author: Federico Windhausen
Publisher: John Wiley & Sons
ISBN: 1119107903
Category : Performing Arts
Languages : en
Pages : 484

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Book Description
An exploration of what experimental cinema was, is, and might become A Companion to Experimental Cinema is a collection of original essays organized around both theoretical and historical issues of concern to film scholars, programmers, filmmakers, and viewers. Newly-commissioned essays written by specialists in the field, along with dialogues conducted with a diverse range of practitioners, focus on core subjects to present an international array of overlapping and contrasting perspectives. This unique text not only provides detailed accounts of particular films and filmmakers, but also discusses new approaches of understanding, characterizing, and shaping experimental cinema. The Companion offers readers an accessible point of entry to the material while seeking to contribute to scholarly debates. Essays explore a wide range of topics within the realm of experimental film, including the shift from traditional biography to broader contexts, the increased attention afforded to local and transnational circuits of exchange, and the deepening of theoretical considerations regarding cultural identity and cinematic aesthetics. Key themes and concepts are inter-woven throughout the text, offering fresh perspectives on experimental cinema’s dialogues with other modes and practices of film and video, its interactions with the non-cinematic arts, its responses to changing technological landscapes, and more. An essential addition to the field, the Companion: Balances introductory summaries and scholarly dialogue with existing literature Explores how the study of experimental cinema can benefit from scholarship in other disciplines Includes numerous analyses of films that are readily available to view via digital media Discusses both canonical and obscure or neglected works Examines the effects of the growing diversification of experimental film scholarship A Companion to Experimental Cinema is a valuable resource for scholars of film studies and art history, curators and programmers, critics and bloggers, filmmakers and artists, and anyone interested in exploring experimental or avant-garde cinema.

Author: Holly Rogers (Professor of music)
Publisher: Oxford University Press
ISBN: 0190469897
Category : Music
Languages : en
Pages : 337

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Book Description
Holly Rogers is Senior Lecturer in Music at Goldsmiths, University of London. Book jacket.

Author: David Walton
Publisher: Lexington Books
ISBN: 1498521665
Category : Social Science
Languages : en
Pages : 196

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Book Description
Culture, Space and Power: Blurred Lines collects a series of essays dedicated to critiques of public and private spaces in multiple cultural contexts and media from a variety of theoretical perspectives. Topics such as globalization, city design, nationalism, and others are investigated to examine the public and private spatial configurations of culture in day-to-day life.

Author: Melissa L. Mednicov
Publisher: Routledge
ISBN: 1351187376
Category : Art
Languages : en
Pages : 142

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Book Description
This book offers an innovative and interdisciplinary approach to Pop art scholarship through a recuperation of popular music into art historical understandings of the movement. Jukebox modernism is a procedure by which Pop artists used popular music within their works to disrupt decorous modernism during the sixties. Artists, including Peter Blake, Pauline Boty, James Rosenquist, and Andy Warhol, respond to popular music for reasons such as its emotional connectivity, issues of fandom and identity, and the pleasures and problems of looking and listening to an artwork. When we both look at and listen to Pop art, essential aspects of Pop’s history that have been neglected—its sounds, its women, its queerness, and its black subjects—come into focus.

Author: Barbara Mennel
Publisher: University of Illinois Press
ISBN: 0252054806
Category : Performing Arts
Languages : en
Pages : 144

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Book Description
Auteurism expanded With acclaimed films like Sink or Swim and The Odds of Recovery, Su Friedrich’s body of work stands at the forefront of avant-garde and Queer cinema. Barbara Mennel examines the career of an experimental auteur whose merger of technical innovation and political critique connects with both cinephiles and activists. Friedrich’s integration of cinematic experimentation with lesbian advocacy serves as a beginning rather than an end point of analysis. With that in mind, Mennel provides an essential overview of the filmmaker’s oeuvre while highlighting the defining characteristics of her artistic and political signature. She also situates Friedrich within the cultural, political, and historical contexts that both shape the films and are shaped by them. Finally, Mennel expands our notion of auteurism to include directors who engage in collaborative and creative processes rooted in communities.

Author: Becky Peterson
Publisher: Bloomsbury Publishing
ISBN: 1350026573
Category : Design
Languages : en
Pages : 201

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Book Description
The imagined worlds of the cinematic mise-en-scène are rich with textiles: fabrics drape over sets, serve as props, and develop mood and character as dress and décor. A much-needed examination of the cultural and emotional impact of textiles as mediated through cinematic technology, Textiles on Film broadens our understanding of the dynamic relationship between fabric and film. Drawing on scholarship across multiple disciplines and exploring a wide range of films-from lesser-known avant-garde films to big-budget Hollywood productions-this book will inspire scholars and students of film, fashion, and textiles. Close readings of on-screen textiles redirect meaning to that which is often overlooked, including depictions of gender expression, behind-the-scenes labor, and architectural and bodily ornamentation. Attentive to the social nuances of fabrics from polyester to velvet, and to the physical qualities of the textiles themselves, Becky Peterson unearths new possibilities for reading media and textile cultures.

Author: Genevieve Yue
Publisher: Fordham University Press
ISBN: 0823289575
Category : Performing Arts
Languages : en
Pages : 142

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Book Description
Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art. This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.

Author: Roger Hallas
Publisher: Duke University Press
ISBN: 0822391406
Category : Social Science
Languages : en
Pages : 336

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Book Description
In Reframing Bodies, Roger Hallas illuminates the capacities of film and video to bear witness to the cultural, political, and psychological imperatives of the AIDS crisis. He explains how queer films and videos made in response to the AIDS epidemics in North America, Europe, Australia, and South Africa challenge longstanding assumptions about both historical trauma and the politics of gay visibility. Drawing on a wide range of works, including activist tapes, found footage films, autobiographical videos, documentary portraits, museum installations, and even film musicals, Hallas reveals how such “queer AIDS media” simultaneously express both immediacy and historical consciousness. Queer AIDS media are neither mere ideological critiques of the dominant media representation of homosexuality and AIDS nor corrective attempts to produce “positive images” of people living with HIV/AIDS. Rather, they perform complex, mediated acts of bearing witness to the individual and collective trauma of AIDS. Challenging the entrenched media politics of who gets to speak, how, and to whom, Hallas offers a bold reconsideration of the intersubjective relations that connect filmmakers, subjects, and viewers. He explains how queer testimony reframes AIDS witnesses and their speech through its striking combination of direct address and aesthetic experimentation. In addition, Hallas engages recent historical changes and media transformations that have not only displaced queer AIDS media from activism to the archive, but also created new witnessing dynamics through the logics of the database and the remix. Reframing Bodies provides new insight into the work of Gregg Bordowitz, John Greyson, Derek Jarman, Matthias Müller, and Marlon Riggs, and offers critical consideration of important but often overlooked filmmakers, including Jim Hubbard, Jack Lewis, and Stuart Marshall.