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Author: Beth Fowler Publisher: Rowman & Littlefield ISBN: 1793613869 Category : History Languages : en Pages : 375
Book Description
The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called "desegregation of the charts" seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An "Integrated Effort" traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.
Author: Beth Fowler Publisher: Rowman & Littlefield ISBN: 1793613869 Category : History Languages : en Pages : 375
Book Description
The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called "desegregation of the charts" seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An "Integrated Effort" traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.
Author: Reiland Rabaka Publisher: Lexington Books ISBN: 1498531792 Category : Social Science Languages : en Pages : 273
Book Description
While there have been a number of studies that have explored African American “movement culture” and African American “movement politics,” rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American “movement music,” and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. “Movement music” experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages—some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.
Author: Reiland Rabaka Publisher: Lexington Books ISBN: 0739181173 Category : Social Science Languages : en Pages : 516
Book Description
Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement critically explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement.
Author: Jennifer Joline Anderson Publisher: ABDO ISBN: 161787647X Category : Juvenile Nonfiction Languages : en Pages : 114
Book Description
This title examines an important historic event - the civil rights movement. Easy-to-read, compelling text explores the history of racism and civil rights in the United States from slavery to segregation, the roles the Montgomery bus boycott, the integration at Little Rock Central High School, and the Birmingham campaign played in the movement, key African-American activists such as Martin Luther King Jr. and Rosa Parks, and the effects of this event on society. Features include a table of contents, a timeline, facts, additional resources, Web sites, a glossary, a bibliography, and an index. Essential Events is a series in Essential Library, an imprint of ABDO Publishing Company.
Author: Mario Dunkel Publisher: LIT Verlag Münster ISBN: 3643902549 Category : Civil rights movements Languages : en Pages : 109
Book Description
This book illuminates the various ways in which Charles Mingus's music interacted with the sociocultural movements of the late 1950s and early 1960s. It explores the artist as a pioneer of an idiomatic aesthetics of resistance in jazz music that is rooted in African American traditions and is much more than merely a form of protest. Mingus's music presents a continuous challenge to an unimaginative, streamlined culture built on racism and conformity by openly protesting against it, by questioning its historical foundations, and by exemplifying its countercultural antithesis. (Series: MasteRResearch - Vol. 4)
Author: Mitch Yamasaki Publisher: Applewood Books ISBN: 1932663207 Category : African Americans Languages : en Pages : 128
Book Description
Through a collection of original source documents and the words of those who lived through the era, Civil Rights Movement gives insight into the historic background and significant events of the struggle for equal rights. Professor Mitch Yamasaki examines the context of the movement, and carefully selected materials highlight the history and the legal, political, social, and cultural effects of desegregation, white resistance, the Montgomery bus boycotts, the Little Rock Nine, Freedom Rides, voting rights struggles, Martin Luther King Jr., Malcolm X, Black Power, and more.
Author: Marcia Amidon Lusted Publisher: The Rosen Publishing Group, Inc ISBN: 1538380447 Category : Juvenile Nonfiction Languages : en Pages : 50
Book Description
In fall of 1957, nine black students approached the all-white Central High School in Little Rock, Arkansas. The students, who became known as the Little Rock Nine, were testing a 1954 Supreme Court ruling that declared segregation illegal. Their actions led to a standoff, with the state National Guard ordered to bar the students' entry. Weeks later, federal troops sent by President Eisenhower arrived to escort them inside. Readers will find themselves experiencing the desegregation crisis and a time of clashing attitudes that would affect all Little Rock's students, black and white, and the rest of the country's as well.
Author: Kathleen J. Fitzgerald Publisher: Westview Press ISBN: 0813349311 Category : Social Science Languages : en Pages : 553
Book Description
Despite radical changes over the last century, race remains a central organizing principle in U.S. society, a key arena of inequality, and the subject of ongoing conflict and debate. In a refreshing new introduction to the sociology of race, Recognizing Race and Ethnicity encourages students to think differently by challenging the notion that we are, or should even aspire to be, color-blind. In this text, Kathleen Fitzgerald considers how the continuing significance of race manifests in both significant and obscure ways by looking across all racial/ethnic groups within the socio-historical context of institutions and arenas, rather than discussing each group by group. Incorporating recent research and contemporary theoretical perspectives, she guides students to examine racial ideologies and identities as well as structural racism; at the same time, she covers topics like popular culture, sports, and interracial relationships that will keep students engaged. Recognizing Race and Ethnicity provides unparalled coverage of white privilege while remaining careful to not treat "white" as the norm against which all other groups are defined. Recognizing Race and Ethnicity makes it clear that, in a time when race and racism are constantly evolving in response to varied social contexts, societal demands, and political climates, we all must learn to recognize race if we are to get beyond it.
Author: Michael T. Bertrand Publisher: University of Illinois Press ISBN: 9780252025860 Category : Music and race Languages : en Pages : 368
Book Description
In Race, Rock, and Elvis, Michael T. Bertrand contends that popular music, specifically Elvis Presley's brand of rock 'n' roll, helped revise racial attitudes after World War II. Observing that youthful fans of rhythm and blues, rock 'n' roll, and other black-inspired music seemed more inclined than their segregationist elders to ignore the color line, Bertrand links popular music with a more general relaxation, led by white youths, of the historical denigration of blacks in the South. The tradition of southern racism, successfully communicated to previous generations, failed for the first time when confronted with the demand for rock 'n' roll by a new, national, commercialized youth culture. In a narrative peppered with the colorful observations of ordinary southerners, Bertrand argues that appreciating black music made possible a new recognition of blacks as fellow human beings. Bertrand documents black enthusiasm for Elvis Presley and cites the racially mixed audiences that flocked to the new music at a time when adults expected separate performances for black audiences and white. He describes the critical role of radio and recordings in blurring the color line and notes that these media made black culture available to appreciative whites on an unprecedented scale. He also shows how music was used to define and express the values of a southern working-class youth culture in transition, as young whites, many of them trying to orient themselves in an unfamiliar urban setting, embraced black music and culture as a means of identifying themselves. By adding rock 'n' roll to the mix of factors that fed into civil rights advances in the South, Race, Rock, and Elvis shows how the music,with its rituals and vehicles, symbolized the vast potential for racial accord inherent in postwar society.
Author: Beth Fowler
Author: Beth Fowler
Author: Reiland Rabaka
Author: Reiland Rabaka
Author: Jennifer Joline Anderson
Author: Mario Dunkel
Author: Rose Venable
Author: Mitch Yamasaki
Author: Marcia Amidon Lusted
Author: Kathleen J. Fitzgerald
Author: Michael T. Bertrand