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Author: Jarlath Killeen Publisher: Edinburgh University Press ISBN: 0748690816 Category : Literary Criticism Languages : en Pages : 249
Book Description
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.
Author: Jarlath Killeen Publisher: Edinburgh University Press ISBN: 0748690816 Category : Literary Criticism Languages : en Pages : 249
Book Description
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.
Author: Jarlath Killeen Publisher: Four Courts Press ISBN: Category : Foreign Language Study Languages : en Pages : 248
Book Description
This book examines the formation of Anglican identity in Ireland throughout the long, 18th century. Beginning with the 1641 Rebellion, which constitutes the inaugurating event of Anglican Ireland, the book traces the convolutions of this identity through to the Act of Union in 1801. It argues that Gothicism is the basic modality in which Anglican Ireland found expression, and traces the themes and modes of Gothic writing in political tracts, philosophical pamphlets, graveyard poetry, aesthetic treatises, and Gothic novels. In linking these diffuse modes of writing through their common recourse to a Gothic language, this book produces a psycho-history of the Anglican mind.
Author: Markman Ellis Publisher: ISBN: 9780748611959 Category : Literary Criticism Languages : en Pages : 276
Book Description
"Written with an undergraduate audience in mind, this text offers a synthesis of the main topics of Gothic interest and clearly argued summaries of critical debate. It signals its difference from recent psychoanalytic readings of Gothic and argues instead for a more complex, multilayered approach via an historicist reading of gothic fiction. Illustrated with ten black and white plates and including an up-to-date bibliography, this will be an ideal text for all those with an interest in the Gothic."--BOOK JACKET.
Author: Jerrold E. Hogle Publisher: Cambridge University Press ISBN: 9780521794664 Category : Literary Criticism Languages : en Pages : 360
Book Description
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. Here fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called Gothic story ) to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between high and popular culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Author: Christina Morin Publisher: Manchester University Press ISBN: 1526122316 Category : Literary Criticism Languages : en Pages : 139
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The gothic novel in Ireland, c. 1760–1829 offers a compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland. Countering traditional scholarly views of the ‘rise’ of ‘the gothic novel’ on the one hand, and, on the other, Irish Romantic literature, this study persuasively re-integrates a body of now overlooked works into the history of the literary gothic as it emerged across Ireland, Britain, and Europe between 1760 and 1829. Its twinned quantitative and qualitative analysis of neglected Irish texts produces a new formal, generic, and ideological map of gothic literary production in this period, persuasively positioning Irish works and authors at the centre of a new critical paradigm with which to understand both Irish Romantic and gothic literary production.
Author: Kamilla Elliott Publisher: JHU Press ISBN: 1421408643 Category : Literary Criticism Languages : en Pages : 353
Book Description
Examples from British writers of the eighteenth and nineteenth centuries show how portraits became a new mode of identity for the middle class. Traditionally, kings and rulers were featured on stamps and money, the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of “picture identification” (driver’s licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power. Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature’s best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work.
Author: Margot Gayle Backus Publisher: Post-Contemporary Intervention ISBN: Category : Literary Criticism Languages : en Pages : 312
Book Description
Uses 19th and 20th-century Irish Gothic literary texts to argue that capitalism, the nuclear patriarchal family and Protestantism coincided with and reinforced the conditions for the plantation of Ireland and the colonization which followed.
Author: Claire Connolly Publisher: Cambridge University Press ISBN: 1139503227 Category : Literary Criticism Languages : en Pages : 289
Book Description
Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.
Author: Ronald Kelly Publisher: Crossroad Press ISBN: Category : Fiction Languages : en Pages : 134
Book Description
When Irish eyes are dying Breath chills till time is over, Death pulls slowly graveward To rest ’neath sod and clover… Ireland… Sweet Erin…The Emerald Isle. In the bright and bonnie light of day, it is a place of beauty, history, and good humor. Of rolling green hills and stone walls at every step of a mile. A kind blessing for health and happiness, and a pint in your hand at the village pub… as well as the sound of fife and fiddle, the lilting tune of laughter, and the cheerful dance of a jig. But, as the sun takes leave and dusk descends, deep shadows and the dank of an evening mist claim the Land of Saints. Within the cloak of night, boogies and beasties roam the moors, keen for the echo of lonesome footsteps and the alluring scent of fear and dread. Banshee, selkie, leprechaun, and fairy alike. The restless spirit of the Sluagh and the bestial form of the werewolf, hungry and on the prowl. In Irish Gothic: Tales of Celtic Horror, Ronald Kelly returns to the land of his ancestry and explores the dark superstition and frightful folklore of Ol’ Éire. Seven stories of Celtic gothic terror… tales to quicken the beat of the heart and chill one’s bones to the very marrow.
Author: Jarlath Killeen
Author: Jarlath Killeen
Author: Jarlath Killeen
Author: Markman Ellis
Author: Jerrold E. Hogle
Author: Christina Morin
Author: Kamilla Elliott
Author: Margot Gayle Backus
Author: Gregory Castle
Author: Claire Connolly
Author: Ronald Kelly