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Author: Tim Woods Publisher: Springer ISBN: 1137039205 Category : Literary Criticism Languages : en Pages : 300
Book Description
This book situates Louis Zukofsky's poetics (and the lineage of Objectivist poetics more broadly) within a set of ethical concerns in American poetic modernism. The book makes a strong case for perceiving Zukofsky as a missing key figure within this ethical matrix of modernism. Viewing Zukofsy's poetry through the lens of the theoretical work of Theodor Adorno and Emmanuel Levinas, Woods argues for an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of LANGUAGE poetry. Woods brings together modernism and postmodernism, ethics and aesthetics, in interesting and innovative ways which shed new light on our understanding of this neglected strain of modernist poetics.
Author: Tim Woods Publisher: Springer ISBN: 1137039205 Category : Literary Criticism Languages : en Pages : 300
Book Description
This book situates Louis Zukofsky's poetics (and the lineage of Objectivist poetics more broadly) within a set of ethical concerns in American poetic modernism. The book makes a strong case for perceiving Zukofsky as a missing key figure within this ethical matrix of modernism. Viewing Zukofsy's poetry through the lens of the theoretical work of Theodor Adorno and Emmanuel Levinas, Woods argues for an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of LANGUAGE poetry. Woods brings together modernism and postmodernism, ethics and aesthetics, in interesting and innovative ways which shed new light on our understanding of this neglected strain of modernist poetics.
Author: John Wrighton Publisher: Routledge ISBN: 1136604081 Category : Literary Criticism Languages : en Pages : 238
Book Description
From the Objectivists to e-poetry, this thoughtful and innovative book explores the dynamic relationship between the ethical imperative and poetic practice, revitalizing the study of the most prominent post-war American poets in a fresh, provocative way. Contributing to the "turn to ethics" in literary studies, the book begins with Emmanual Levinas’ philosophy, proposing that his reorientation of ontology and ethics demands a social responsibility. In poetic practice this responsibility for the other, it is argued, is both responsive to the traumatized semiotics of our shared language and directed towards an emancipatory social activism. Individual chapters deal with Charles Olson’s The Maximus Poems (including reproductions of previously unpublished archive material), Gary Snyder’s environmental poetry, Allen Ginsberg’s Beat poetics, Jerome Rothenberg’s ethnopoetics, and Bruce Andrew’s Language poetry. Following the book’s chronological and contextual approach, their work is situated within a constellation of poetic schools and movements, and in relation to the shifting socio-political conditions of post-war America. In its redefinition and extension of the key notion of "poethics" and, as guide to the development of experimental work in modern American poetry, this book will interest and appeal to a wide audience.
Author: Lauren Arrington Publisher: Oxford University Press ISBN: 0198846541 Category : History Languages : en Pages : 249
Book Description
Explores W.B. Yeats and Ezra Pound's relationship as played out against the backdrop of Mussolini's Italy in the 1920s and 1930s and shows how Yeats, Pound, and others in their Italian network developed a late modernist style aimed at effecting world change.
Author: John Melillo Publisher: Bloomsbury Publishing USA ISBN: 1501359932 Category : Literary Criticism Languages : en Pages : 208
Book Description
By reinterpreting 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a literary history of noise through poetic sound and performance. This book traces how poets figure noise in the disfiguration of poetic voice. Materializing in the threshold between the heard and the unheard, noise emerges in the differentiation and otherness of sound. It arises in the folding of an “outside” into the “inside” of poetic performance both on and off the page. Through a series of case studies ranging from verse by ear-witnesses to the First World War, Dadaist provocations, jazz modernist song and poetry, early New York City punk rock, contemporary sound poetry, and noise music, The Poetics of Noise from Dada to Punk describes productive failures of communication that theorize listening against the grain of sound's sense.
Author: Don Byrd Publisher: SUNY Press ISBN: 9780791416860 Category : Literary Criticism Languages : en Pages : 420
Book Description
The Poetics of the Common Knowledge focuses on Descartes, Hegel, Freud, and the information theorists, on the one hand, and the poets of the American avant-garde, on the other. This book is a call literally for a new poetry, a new making that manifests the possibility for sense-making in a postmodern condition without universals or absolutes. In such a poetry, fragmentation bespeaks not brokenness but the richness of the world apprehended without the habits of recognition.
Author: Johanna Skibsrud Publisher: McGill-Queen's Press - MQUP ISBN: 0228003067 Category : Literary Criticism Languages : en Pages : 107
Book Description
This book aims to expand our sense of poetry's reach and potential impact. It is an effort at recouping the poetic imperative buried within the first taxonomic description of human being: "nosce te ipsum," or "know yourself." Johanna Skibsrud explores both poetry and human being not as fixed categories but as active processes of self-reflection and considers the way that human being is constantly activated within and through language and thinking. By examining a range of modern and contemporary poets including Wallace Stevens, M. NourbeSe Philip, and Anne Carson, all with an interest in playfully disrupting sense and logic and eliciting unexpected connections, The Poetic Imperative highlights the relationship between the practice of writing and reading and a broad tradition of speculative thought. It also seeks to demonstrate that the imperative "know yourself" functions not only as a command to speak and listen, but also as a call to action and feeling. The book argues that poetic modes of knowing - though central to poetry understood as a genre - are also at the root of any conscious effort to move beyond the subjective limits of language and selfhood in the hopes of touching upon the unknown. Engaging and erudite, The Poetic Imperative is an invitation to direct our attention simultaneously to the finite and embodied limits of selfhood, as well as to what those limits touch: the infinite, the Other, and truth itself.
Author: Lucy Alford Publisher: Columbia University Press ISBN: 0231547323 Category : Literary Criticism Languages : en Pages : 249
Book Description
A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry. Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of a wide variety of poets such as T. S. Eliot, Wallace Stevens, Frank O’Hara, Anne Carson, Theresa Hak Kyung Cha, Harryette Mullen, Al-Khansā’, Rainer Maria Rilke, Arthur Rimbaud, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making—its objects, its coordinates, its variables—while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry’s primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page.
Author: Paul Stephens Publisher: U of Minnesota Press ISBN: 1452944105 Category : Literary Criticism Languages : en Pages : 260
Book Description
Information overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has typically been viewed as hostile or foreign to poetry, Paul Stephens outlines a countertradition within twentieth- and twenty-first-century literature in which avant-garde poets are centrally involved with technologies of communication, data storage, and bureaucratic control. Beginning with Gertrude Stein and Bob Brown, Stephens explores how writers have been preoccupied with the effects of new media since the advent of modernism. He continues with the postwar writing of Charles Olson, John Cage, Bern Porter, Hannah Weiner, Bernadette Mayer, Lyn Hejinian, and Bruce Andrews, and concludes with a discussion of conceptual writing produced in the past decade. By reading these works in the context of information systems, Stephens shows how the poetry of the past century has had, as a primary focus, the role of data in human life.
Author: Beatrice Martina Guenther Publisher: SUNY Press ISBN: 9780791430231 Category : Literary Criticism Languages : en Pages : 230
Book Description
Discusses literary representations of death to explore the relation between writing and death--death understood as both the death of the individual and the death of meaning.
Author: Aristotle Publisher: Univ of North Carolina Press ISBN: 9780807840177 Category : Literary Criticism Languages : en Pages : 88
Book Description
The late Preston H. Epps, author of GREEK LITERATURE IN TRANSLATION and THOUGHTS FROM THE GREEKS, analyzes the POETICS of Aristotle, offering penetrating insights into Aristotle as critic and analyzer, rather than philosopher, and describing for readers what Aristotle actually said, rather than what it is thought he meant.
Author: Tim Woods
Author: Tim Woods
Author: John Wrighton
Author: Lauren Arrington
Author: John Melillo
Author: Don Byrd
Author: Johanna Skibsrud
Author: Lucy Alford
Author: Paul Stephens
Author: Beatrice Martina Guenther
Author: Aristotle