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Author: Robert H. Kargon Publisher: University of Pittsburgh Press ISBN: 0822981149 Category : Science Languages : en Pages : 232
Book Description
Since the first world’s fair in London in 1851, at the dawn of the era of industrialization, international expositions served as ideal platforms for rival nations to showcase their advancements in design, architecture, science and technology, industry, and politics. Before the outbreak of World War II, countries competing for leadership on the world stage waged a different kind of war—with cultural achievements and propaganda—appealing to their own national strengths and versions of modernity in the struggle for power. World’s Fairs on the Eve of War examines five fairs and expositions from across the globe—including three that were staged (Paris, 1937; Dusseldorf, 1937; and New York, 1939–40), and two that were in development before the war began but never executed (Tokyo, 1940; and Rome, 1942). This coauthored work considers representations of science and technology at world’s fairs as influential cultural forces and at a critical moment in history, when tensions and ideological divisions between political regimes would soon lead to war.
Author: Robert H. Kargon Publisher: University of Pittsburgh Press ISBN: 0822981149 Category : Science Languages : en Pages : 232
Book Description
Since the first world’s fair in London in 1851, at the dawn of the era of industrialization, international expositions served as ideal platforms for rival nations to showcase their advancements in design, architecture, science and technology, industry, and politics. Before the outbreak of World War II, countries competing for leadership on the world stage waged a different kind of war—with cultural achievements and propaganda—appealing to their own national strengths and versions of modernity in the struggle for power. World’s Fairs on the Eve of War examines five fairs and expositions from across the globe—including three that were staged (Paris, 1937; Dusseldorf, 1937; and New York, 1939–40), and two that were in development before the war began but never executed (Tokyo, 1940; and Rome, 1942). This coauthored work considers representations of science and technology at world’s fairs as influential cultural forces and at a critical moment in history, when tensions and ideological divisions between political regimes would soon lead to war.
Author: Arthur P. Molella Publisher: University of Pittsburgh Press ISBN: 0822987082 Category : Science Languages : en Pages : 313
Book Description
The post–World War II science-based technological revolution inevitably found its way into almost all international expositions with displays on atomic energy, space exploration, transportation, communications, and computers. Major advancements in Cold War science and technology helped to shape new visions of utopian futures, the stock-in-trade of world’s fairs. From the 1940s to the 1980s, expositions in the United States and around the world, from Brussels to Osaka to Brisbane, mirrored Cold War culture in a variety of ways, and also played an active role in shaping it. This volume illustrates the cultural change and strain spurred by the Cold War, a disruptive period of scientific and technological progress that ignited growing concern over the impact of such progress on the environment and humanistic and spiritual values. Through the lens of world’s fairs, contributors across disciplines offer an integrated exploration of the US–USSR rivalry from a global perspective and in the context of broader social and cultural phenomena—faith and religion, gender and family relations, urbanization and urban planning, fashion, modernization, and national identity—all of which were fundamentally reshaped by tensions and anxieties of the Atomic Age.
Author: Stephen Legg Publisher: Bloomsbury Publishing ISBN: 1350247200 Category : History Languages : en Pages : 340
Book Description
Exploring how modern internationalism emerged as a negotiated process through international conferences, this edited collection studies the spaces and networks through which states, civil society institutions and anti-colonial political networks used these events to realise their visions of the international. Taking an interdisciplinary approach, contributors explore the spatial paradox of two fundamental features of modern internationalism. First, internationalism demanded the overcoming of space, transcending the nation-state in search of the shared interests of humankind. Second, internationalism was geographically contingent on the places in which people came together to conceive and enact their internationalist ideas. From Paris 1919 to Bandung 1955 and beyond, this book explores international conferences as the sites in which different forms of internationalism assumed material and social form. While international 'permanent institutions' such as the League of Nations, UN and Institute of Pacific Relations constantly negotiated national and imperial politics, lesser-resourced political networks also used international conferences to forward their more radical demands. Taken together these conferences radically expand our conception of where and how modern internationalism emerged, and make the case for focusing on internationalism in a contemporary moment when its merits are being called into question.
Author: James Mauro Publisher: Ballantine Books ISBN: 0345521781 Category : History Languages : en Pages : 434
Book Description
The summer of 1939 was an epic turning point for America—a brief window between the Great Depression and World War II. It was the last season of unbridled hope for peace and prosperity; by Labor Day, the Nazis were in Poland. And nothing would come to symbolize this transformation from acute optimism to fear and dread more than the 1939 New York World’s Fair. A glorious vision of the future, the Fair introduced television, the fax machine, nylon, and fluorescent lights. The “World of Tomorrow,” as it was called, was a dream city built upon a notorious garbage dump—The Great Gatsby’s infamous ash heaps. Yet these lofty dreams would come crashing down to earth in just two years. From the fair’s opening on a stormy spring day, everything that could go wrong did: not just freakish weather but power failures and bomb threats. Amid the drama of the World’s Fair, four men would struggle against the coming global violence. Albert Einstein, a lifelong pacifist, would come to question his beliefs as never before. From his summer home on Long Island, he signed a series of letters to President Roosevelt urging the development of an atomic bomb—an act he would later recall as “the one great mistake in my life.” Grover Whalen, the Fair’s president, struggled in vain to win over dictators Benito Mussolini and Joseph Stalin, believing that his utopian vision had the power to stop their madness. And two New York City police detectives, Joe Lynch and Freddy Socha, who had been assigned to investigate a series of bomb threats and explosions that had terrorized the city for months, would have a rendezvous with destiny at the Fair: During the summer of 1940, in a chilling preview of things to come, terrorism would arrive on American shores—and the grounds of the World’s Fair. Yet behind this tragic tableau is a story as incredible as it is inspiring. With a colorful cast of supporting characters—including Mayor Fiorello La Guardia, Robert Moses, and FDR—Twilight at the World of Tomorrow is narrative nonfiction at its finest, a gripping true-life drama that not only illuminates a forgotten episode of the nation’s past but shines a probing light upon its present and its future. From the Hardcover edition.
Author: Sean F. Johnston Publisher: McGill-Queen's Press - MQUP ISBN: 0228002052 Category : Technology & Engineering Languages : en Pages : 297
Book Description
This is the story of a seductive idea. Over the past century, the potential of new technology to solve social dilemmas has captivated modern culture. From apps that encourage physical activity to airport scanners meant to prevent terrorism, the concept that clever innovation can improve society is irresistible, but faith in such technological fixes is seldom questioned. Where did this idea come from, what makes it so appealing, and how does it endanger our future? Techno-Fixers traces the source of modern confidence in technology to engineering hubris, radical utopian movements, science fiction fanzines, policy-makers' soundbites, corporate marketing, and optimistic consumer culture from the turn of the twentieth century until today. Sean Johnston demonstrates that, through the promotion of prominent government scientists, technocrats, entrepreneurs, and popular media, modern invention became the favourite tool for addressing human problems and society's ills. Nonetheless, when it comes to assessing the success of cigarette filters as the solution to safe smoking, or DDT as the answer for agricultural productivity, the evidence is sobering. Cautioning that the rhetoric of technological fixes seldom matches reality, Johnston examines how employing innovation to bypass traditional methods can foster as many problems as it solves. A critical examination of modern faith in technology, Techno-Fixers evaluates past mistakes, present implications, and future opportunities for innovating societies.
Author: Ann Millett-Gallant Publisher: Routledge ISBN: 1000417468 Category : Social Science Languages : en Pages : 272
Book Description
This volume analyzes representations of disability in art from antiquity to the twenty-first century, incorporating disability studies scholarship and art historical research and methodology. This book brings these two strands together to provide a comprehensive overview of the intersections between these two disciplines. Divided into four parts: Ancient History through the 17th Century: Gods, Dwarfs, and Warriors 17th-Century Spain to the American Civil War: Misfits, Wounded Bodies, and Medical Specimens Modernism, Metaphor and Corporeality Contemporary Art: Crips, Care, and Portraiture and comprised of 16 chapters focusing on Greek sculpture, ancient Chinese art, Early Italian Renaissance art, the Spanish Golden Age, nineteenth century art in France (Manet, Toulouse-Lautrec) and the US, and contemporary works, it contextualizes understandings of disability historically, as well as in terms of medicine, literature, and visual culture. This book is required reading for scholars and students of disability studies, art history, sociology, medical humanities and media arts.
Author: Holger Weiss Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110670712 Category : History Languages : en Pages : 502
Book Description
This volume adds to the plurality of global histories by locating the global through its articulation and manifestation within particular localities. It accomplishes this by bringing together interlinked case-studies that analyse various temporal and spatial dimensions of the global in the local and the interactions between the local and the global. The case-studies apply a spatial approach to analyse how global questions of space, movement, networks, borders, and territory are worked out at a local level. The material draws on the Nordic countries, Europe, the Atlantic world, Africa, and Australia and ranges from the seventeenth to the twentieth century. It is further divided into sections that address topics such as the translocality of humans and goods, local articulations of identities and globalities, parliamentarism and anti-colonialism, the organization of knowledge and the construction of spaces of representation and memory.
Author: Publisher: BRILL ISBN: 9004513442 Category : Science Languages : en Pages : 487
Book Description
This volumes presents the first urban history of science, technology, and medicine in Lisbon, 1840-1940. It reveals how science, technology and medicine permeated even the most unlikely aspects of the urban landscape in an environment that was simultaneously a port city, scientific capital and imperial metropolis.
Author: Rebecca Rogers Publisher: Routledge ISBN: 135176733X Category : History Languages : en Pages : 275
Book Description
This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women’s achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space—the world fair.
Author: Jessamyn Abel Publisher: Stanford University Press ISBN: 1503629953 Category : History Languages : en Pages : 393
Book Description
A symbol of the "new Japan" displayed at World's Fairs, depicted in travel posters, and celebrated as the product of a national spirit of innovation, the Tōkaidō Shinkansen—the first bullet train, dubbed the "dream super-express"—represents the bold aspirations of a nation rebranding itself after military defeat, but also the deep problems caused by the unbridled postwar drive for economic growth. At the dawn of the space age, how could a train become such an important symbol? In Dream Super-Express, Jessamyn Abel contends that understanding the various, often contradictory, images of the bullet train reveals how infrastructure operates beyond its intended use as a means of transportation to perform cultural and sociological functions. The multi-layered dreams surrounding this high-speed railway tell a history not only of nation-building but of resistance and disruption. Though it constituted neither a major technological leap nor a new infrastructural connection, the train enchanted, enthralled, and enraged government officials, media pundits, community activists, novelists, and filmmakers. This history of imaginations around the monumental rail system resists the commonplace story of progress to consider the tug-of-war over the significance of the new line. Is it a vision of the future or a reminder of the past, an object of international admiration or a formidable threat? Does it enable new relationships and identities or reify existing social hierarchies? Tracing the meanings assigned to high-speed rail shows how it prompted a reimagination of identity on the levels of individual, metropolis, and nation in a changing Japan.
Author: Robert H. Kargon
Author: Robert H. Kargon
Author: Arthur P. Molella
Author: Stephen Legg
Author: James Mauro
Author: Sean F. Johnston
Author: Ann Millett-Gallant
Author: Holger Weiss
Author: 
Author: Rebecca Rogers
Author: Jessamyn Abel