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8A ̃Source book in theatrical history

8A ̃Source book in theatrical history PDF Author:
Publisher:
ISBN: 9780486205151
Category :
Languages : en
Pages : 0

Book Description


8A ̃Source book in theatrical history

8A ̃Source book in theatrical history PDF Author:
Publisher:
ISBN: 9780486205151
Category :
Languages : en
Pages : 0

Book Description


A Source Book in Theatrical History

A Source Book in Theatrical History PDF Author: A. M. Nagler
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 640

Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.

Source Book in Theatrical History

Source Book in Theatrical History PDF Author: Alois M. Nagler
Publisher:
ISBN: 9780844626383
Category :
Languages : en
Pages : 611

Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.

A SOURCE BOOK IN THEATRICAL HISTORY

A SOURCE BOOK IN THEATRICAL HISTORY PDF Author: A. M. Nagler (1907)
Publisher:
ISBN:
Category :
Languages : en
Pages : 658

Book Description
"An indispensable complement to the study of the drama." - Educational Theatre Journal. A rich resource for students of theater and theater historians, this volume features an annotated collection of more than 300 unusually interesting and detailed articles. Passages by contemporary observers from ancient Greece to modern times include notes on acting, directing, make-up, costuming, stage props, machinery, scene design, and much more. "Most valuable. An inspiring guide." - Theatre Notebook.

Kannada Theatre History 1850-1950: A Sourcebook

Kannada Theatre History 1850-1950: A Sourcebook PDF Author: Akshara K V
Publisher: Manipal Universal Press
ISBN: 9382460845
Category : Performing Arts
Languages : en
Pages : 292

Book Description
The present volume has compiled excerpts from a range of writings on theatre that give the reader a view of the varied modes of thinking. They are arranged into six sections, apart from a photo essay. It is not intended to be a history book; but a sourcebook that can lead to a more comprehensive account of Kannada theatre history, or complement the existing history books. Most of the writings in this volume are appearing in English for the first time. The book hopes to be of value to experts as well as theatre practitioners to understand the varied and nuanced narratives within what is normally put together as the history of modern Kannada Theatre.

Theatre, Performance and Technology

Theatre, Performance and Technology PDF Author: Christopher Baugh
Publisher: Bloomsbury Publishing
ISBN: 1137109432
Category : Performing Arts
Languages : en
Pages : 308

Book Description
Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice. Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.

Visual Experiences in Cinquecento Theatrical Spaces

Visual Experiences in Cinquecento Theatrical Spaces PDF Author: Jimena Berzal de Dios
Publisher: University of Toronto Press
ISBN: 1487518994
Category : Architecture
Languages : en
Pages : 216

Book Description
Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period’s philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers.

The Lesbian History Sourcebook

The Lesbian History Sourcebook PDF Author: Alison Oram
Publisher: Routledge
ISBN: 1136157956
Category : History
Languages : en
Pages : 324

Book Description
This groundbreaking critical anthology gathers together a wide range of primary source material on lesbian lives in the past. The material here is drawn from a diverse range of sources, including court records, newspaper reports, literary sources, writings on lesbianism from psychologists, doctors, anthropologists, as well as personal letters and journals. The sources are arranged into thematic chapters, covering topics such as archetypes of lesbians - cross-dressing women and romantic friends, the making of lesbianism in culture, professional discourse on lesbians, public perceptions of lesbianism and women's own experiences. This book will be a milestone in the publishing of lesbian history, and is set to provoke the impetus for fresh research.

A Sourcebook on African-American Performance

A Sourcebook on African-American Performance PDF Author: Annemarie Bean
Publisher: Routledge
ISBN: 1134673930
Category : Performing Arts
Languages : en
Pages : 375

Book Description
A Sourcebook on African-American Performance is the first volume to consider African-American performance between and beyond the Black Arts Movement of the 1960s and the New Black Renaissance of the 1990s. As with all titles in the Worlds of Performance series, the Sourcebook consists of classic texts as well as newly commissioned pieces by notable scholars, writers and performers. It includes the plays 'Sally's Rape' by Robbie McCauley and 'The American Play' by Suzan-Lori Parks, and comes complete with a substantial, historical introduction by Annemarie Bean. Articles, essays, manifestos and interviews included cover topics such as: * theatre on the professional, revolutionary and college stages * concert dance * community activism * step shows * performance art. Contributors include Annemarie Bean, Ed Bullins, Barbara Lewis, John O'Neal, Glenda Dickersun, James V. Hatch, Warren Budine Jr. and Eugene Nesmith.

A History of the American Theatre

A History of the American Theatre PDF Author: William Dunlap
Publisher: Theclassics.Us
ISBN: 9781230462905
Category : Theater
Languages : en
Pages : 202

Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1832 edition. Excerpt: ...utility, and necessity of the measure. It is a great and powerful engine for good or ill; and though its general tendency may have been favourable to civilization and morals, evils have attended, and do attend it. In Germany, where it is altogether under the direction and control of the government, one of these evils is unknown; and where it is under the supervision and partial direction of the rulers, it is in its worst form avoided; as in France. The evil we ' mean, and shall protest against, is that which arises from the Eng' ' lish and American regulation of theatres, which allots a distinct portion of the proscenium to those unfortunate females who have been the victims of seduction. In Germany, the theatre is the prince's; it is directed by a literary man in his service. The director and players are paid by the government, and being chosen for talents and moral conduct, are honoured by the prince and his court. Here the theatre is the people's, as all things are. And the representatives and guardians of the people ought to prevent the misuse and perversion of it in any way. The directors ought to be controlled to their own and the public good by the official servants of the public, and in the particular abuse above mentioned, the prohibition of the immoral display would remove a just stigma from the theatre, and would further the views of managers by increasing their receipts. In France the theatres are under strict control, and some of them are supported by the government. The abominable regulation which causes this evil is there unknown, and the evil is unknown. It is not practicable to exclude the impure and the vicious from public resorts, neither is it to be wished. If the drama is such as a good government ought to permit, its...