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Author: Suvir Kaul Publisher: Edinburgh University Press ISBN: 0748634568 Category : Literary Criticism Languages : en Pages : 208
Book Description
'This book convincingly challenges both the extremely short historical memory of most postcolonial work and the all-too-insularly English world still conjured by period specialists. Hogarthian whores and Grub Street hacks, coffee houses and fashionable pastimes, and the burgeoning of print culture all stand revealed as intimately bound to portents of plantation insurgency, agitation for abolition, and the vast fortunes produced by the labouring bodies of the poor, the colonized, and the enslaved. Eighteenth-century studies has never appeared in a more engaged and fascinating light.'Professor Donna Landry, University of KentIn this volume Suvir Kaul addresses the relations between literary culture, English commercial and colonial expansion, and the making of 'Great Britain' in the late seventeenth and eighteenth centuries. He argues that literary writing played a crucial role in generating the vocabulary of British nationalism, both in inter-national terms and in attempts to realign political and cultural relations between England, Scotland, and Ireland. The formal innovations and practices characteristic of eighteenth-century English literature were often responses to the worlds brought into view by travel writers, merchants, and colonists. Writers (even those suspicious of mercantile and colonial expansion) worked with a growing sense of a 'national literature' whose achievements would provide the cultural capital adequate to global imperial power, and would distinguish Great Britain for its twin success in 'arms and arts'. The book ranges from Davenant's theatre to Smollet's Roderick Random to Phillis Wheatley's poetry to trace the impact of empire on literary creativity.Key Features*An introduction to the impact of mercantilism and empire on the crafting of eighteenth-century British literature*Encourages students to examine the key formal innovations that define eighteenth-century British literary history as they were produced by writers who redefined
Author: Suvir Kaul Publisher: Edinburgh University Press ISBN: 0748634568 Category : Literary Criticism Languages : en Pages : 208
Book Description
'This book convincingly challenges both the extremely short historical memory of most postcolonial work and the all-too-insularly English world still conjured by period specialists. Hogarthian whores and Grub Street hacks, coffee houses and fashionable pastimes, and the burgeoning of print culture all stand revealed as intimately bound to portents of plantation insurgency, agitation for abolition, and the vast fortunes produced by the labouring bodies of the poor, the colonized, and the enslaved. Eighteenth-century studies has never appeared in a more engaged and fascinating light.'Professor Donna Landry, University of KentIn this volume Suvir Kaul addresses the relations between literary culture, English commercial and colonial expansion, and the making of 'Great Britain' in the late seventeenth and eighteenth centuries. He argues that literary writing played a crucial role in generating the vocabulary of British nationalism, both in inter-national terms and in attempts to realign political and cultural relations between England, Scotland, and Ireland. The formal innovations and practices characteristic of eighteenth-century English literature were often responses to the worlds brought into view by travel writers, merchants, and colonists. Writers (even those suspicious of mercantile and colonial expansion) worked with a growing sense of a 'national literature' whose achievements would provide the cultural capital adequate to global imperial power, and would distinguish Great Britain for its twin success in 'arms and arts'. The book ranges from Davenant's theatre to Smollet's Roderick Random to Phillis Wheatley's poetry to trace the impact of empire on literary creativity.Key Features*An introduction to the impact of mercantilism and empire on the crafting of eighteenth-century British literature*Encourages students to examine the key formal innovations that define eighteenth-century British literary history as they were produced by writers who redefined
Author: Patrick Brantlinger Publisher: Edinburgh University Press ISBN: 0748633057 Category : Literary Criticism Languages : en Pages : 208
Book Description
This book surveys the impact of the British Empire on nineteenth-century British literature from a postcolonial perspective. It explains both pro-imperialist themes and attitudes in works by major Victorian authors, and also points of resistance to and criticisms of the Empire such as abolitionism, as well as the first stirrings of nationalism in India and elsewhere.Using nineteenth-century literary works as illustrations, it analyzes several major debates, central to imperial and postcolonial studies, about imperial historiography and Marxism, gender and race, Orientalism, mimicry, and subalternity and representation. And it provides an in-depth examination of works by several major Victorian authors-Dickens, Charlotte Bronte, Disraeli, Tennyson, Yeats, Kipling, and Conrad among them - in the imperial context. Key Features:*Links literary texts to debates in postcolonial studies*Discusses works not included in standard literary histories*Provides in-depth discussions and comparisons of major authors: Disraeli and George Eliot; Dickens and Charlotte Bronte; Tennsyon and Yeats*Provides a guide to further reading and a timeline
Author: Daniel Carey Publisher: Oxford University Press ISBN: 0199229147 Category : History Languages : en Pages : 393
Book Description
Leading scholars bring together eighteenth-century studies and postcolonial theory to analyze the role and reputation of Enlightenment in the context of early European colonial ambitions and postcolonial interrogations of Western imperial projects and aspirations.
Author: Clement Hawes Publisher: Palgrave Macmillan ISBN: 9781403968166 Category : Literary Criticism Languages : en Pages : 288
Book Description
Clement Hawes intervenes in debates within current literary theory by means of a close engagement with texts from the British eighteenth century, viewing the latter as a resource for the contemporary postcolonial future. Indeed, rather than applying postcolonial theory to eighteenth-century texts, the book instead refines postcolonial theory by using such eighteenth-century authors as Swift, Gay, Johnson, Sterne, and Equiano.
Author: Graham MacPhee Publisher: Edinburgh University Press ISBN: 0748688668 Category : Literary Criticism Languages : en Pages : 200
Book Description
Explores a wide range of writers through the lens of postcolonial theory, focusing on themes of imperialism and decolonisation, globalisation and national identity.
Author: Rajeev S. Patke Publisher: Edinburgh University Press ISBN: 0748682600 Category : Literary Criticism Languages : en Pages : 224
Book Description
Provides a fresh account of modernist writing in a perspective based on the reading strategies developed by postcolonial studiesNeither modernity nor colonalism (and likewise, neither postmodernity nor postcoloniality) can be properly understood without recognition of their intertwined development. This book interprets modernity as an asymmetrically global phenomenon complexly connected to the course of Western imperialism, and demonstrates how the impact of Western modernism produced new developments in writing from all the former colonies of Europe and the US. These developments constitute the afterlife of Western modernism.The various ways in which the aesthetic ideologies and writing strategies of Western modernism have been adapted, transposed and modified by some of the most innovative writers of the twentieth century is demonstrated in the book through a set of case studies, each of which juxtaposes a canonical modernist text with a postcolonial text that shows how modernist modes metamorphosed in interaction with the turbulent and volatile realities of colonies and new nations struggling to arrive at a modernity of their own in contexts marked by colonial histories. Thus Kafka's allegories are juxtaposed with the use of allegory in writers like Salman Rushdie and J.M.Coetzee; the gendered modernity of Virginia Woolf is juxtaposed with the disturbing and powerful fictions of writers such as Jean Rhys and Katherine Mansfield; the intellectualized and urbanized spirituality of T.S. Eliot's The Waste Land is re-read in the revisionist contexts created by the brilliant and troubled urban spirituality of writers such as Arun Kolatkar from India and a text such as The Woman Who Had Two Navels, from the Philippines.
Author: Suvir Kaul Publisher: ISBN: 9780804720274 Category : Literary Criticism Languages : en Pages : 269
Book Description
This book reads Thomas Gray's poems as existing in a dialogic relation with eighteenth-century English discursive and socio-cultural politics. It examines formal and ideological imperatives underlying the construction and effect of the poems, in the process considering the critical and literary-historical issues that arise from such an examination. The author situates Gray at a moment in literary history when a gentleman-poet is caught in a troubled engagement with the contradictory attractions of the public and the private, of the anonymous market and of the self-selecting coterie. Gray's work is seen as ambivalent, too, about the great contemporary source of public authority - the celebration of mercantile and imperial power. His poems are structured by various versions of this dialectical interplay, and are witness to a poet's need for appropriate social, political, and ideological positions from which to establish poetic and cultural authority. Throughout, the author focuses on questions of how best to read poems: how to work through the details of the thematic and formal construction of a poem; how to read in this construction the histories of literary, cultural, and ideological practices; how to unravel the discursive, representational, and cononical codes that allow (and encourage) readers to make particular sense of poems. Thus, Gray's poems are located within contemporary poetic theory and practices, and their formal and thematic elements examined not only in an internally dialogic state (that is, within the poem), but also in counterpoint with historical and contemporary discursive practices.
Author: Suvir Kaul
Author: Suvir Kaul
Author: Patrick Brantlinger
Author: Daniel Carey
Author: Clement Hawes
Author: Ania Loomba
Author: Beth Fowkes Tobin
Author: Elizabeth A Bohls
Author: Graham MacPhee
Author: Rajeev S. Patke
Author: Suvir Kaul