Author: Karl Heinrich WörnerPublisher:
ISBN:
Category : Alm
Languages : de
Pages : 568
Book Description
Geschichte der Musik
Author: Karl Heinrich WörnerPublisher:
ISBN:
Category : Alm
Languages : de
Pages : 568
Book Description
The Cambridge History of Nineteenth-Century Music
Author: Jim SamsonPublisher: Cambridge University Press
ISBN: 9780521590174
Category : Music
Languages : en
Pages : 796
Book Description
The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
Palestrina and the German Romantic Imagination
Author: James GarrattPublisher: Cambridge University Press
ISBN: 1139433938
Category : Music
Languages : en
Pages : 334
Book Description
Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival.
Wagner and Beethoven
Author: Klaus KropfingerPublisher: Cambridge University Press
ISBN: 9780521342018
Category : Biography & Autobiography
Languages : en
Pages : 308
Book Description
This book analyzes the lifelong impact of Beethoven's music on Wagner and its importance for his conception of music drama. Kropfinger charts and scrutinizes Wagner's early responses to the composer and considers his experience as a conductor of Beethoven's music. A discussion of the Romantic "Beethoven image" leads to a careful study of Wagner's aesthetic writings, including his "programmatic explanations," the text "Concerning Franz Liszt's symphonic poems," and his Beethoven centenary essay. The penultimate chapter addresses Wagner's theory and practice of music drama, which he came to regard as the preordained successor to the Beethoven symphony. By analyzing special terms--such as "Leitmotiv"--Wagner's structural view of musical drama comes to the fore; it is a view that deepens not only our understanding of musical drama as a "hybrid" genre of art but also of purely musical structure and forms that Wagner sought to outdo.
Studien zur Musikgeschichte des 19. Jahrhunderts
Author: Rudolf HeinzRecognizing Music as an Art Form
Author: Barbara TitusPublisher: Leuven University Press
ISBN: 9462700559
Category : Music
Languages : en
Pages : 271
Book Description
The impact of Hegelian philosophy on 19th-century music criticism Music’s status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth century, Friedrich Theodor Vischer and other Hegelian aestheticians kept insisting on art's conceptual clarity, but they adapted the aesthetic system on which this requirement had been based. Their adaptations turned out to be decisive for the development of music criticism, to such an extent that music critics used them to point out musical content and to confirm music’s autonomy as an art form. This book unravels the network of music critics and philosophers, including not only Hegel but also Franz Liszt, Franz Brendel, and Eduard Hanslick, whose works shaped public opinions of music.
Studien zur Musikgeschichte der Frührenaissance
Author: Arnold ScheringStudien zur Musik des 19. Jahrhunderts: Musik und Musikleben im 19. Jahrhundert
Author: Karl Gustav FellererPublisher:
ISBN:
Category : Church music
Languages : de
Pages : 312
Book Description
The Age of Beethoven, 1790-1830
Author: Gerald AbrahamPublisher:
ISBN: 9780193163089
Category : Music
Languages : en
Pages : 774
Book Description
Looks at ancient and oriental music and traces the history of western music from medieval times to the twentieth century.
Wagner
Author: Curt von WesternhagenPublisher: CUP Archive
ISBN: 9780521219327
Category : Composers
Languages : en
Pages : 724
Book Description
"Why produce another biography of Wagner? There are a number of answers to this question. In the first place, the archives are being opened and new documents are appearing all the time. Dr von Westernhagen, a scholar who has devoted his life to Wagner, has produced the only general biography on this scale which is truly up-to-date in making use of this fresh archive material. In the second place, there is a need for a biography which focuses on Wagner's artistic achievements. In recent years Wagner has become a 'problematic' figure, largely because recent biographies have concentrated on his anti-Semitism, his egoism and his sexual life, and have presented the picture of an implausible scoundrel who by chance also wrote some music dramas. Westernhagen's approach is much more positive: his starting point is the importance and the supreme greatness of Wagner's artistry. This is therefore a positive biography, which combines an appropriate largeness of scale with factual accuracy and familiarity with the source documents. Dr von Westernhagen quotes extensively from letters and diaries to throw light, for example, on Wagner's relationship with Cosima, his idea of emigrating to America, his estrangement from Nietzsche (and the way this was later wilfully misrepresented by Nietzsche's sister, Elisabeth), and the later years as they are reflected in the so-called Brown Book, a notebook for the years 1865-82 which Wagner kept for Cosima and which was first published only in 1975. The author has also consulted the composition exercises which Wagner wrote in his teens for his teacher Theodor Weinlig, and the contents of the composer's Dresden library help to establish what were the early intellectual influences upon him. This biography concentrates on the nature of Wagner's art, its development, its achievement: the way, for instance, that Wagner was able to keep many projects in mind simultaneously, all of them dovetailing into one another with an inexorable logic. Particularly useful features of this study are the appendices which include a chronological summary of Wagner's life, a complete list of his musical and literary compositions and an up-to-date bibliography. This is a definitive biography which will stand beside Newman's classic work as an indispensable reference book for all future studies of Wagner, and a judicious account for those approaching this fascinating life story for the first time." --Dust jacket.