Lafcadio Hearn in International Perspectives PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Lafcadio Hearn in International Perspectives PDF full book. Access full book title Lafcadio Hearn in International Perspectives by Sukehiro Hirakawa. Download full books in PDF and EPUB format.
Author: Sukehiro Hirakawa Publisher: Global Oriental ISBN: 9004213473 Category : Biography & Autobiography Languages : en Pages : 294
Book Description
This volume presents twenty-two diverse essays drawn from papers delivered at conferences held in four cities in Japan in 2004 – the centenary of Lafcadio Hearn's death –, as well as at other international conferences that took place earlier. Contributors are Joan Blythe, John Clubbe, Susan Fisher, Ted Goosen, George Hughes, Yoko Makino, Peter McIvor, Hitobe Nabae, Cody Poulton and Masaru Toda.
Author: Sukehiro Hirakawa Publisher: Global Oriental ISBN: 9004213473 Category : Biography & Autobiography Languages : en Pages : 294
Book Description
This volume presents twenty-two diverse essays drawn from papers delivered at conferences held in four cities in Japan in 2004 – the centenary of Lafcadio Hearn's death –, as well as at other international conferences that took place earlier. Contributors are Joan Blythe, John Clubbe, Susan Fisher, Ted Goosen, George Hughes, Yoko Makino, Peter McIvor, Hitobe Nabae, Cody Poulton and Masaru Toda.
Author: Antony Goedhals Publisher: BRILL ISBN: 9004430334 Category : Literary Criticism Languages : en Pages : 266
Book Description
The Neo-Buddhist Writings of Lafcadio Hearn: Light from the East by Antony Goedhals reveals the discourses of vastness, emptiness, and oneness – founded in Buddhism – hidden, for generations of critics and biographers, at the heart of this misunderstood Victorian writer’s work.
Author: Monika Elbert Publisher: Routledge ISBN: 1317006887 Category : Literary Criticism Languages : en Pages : 282
Book Description
Offering a variety of critical approaches to late eighteenth- and nineteenth-century Gothic literature, this collection provides a transnational view of the emergence and flowering of the Gothic. The essays expand on now well-known approaches to the Gothic (such as those that concentrate exclusively on race, gender, or nation) by focusing on international issues: religious traditions, social reform, economic and financial pitfalls, manifest destiny and expansion, changing concepts of nationhood, and destabilizing moments of empire-building. By examining a wide array of Gothic texts, including novels, drama, and poetry, the contributors present the Gothic not as a peripheral, marginal genre, but as a central mode of literary exchange in an ever-expanding global context. Thus the traditional conventions of the Gothic, such as those associated with Ann Radcliffe and Monk Lewis, are read alongside unexpected Gothic formulations and lesser-known Gothic authors and texts. These include Mary Rowlandson and Bram Stoker, Frances and Anthony Trollope, Louisa May Alcott, Elizabeth Gaskell, Theodore Dreiser, Rudyard Kipling, and Lafcadio Hearn, as well as the actors Edmund Kean and George Frederick Cooke. Individually and collectively, the essays provide a much-needed perspective that eschews national borders in order to explore the central role that global (and particularly transatlantic) exchange played in the development of the Gothic. British, American, Continental, Caribbean, and Asian Gothic are represented in this collection, which seeks to deepen our understanding of the Gothic as not merely a national but a global aesthetic.
Author: Thomas R. H. Havens Publisher: University of Hawaii Press ISBN: 9780824830113 Category : Art Languages : en Pages : 326
Book Description
Radicals and Realists is the first book in any language to discuss Japan’s avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. Focusing on the nonverbal genres of painting, sculpture, dance choreography, and music composition, this work shows that generational and political differences, not artistic doctrines, largely account for the divergent stances artists took vis-a-vis modernism, the international arts community, Japan’s ties to the United States, and the alliance of corporate and bureaucratic interests that solidified in Japan during the 1960s. After surveying censorship and arts policy during the American occupation of Japan (1945–1952), the narrative divides into two chronological sections dealing with the 1950s and 1960s, bisected by the rise of an artistic underground in Shinjuku and the security treaty crisis of May 1960. The first section treats Japanese artists who studied abroad as well as the vast and varied experiments in each of the nonverbal avant-garde arts that took place within Japan during the 1950s, after long years of artistic insularity and near-stasis throughout war and occupation. Chief among the intellectuals who stimulated experimentation were the art critic Takiguchi Shuzo, the painter Okamoto Taro, and the businessman-painter Yoshihara Jiro. The second section addresses the multifront assault on formalism (confusingly known as "anti-art") led by visual artists nationwide. Likewise, composers of both Western-style and contemporary Japanese-style music increasingly chose everyday themes from folk music and the premodern musical repertoire for their new presentations. Avant-garde print makers, sculptors, and choreographers similarly moved beyond the modern—and modernism—in their work. A later chapter examines the artistic apex of the postwar period: Osaka’s 1970 world exposition, where more avant-garde music, painting, sculpture, and dance were on display than at any other point in Japan’s history, before or since. Radicals and Realists is based on extensive archival research; numerous concerts, performances, and exhibits; and exclusive interviews with more than fifty leading choreographers, composers, painters, sculptors, and critics active during those two innovative decades. Its accessible prose and lucid analysis recommend it to a wide readership, including those interested in modern Japanese art and culture as well as the history of the postwar years.
Author: Lafcadio Hearn Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 317
Book Description
Japan: an Attempt at Interpretation is a book by Lafcadio Hearn. It presents a comparative analysis of Japan, its people and traditions, from a scholar who spent decades in the country, demystifying it for western audiences.
Author: Sukehiro Hirakawa Publisher: BRILL ISBN: 9004213821 Category : Political Science Languages : en Pages : 569
Book Description
Introductory chapters cover Japan’s historic love-hate relationship with China, then an in-depth analysis of three themes: Japan’s turn to the West; Japan’s return to the East; from war to peace. The book explains why Japanese modern writers oscillate between East and West.
Author: Dustin Friedman Publisher: Cambridge University Press ISBN: 1009081632 Category : Literary Criticism Languages : en Pages : 676
Book Description
The 1890s were once seen as marginal within the larger field of Victorian studies, which tended to privilege the realist novel and the authors of the mid-century. In recent decades, the fin de siècle has come to be viewed as one of the most dynamic decades of the Victorian era. Viewed by writers and artists of the period as a moment of opportunity, transition, and urgency, the 1890s are pivotal for understanding the parameters of the field of Victorian studies itself. This volume makes a case for why the decade continues to be an area of perennial fascination, focusing on transnational connections, gender and sexuality, ecological concerns, technological innovations, and other current critical trends. This collection both calls attention to the diverse range of literature and art being produced during this period and foregrounds the relevance of the Victorian era's final years to issues and crises that face us today.
Author: Stefano Evangelista Publisher: Oxford University Press ISBN: 0198864248 Category : Literary Criticism Languages : en Pages : 305
Book Description
The fin de siècle witnessed an extensive and heated debate about cosmopolitanism, which transformed readers' attitudes towards national identity, foreign literatures, translation, and the idea of world literature. Focussing on literature written in English, Literary Cosmopolitanism in the English Fin de Siècle offers a critical examination of cosmopolitanism as a distinctive feature of the literary modernity of this important period of transition. No longer conceived purely as an abstract philosophical ideal, cosmopolitanism--or world citizenship--informed the actual, living practices of authors and readers who sought new ways of relating local and global identities in an increasingly interconnected world. The book presents literary cosmopolitanism as a field of debate and controversy. While some writers and readers embraced the creative, imaginative, emotional, and political potentials of world citizenship, hostile critics denounced it as a politically and morally suspect ideal, and stressed instead the responsibilities of literature towards the nation. In this age of empire and rising nationalism, world citizenship came to enshrine a paradox: it simultaneously connoted positions of privilege and marginality, connectivity and non-belonging. Chapters on Oscar Wilde, Lafcadio Hearn, George Egerton, the periodical press, and artificial languages bring to light the variety of literary responses to the idea of world citizenship that proliferated at the turn of the twentieth century. The book interrogates cosmopolitanism as a liberal ideology that celebrates human diversity and as a social identity linked to worldliness; it investigates its effect on gender, ethics, and the emotions. It presents the literature of the fin de siècle as a dynamic space of exchange and mediation, and argues that our own approach to literary studies should become less national in focus.
Author: Sukehiro Hirakawa Publisher: BRILL ISBN: 9004214100 Category : Biography & Autobiography Languages : en Pages : 294
Book Description
A discussion of one of the great interpreters of Japan. The Japanese have always revered Hearn and this book shows the West why he is revered. Experts look at his writings and discuss his integrity as an observer and interpreter of Japan and the Japanese.
Author: Sukehiro Hirakawa
Author: Sukehiro Hirakawa
Author: Sukehiro Hirakawa
Author: Antony Goedhals
Author: Monika Elbert
Author: Thomas R. H. Havens
Author: Lafcadio Hearn
Author: Sukehiro Hirakawa
Author: Dustin Friedman
Author: Stefano Evangelista
Author: Sukehiro Hirakawa