Making Documentary Films and Videos PDF Download

Author: Barry Hampe
Publisher: Macmillan
ISBN: 9780805081817
Category : Performing Arts
Languages : en
Pages : 468

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Book Description
Outlines each step in creating documentaries, from conception to final film, and offers advice on capturing human behavior and recreating past events, with advice on how to get started in the field, a section on researching and developing a project, and current resources.

Author: James R. Martin
Publisher:
ISBN: 9780982702321
Category : Documentary films
Languages : en
Pages : 0

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Book Description
How to use documentary visual storytelling concepts and production techniques to make documentaries of all types and formats. Producing, Writing, Directing, Camera, Editing and Distribution including Pre-production, Production and Post-production. Fully IllustratedThird Edition.

Author: Barry Hampe
Publisher: Macmillan
ISBN: 9780805044515
Category : Performing Arts
Languages : en
Pages : 374

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Book Description
Discusses each step in creating documentaries from conception to final film, and offers advice on capturing human behavior and recreating past events.

Author: Alan Rosenthal
Publisher: SIU Press
ISBN: 0809387727
Category : Performing Arts
Languages : en
Pages : 449

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Book Description
As Alan Rosenthal states in the preface to this new edition of his acclaimed resource for filmmakers, Writing, Directing, and Producing Documentary Films and Videos is “a book about storytelling—how to tell great and moving stories about fascinating people, whether they be villains or heroes.” In response to technological advances and the growth of the documentary hybrid in the past five years, Rosenthal reconsiders how one approaches documentary filmmaking in the twenty-first century. Simply and clearly, he explains how to tackle day-to-day problems, from initial concept through distribution. He demonstrates his ideas throughout the book with examples from key filmmakers’ work. New aspects of this fourth edition include a vital new chapter titled "Making Your First Film," and a considerable enlargement of the section for producers, "Staying Alive," which includes an extensive discussion of financing, marketing, festivals, and distribution. This new edition offers a revised chapter on nonlinear editing, more examples of precise and exacting proposals, and the addition of a complex budget example with explanation of the budgeting process. Discussion of documentary hybrids, with suggestions for mastering changes and challenges, has also been expanded, while the “Family Films” chapter includes updated information that addresses rapid expansion in this genre.

Author: Ilisa Barbash
Publisher: Univ of California Press
ISBN: 0520915097
Category : Performing Arts
Languages : en
Pages : 572

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Book Description
This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail—information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.

Author: Nick Willoughby
Publisher: John Wiley & Sons
ISBN: 1119027454
Category : Technology & Engineering
Languages : en
Pages : 336

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Book Description
The easy way for kids to get started with filmmaking If you've been bitten by the filmmaking bug—even if youdon't have a background in video or access to fancyequipment—Digital Filmmaking For Kids makes it easy toget up and running with digital filmmaking! This fun and friendlyguide walks you through a ton of cool projects that introduce youto all stages of filmmaking. Packed with full-color photos,easy-to-follow instruction, and simple examples, it shows you howto write a script, create a storyboard, pick a set, light a scene,master top-quality sound, frame and shoot, edit, add specialeffects, and share your finished product with friends or a globalaudience. Anyone can take a selfie or upload a silly video toYouTube—but it takes practice and skill to shootprofessional-looking frames and make your own short film. Writtenby a film and video professional who has taught hundreds ofstudents, this kid-accessible guide provides you with hands-onprojects that make it fun to learn all aspects of video production,from planning to scripting to filming to editing. Plus, it includesaccess to videos that highlight and demonstrate skills covered inthe book, making learning even easier and less intimidating tograsp. Create a film using the tools at hand Plan, script, light and shoot your video Edit and share your film Plan a video project from start to finish If you're a student aged 7–16 with an interest in creatingand sharing your self-made video, this friendly guide lights theway for your start in digital filmmaking.

Author: John Hewitt
Publisher: Oxford University Press, USA
ISBN: 9780199300860
Category : Documentary films
Languages : en
Pages : 0

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Book Description
Documentary Filmmaking: A Contemporary Field Guide, Second Edition, is a skills-oriented, step-by-step guide to creating documentary films, from the initial idea phase to distribution. Thoroughly updated to highlight the effects of technological advances and social media, this compact handbook offers something for all types of students: documentary recommendations (for the film buff); illustrations, examples, and commentary from working documentary makers, producers, editors, and distributors (for the more grounded, visual learner); the latest trends in Internet video (for the more "techie" documentarian); and practical financial tips, fundraising ideas, and legal considerations (for the more idealistic-and not always realistic-visionary).

Author: Betsy Chasse
Publisher: Simon and Schuster
ISBN: 1621537226
Category : Performing Arts
Languages : en
Pages : 192

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Book Description
"A realist with a sense of humor, Chasse is both stringent and encouraging as she covers every aspect of creating a successful production." —Booklist starred review How to Make and Distribute a Documentary without Losing Your Mind or Going Broke Documentary filmmaking requires more than just a passion for the subject, whether it be one’s personal story or that of someone else, a historical event or a startling discovery, a political movement or a heinous crime. Making a documentary and getting it in front of an audience requires determination, careful planning, money, and a strong production team. With over thirty years of experience in filmmaking, author Betsy Chasse mentors readers every step of the way with a down-to-earth approach and invaluable advice. Chapters cover topics such as: Choosing a Subject Developing a Business Plan Securing Financial Backing Assembling a Production Team Nailing Interviews and Shooting B-Roll Getting through Post-Production Distributing and Marketing the Film Both novices and experienced filmmakers will benefit from this all-inclusive guide. With the right knowledge, persistence, and The Documentary Filmmaking Master Class in their camera bags, readers will not only turn their visions into reality, they’ll be able to share the results with others and navigate the process with confidence.

Author: Kevin Lindenmuth
Publisher: Bloomsbury Publishing
ISBN: 1408144778
Category : Performing Arts
Languages : en
Pages : 144

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Book Description
More filmmakers are employed in making documentary films than any other genre. Thanks to the user-friendly equipment available today, it is no longer an area that requires a film-school background to get started. This book shows how you can begin making your first documentary movies - from researching and defining your theme, style, and the treatment that will drive your film, to organising the production and, ultimately, getting it seen by a wider audience. Following the simple practical advice, tips and easy steps in this book will get you started today. - Learn how to choose your subject and decide on your storytelling style - Create an outline/structure for your documentary and research and plan your material - Find out the essential equipment you will need to buy or rent in order to shoot and edit - Discover cinematic and editing skills to pull all your material together. - Understand how to budget and finance your project - Find out the logistics of shooting interviews, footage and other source materials - Create a trailer and get your work seen through festivals and publicity - Learn about the wider world of distribution

Author: Barry Keith Grant
Publisher: Wayne State University Press
ISBN: 0814339727
Category : Performing Arts
Languages : en
Pages : 600

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Book Description
Originally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical viewpoints. This new edition of Documenting the Documentary adds five new essays on more recent films in addition to the text of the first edition. Thirty-one film and media scholars, many of them among the most important voices in the area of documentary film, cover the significant developments in the history of documentary filmmaking from Nanook of the North (1922), the first commercially released documentary feature, to contemporary independent film and video productions like Werner Herzog's Grizzly Man (2005) and the controversial Borat (2006). The works discussed also include representative examples of many important national and stylistic movements and various production contexts, from mainstream to avant-garde. In all, this volume offers a series of rich and revealing analyses of those "regimes of truth" that still fascinate filmgoers as much today as they did at the very beginnings of film history. As documentary film and visual media become increasingly important ways for audiences to process news and information, Documenting the Documentary continues to be a vital resource to understanding the genre. Students and teachers of film studies and fans of documentary film will appreciate this expanded classic volume.