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Author: Paul F. Berliner Publisher: University of Chicago Press ISBN: 022662868X Category : Music Languages : en Pages : 620
Book Description
Growing out of the collaborative research of an American ethnomusicologist and Zimbabwean musician, Paul F. Berliner’s The Art of Mbira documents the repertory for a keyboard instrument known generally as mbira. At the heart of this work lies the analysis of the improvisatory processes that propel mbira music’s magnificent creativity. In this book, Berliner provides insight into the communities of study, performance, and worship that surround mbira. He chronicles how master player Cosmas Magaya and his associates have developed their repertory and practices over more than four decades, shaped by musical interaction, social and political dynamics in Zimbabwe, and the global economy of the music industry. At once a detailed exposition of the music’s forms and practices, it is also an indispensable historical and cultural guide to mbira in a changing world. Together with Berliner and Magaya's compendium of mbira compositions, Mbira’s Restless Dance, The Art of Mbira breaks new ground in the depth and specificity of its exploration of an African musical tradition, and in the entwining of the authors’ collaborative voices. It is a testament to the powerful relationship between music and social life—and the rewards of lifelong musical study, performance, and friendship.
Author: Paul F. Berliner Publisher: University of Chicago Press ISBN: 022662868X Category : Music Languages : en Pages : 620
Book Description
Growing out of the collaborative research of an American ethnomusicologist and Zimbabwean musician, Paul F. Berliner’s The Art of Mbira documents the repertory for a keyboard instrument known generally as mbira. At the heart of this work lies the analysis of the improvisatory processes that propel mbira music’s magnificent creativity. In this book, Berliner provides insight into the communities of study, performance, and worship that surround mbira. He chronicles how master player Cosmas Magaya and his associates have developed their repertory and practices over more than four decades, shaped by musical interaction, social and political dynamics in Zimbabwe, and the global economy of the music industry. At once a detailed exposition of the music’s forms and practices, it is also an indispensable historical and cultural guide to mbira in a changing world. Together with Berliner and Magaya's compendium of mbira compositions, Mbira’s Restless Dance, The Art of Mbira breaks new ground in the depth and specificity of its exploration of an African musical tradition, and in the entwining of the authors’ collaborative voices. It is a testament to the powerful relationship between music and social life—and the rewards of lifelong musical study, performance, and friendship.
Author: Paul F. Berliner Publisher: University of Chicago Press ISBN: 022662871X Category : Music Languages : en Pages : 608
Book Description
Growing out of the collaborative research of an American ethnomusicologist and Zimbabwean musician, Paul F. Berliner’s The Art of Mbira documents the repertory for a keyboard instrument known generally as mbira. At the heart of this work lies the analysis of the improvisatory processes that propel mbira music’s magnificent creativity. In this book, Berliner provides insight into the communities of study, performance, and worship that surround mbira. He chronicles how master player Cosmas Magaya and his associates have developed their repertory and practices over more than four decades, shaped by musical interaction, social and political dynamics in Zimbabwe, and the global economy of the music industry. At once a detailed exposition of the music’s forms and practices, it is also an indispensable historical and cultural guide to mbira in a changing world. Together with Berliner and Magaya's compendium of mbira compositions, Mbira’s Restless Dance, The Art of Mbira breaks new ground in the depth and specificity of its exploration of an African musical tradition, and in the entwining of the authors’ collaborative voices. It is a testament to the powerful relationship between music and social life—and the rewards of lifelong musical study, performance, and friendship.
Author: Mahealani Uchiyama Publisher: North Atlantic Books ISBN: 1623176492 Category : Music Languages : en Pages : 128
Book Description
An introductory guide to the mbira: the spiritual traditions, historical perspectives, and practical applications of a sacred Zimbabwean instrument. In this accessible overview steeped in history and tradition, teacher and student Māhealani Uchiyama offers insights for learning about the mbira and actively engaging with it in an informed and respectful way. The mbira is made of a wooden soundboard and hammered metal keys. It can be played solo or accompanied by singing, clapping, dancing, percussion, or other mbira. In traditional Zimbabwean culture, the mbira is a spiritual practice that bridges worlds: for example, the realm of the ancestors and of healing energies with the worlds of the living. Supplemented with 32 images and glossary of terms, this book helps readers understand: • The mbira’s special roles within the lamellaphone instrument family • Relevant Zimbabwean and African cultural, historical, and spiritual perspectives • Ways the mbira can become a connection point for people severed from their African roots • How appropriation and commodification have contributed to the mbira’s popularization around the world • Codes of conduct for respectfully playing the mbira and for taking it up as a practice
Author: Paul F. Berliner Publisher: University of Chicago Press ISBN: 022662630X Category : Music Languages : en Pages : 906
Book Description
Growing out of the collaborative research of an American ethnomusicologist and Zimbabwean musician, Paul F. Berliner and Cosmas Magaya’s Mbira’s Restless Dance documents the repertory for a keyboard instrument known generally as mbira. At the heart of this work lies the analysis of the improvisatory processes that propel mbira music’s magnificent creativity. Mbira’s Restless Dance is written to be played. This two-volume, spiral-bound set features musical transcriptions of thirty-nine compositions and variations, annotated with the master player’s advice on technique and performance, his notes and observations, and commentary by Berliner. Enhanced with extensive website audiovisuals, Mbira’s Restless Dance is in effect a series of masterclasses with Magaya, suitable for experienced mbira players and those learning the fundamentals. Together with Berliner's The Art of Mbira, in which he provides an indispensable historical and cultural guide to mbira in a changing world, Mbira's Restless Dance breaks new ground in the depth and specificity of its exploration of an African musical tradition, and in the entwining of the authors’ collaborative voices. It is a testament to the powerful relationship between music and social life—and the rewards of lifelong musical study, performance, and friendship.
Author: Michele Girardi Publisher: University of Chicago Press ISBN: 9780226297576 Category : Biography & Autobiography Languages : en Pages : 558
Book Description
Puccini's operas are among the most popular and widely performed in the world, yet few books have examined his body of work from an analytical perspective. This volume remedies that lack in lively prose accessible to scholars and opera enthusiasts alike.
Author: Paul F. Berliner Publisher: University of Chicago Press ISBN: 0226044521 Category : Music Languages : en Pages : 904
Book Description
A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
Author: Leonard B. Meyer Publisher: University of Chicago Press ISBN: 9780226521541 Category : Music Languages : en Pages : 332
Book Description
Leonard B. Meyer's writings on the theory, history, perception, and aesthetics of music have inspired and provoked generations of readers. The Spheres of Music makes available a selection of his most important essays (originally published between 1974 and 1998). Gathering them together in one volume not only enables the essays to "converse" with and illuminate each other, but also allows Meyer to revise, recant, and comment on the ideas they present. With the same sensitive insight and searching intelligence he has exhibited throughout his career, Meyer transcends the boundaries that so often separate fields of inquiry. The Spheres of Music joins music theory to history, history to culture, culture to aesthetics, aesthetics to psychology, and psychology back to theory. In so doing, the book highlights the complex interrelationships at the heart of the creation, comprehension, and history of music. Diverse and adventurous, The Spheres of Music presents an intriguing and impressive collection of Meyer's work. "Ever since the publication of his Emotion and Meaning in Music . . . I have considered Leonard B. Meyer one of the keenest thinkers about music among us."—Winthrop Sargeant, The New Yorker
Author: Paul F. Berliner
Author: Paul F. Berliner
Author: Paul F. Berliner
Author: Mahealani Uchiyama
Author: Paul Franklin Berliner
Author: Paul F. Berliner
Author: Paul Berliner
Author: Michele Girardi
Author: Nicolas Collins
Author: Paul F. Berliner
Author: Leonard B. Meyer