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Islamic Chinoiserie

Islamic Chinoiserie PDF Author: Kadoi Yuka Kadoi
Publisher: Edinburgh University Press
ISBN: 1474469671
Category : Art
Languages : en
Pages : 304

Book Description
The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour

Islamic Chinoiserie

Islamic Chinoiserie PDF Author: Kadoi Yuka Kadoi
Publisher: Edinburgh University Press
ISBN: 1474469671
Category : Art
Languages : en
Pages : 304

Book Description
The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour

Deconstructing the Myths of Islamic Art

Deconstructing the Myths of Islamic Art PDF Author: Onur Öztürk
Publisher: Routledge
ISBN: 100055595X
Category : Art
Languages : en
Pages : 320

Book Description
Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.

Bibliography of Art and Architecture in the Islamic World (2 Vol. Set)

Bibliography of Art and Architecture in the Islamic World (2 Vol. Set) PDF Author: Susan Sinclair
Publisher: BRILL
ISBN: 9004170588
Category : Architecture
Languages : en
Pages : 1510

Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

Chinese-Islamic Works of Art, 1644–1912

Chinese-Islamic Works of Art, 1644–1912 PDF Author: Emily Byrne Curtis
Publisher: Routledge
ISBN: 1000752798
Category : Art
Languages : en
Pages : 125

Book Description
Chinese-Islamic studies have concentrated thus far on the arts of earlier periods with less attention paid to works from the Qing Dynasty (1644-1912). This book focuses on works of Chinese-Islamic art from the late seventeenth century to the present day and bring to the reader’s attention several new areas for consideration. The book examines glass wares which were probably made for a local Chinese-Muslim clientele, illustrating a fascinating mixture of traditional Chinese and Muslim craft traditions. While the inscriptions on them can be related directly to the mosque lamps of the Arab world, their form and style of decoration is characteristically that of Han Chinese. Several contemporary Chinese Muslim artists have succeeded in developing a unique fusion of calligraphic styles from both cultures. Other works examined include enamels, porcelains, and interior painted snuff bottles, with emphasis on either those with Arabic inscriptions, or on works by Chinese Muslim artists. The book includes a chapter written by Dr. Shelly Xue and an addendum written by Dr. Riccardo Joppert. This book will appeal to scholars working in art history, religious studies, Chinese studies, Chinese history, religious history, and material culture.

Studies in Chinese and Islamic Art: Chinese art

Studies in Chinese and Islamic Art: Chinese art PDF Author: Basil Gray
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 298

Book Description
Basil Gray's publications on Chinese and Islamic art have done much to introduce these subjects to a European public. This first volume deals with Chinese painting and luxury art. An introductory section on Chinese art attempts to chart the aesthetic and philosophical ideas that lie at the roots of Chinese culture, and which have succeeded in dictating the development of this highly individual civilization. A second section, on Chinese painting, examines the early development of Chinese scroll painting and its subsequent influence on Japanese and European artists. The influence of Chinese painting on the earliest Western visitors to the court at Peking and on subsequent European collectors is of particular interest. The third section deals with lacquer and metalwork, and includes a number of studies which attempt to answer problems of attribution and influence. The volume concludes with two reports on the museums of modern China and Japan. Contents: Preface Chinese Art Chinese Art as an Expression of Chinese Ideals of Life The Development of Taste in Chinese Art in the West Treasures of Chinese Art: Recent Archaeological Discoveries in the People's Republic of China Sloane and the Kaempfer Collection Lord Burlington and Father Ripa's Engravings The Arts of the Ming Dynasty: Painting, Calligraphy and Printing A Great Taoist Painting A Medieval Japanese Painting of the Twelfth Century Chinese Colour Prints from the Ten Bamboo Studio (review) Castiglione, a Jesuit Priest at the Court of the Chinese Emperors (review) The British Museum 'Admonitions Scroll' Attributed to Ku K'ai-chih Admonitions of the Instructress of the Ladies in the Palace: a Painting attributed to Ku K'ai-chih The Eumorfopoulos Lacquer Toilet-box China or D'ong-son A Bronze Lien from Shih-chia-shan The Inlaid Metalwork of Korea Korean Inlaid Lacquer of the Thirteenth Century Museums of China Some New Museums of Japan Additional Notes Index.

Studies in the Islamic Arts of the Book

Studies in the Islamic Arts of the Book PDF Author: Robert Hillenbrand
Publisher: Pindar Press
ISBN: 1915837146
Category : Art
Languages : en
Pages : 567

Book Description
The studies collected in this volume, some of them rather difficult of access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole.

A Companion to Islamic Art and Architecture

A Companion to Islamic Art and Architecture PDF Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1448

Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

1999 Lectures and Memoirs

1999 Lectures and Memoirs PDF Author: British Academy
Publisher: British Academy
ISBN: 9780197262306
Category : Business & Economics
Languages : en
Pages : 590

Book Description
Volume 105 of the Proceedings of the British Academy contains 11 British Academy lectures and 15 obituaries of Fellows of the British Academy.

The Penguin Dictionary of Islam

The Penguin Dictionary of Islam PDF Author: Azim Nanji
Publisher: Penguin UK
ISBN: 0141920866
Category : Religion
Languages : en
Pages : 323

Book Description
Islam today is a truly global faith, yet it remains somewhat of an enigma to many of us. Each and every day our newspapers are saturated with references to Islam; Quran, Taliban, Hijab, Fatwa, Allah, Sunni, Jihad, Shia, the list goes on. But how much do we really understand? Are we, in fact, misunderstanding? The Penguin Dictionary of Islam provides complete, impartial answers. It includes extensive coverage of the historical formations of the worldwide Muslim community and highlights key modern Muslim figures and events. Understanding Islam is vital to understanding our world and this text is the definitive authority, designed for both general and academic readers.

Art, Trade and Culture in the Islamic World and Beyond

Art, Trade and Culture in the Islamic World and Beyond PDF Author: Alison Ohta
Publisher:
ISBN: 9781909942905
Category : Art
Languages : en
Pages : 281

Book Description
The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildings of the Fatimid, Mamluk and Ottoman periods, examining the inscriptions on the Mausoleum of Yahya al-Shibihi in Cairo, others trace the revival of building inscriptions in 19th century Egypt, and how a Mamluk inscription from the Madrasa Qartawiya in Tripoli is replicated in Istanbul during the Ottomanperiod. The relationship between ceilings of the Cappella Palatina in Palermo and the MoukhroutasPalace in Constantinople is also explored, as is the unacknowledged debt that European lacquer worksowes to Persian craftsmen. Other topics covered include the architecture of the Nusretiye Mosque in Istanbul, the role played by Armenian architects in the reshaping of Ottoman cities in the 19th century, the role of the hammam in Ottoman culture and representations of beauty on Iznik pottery. Arictles on Port St. Symeon ceramics, the Armenian patrons of Chinese export wares of the 18th century, the history of the art of khatam khari in Iran, the artistic, architectural and literary influences in India between the 15th and 17th centuries, the influence of Timurid architecture in 15th century Bidar and the influence of a 16th century Hindavi Sufi Romance are also included. "