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Author: Pierre Dubois Publisher: ISBN: 9781316358535 Category : LITERARY CRITICISM Languages : en Pages :
Book Description
"Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large" --
Author: Pierre Dubois Publisher: ISBN: 9781316358535 Category : LITERARY CRITICISM Languages : en Pages :
Book Description
"Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large" --
Author: Pierre Dubois Publisher: Cambridge University Press ISBN: 1316352536 Category : Music Languages : en Pages : 377
Book Description
Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.
Author: Michael Kassler Publisher: Routledge ISBN: 1351542176 Category : Business & Economics Languages : en Pages : 584
Book Description
In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.
Author: Tom Masters Publisher: Lonely Planet ISBN: 1838696466 Category : Travel Languages : en Pages : 573
Book Description
Lonely Planets Georgia, Armenia & Azerbaijan is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Hike in Tusheti, explore Goris, and discover Baku; all with your trusted travel companion. Get to the heart of Georgia, Armenia & Azerbaijan and begin your journey now! Inside Lonely Planets Georgia, Armenia & Azerbaijan Travel Guide: Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020s COVID-19 outbreak NEW top experiences feature - a visually inspiring collection of Georgia, Armenia & Azerbaijans best experiences and where to have them What's NEW feature taps into cultural trends and helps you find fresh ideas and cool new areas NEW pull-out, passport-size 'Just Landed' card with wi-fi, ATM and transport info - all you need for a smooth journey from airport to hotel Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, people, music, landscapes, wildlife, cuisine, politics Over 65 maps Covers Georgia, Armenia, Azerbaijan The Perfect Choice: Lonely Planets Georgia, Armenia & Azerbaijan, our most comprehensive guide to Georgia, Armenia & Azerbaijan, is perfect for both exploring top sights and taking roads less travelled. About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)
Author: Anzor Erkomaishvili Publisher: ISBN: 9781536188431 Category : Languages : en Pages :
Book Description
The author of this book, Anzor Erkomaishvili, is one of the most well known, recognized individuals in Georgia: a singer and choirmaster; a composer and performer; one who seeks out and publishes unique recordings scattered in the archives of various countries; the founder of the world famous Rustavi Ensemble; and a steadfast director for half a century...This ensemble has held up to 6,000 concerts in 80 countries and has recorded more than 900 folk songs and released them on CD. These tour impressions have not been depicted in any of Anzor Erkomaishvili's books. This ensemble receives ovations in world famous concert halls. Volumes of books are filled with the impressions of audience members enraptured by what they have heard."The talent and expertise revealed by the singers, dancers, and instrumentalists of the Rustavi Ensemble evoke delight," the New York Times wrote (April 7, 1991) following a concert at the Beacon Theater on Broadway.It is possible to say that these writings by Anzor Erkomaishvili can be considered his "selected works". The book consists of eight chapters.The first chapter is titled "At the Origins". Here the author tells us about his ancestors and the search for Georgian recordings scattered about in foreign archives.The second chapter is "On Tour". Here two countries are singled out from a gigantic tour map: France and the United States of America."Unforgettable Encounters" is the third chapter. This chapter describes meetings with intriguing people.The fourth chapter is "A Man's Fate". Here you will read some essays permeated with special artistic expressions and emotions."Mysterious Voices" is the fifth chapter. Here the reader will get acquainted with some impressionable portraits of unique performers of Georgian folk singing.The sixth chapter is "Precious Silhouettes". Some interesting essays introduce readers to distinguished Georgian composers and opera singers."To Save Singing" is the title of the seventh chapter. The author's credo is disclosed in this chapter: "If we want to save folk singing, we must teach it to children and make them fall in love with it." The way this credo became embodied within the creation of the Martve Children's Ensemble and its great success is discussed.The last chapter is titled "Reflections". Here are some thoughts the richly creative biographer has jotted down at various times.These are statements imbued with a humility characteristic of Erkomaishvili and expressed with the excellence and laconic forms that Jorje Luis Borges demanded from this genre.
Author: Jakub Lipski Publisher: Routledge ISBN: 1351137794 Category : Literary Criticism Languages : en Pages : 164
Book Description
Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting – a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century novelists from Daniel Defoe to Ann Radcliffe referred to the visual arts, recalling specific names or artworks, but also artistic styles and conventions, in an attempt to define the generic constitution of their fictions. In this, the novelists took part in the discussion of the sister arts, not only by pointing to the affinities between them but also, more importantly, by recognising their potential to inform one another; in other words, they expressed a conviction that the theory of a new genre can be successfully rendered through meta-pictorial analogies. By tracing the uses of painting in eighteenth-century novelistic discourse, this book sheds new light on the history of the so-called "rise of the novel".
Author: Jakub Lipski Publisher: Routledge ISBN: 100038859X Category : Literary Criticism Languages : en Pages : 176
Book Description
This book contributes to the development of contemporary historical fiction studies by analysing neo-Georgian fiction, which, unlike neo-Victorian fiction, has so far received little critical attention. The essays included in this collection study the ways in which the selected twentieth- and twenty-first-century novels recreate the Georgian period in order to view its ideologies through the lens of such modern critical theories as performativity, post-colonialism, feminism or visual theories. They also demonstrate the rich repertoire of subgenres of neo-Georgian fiction, ranging from biographical fiction, epistolary novels to magical realism. The included studies of the diverse novelistic conventions used to re-contextualise the Georgian reality reflect the way we see its relevance and relation to the present and trace the indebtedness of the new forms of the contemporary novel to the traditional novelistic genres.
Author: Roger Hansford Publisher: Taylor & Francis ISBN: 1317135318 Category : Music Languages : en Pages : 300
Book Description
This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.
Author: Christopher Page Publisher: Yale University Press ISBN: 030021247X Category : Music Languages : en Pages : 305
Book Description
A fascinating social history of the guitar, reasserting its long-forgotten importance in Romantic England This book is the first to explore the popularity and novelty of the guitar in Georgian England, noting its impact on the social, cultural, and musical history of the period. The instrument possessed an imagery as rich as its uses were varied; it emerged as a potent symbol of Romanticism and was incorporated into poetry, portraiture, and drama. In addition, British and Irish soldiers returning from war in Spain and Portugal brought with them knowledge of the Spanish guitar and its connotations of stylish masculinity. Christopher Page presents entirely new scholarship in order to place the guitar within a multifaceted context, drawing from recently digitized original source material. The Guitar in Georgian England champions an instrument whose importance in the eighteenth and nineteenth centuries is often overlooked.
Author: Linda Zionkowski Publisher: Rutgers University Press ISBN: 1684485177 Category : Literary Criticism Languages : en Pages : 208
Book Description
Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Pierre Dubois
Author: Pierre Dubois
Author: Pierre Dubois
Author: Michael Kassler
Author: Tom Masters
Author: Anzor Erkomaishvili
Author: Jakub Lipski
Author: Jakub Lipski
Author: Roger Hansford
Author: Christopher Page
Author: Linda Zionkowski