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The Cultural Uses of the Caesars on the English Renaissance Stage

The Cultural Uses of the Caesars on the English Renaissance Stage PDF Author: Lisa Hopkins
Publisher: Routledge
ISBN: 1317036735
Category : Literary Criticism
Languages : en
Pages : 168

Book Description
Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. In this study Lisa Hopkins explores the way in which the stories of the Caesars, and of the Julio-Claudians in particular, can be used to figure the stories of English rulers on the Renaissance stage. Analyzing plays by Shakespeare and a number of other playwrights of the period, she demonstrates how early modern English dramatists, using Roman modes of literary representation as cover, commented on the issues of the day and critiqued contemporary monarchs.

The Cultural Uses of the Caesars on the English Renaissance Stage

The Cultural Uses of the Caesars on the English Renaissance Stage PDF Author: Lisa Hopkins
Publisher: Routledge
ISBN: 1317036735
Category : Literary Criticism
Languages : en
Pages : 168

Book Description
Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. In this study Lisa Hopkins explores the way in which the stories of the Caesars, and of the Julio-Claudians in particular, can be used to figure the stories of English rulers on the Renaissance stage. Analyzing plays by Shakespeare and a number of other playwrights of the period, she demonstrates how early modern English dramatists, using Roman modes of literary representation as cover, commented on the issues of the day and critiqued contemporary monarchs.

The Cultural Uses of the Caesars on the English Renaissance Stage

The Cultural Uses of the Caesars on the English Renaissance Stage PDF Author: Lisa Hopkins
Publisher: Routledge
ISBN: 1317036727
Category : Literary Criticism
Languages : en
Pages : 213

Book Description
Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. In this study Lisa Hopkins explores the way in which the stories of the Caesars, and of the Julio-Claudians in particular, can be used to figure the stories of English rulers on the Renaissance stage. Analyzing plays by Shakespeare and a number of other playwrights of the period, she demonstrates how early modern English dramatists, using Roman modes of literary representation as cover, commented on the issues of the day and critiqued contemporary monarchs.

From the Romans to the Normans on the English Renaissance Stage

From the Romans to the Normans on the English Renaissance Stage PDF Author: Lisa Hopkins
Publisher: Medieval Institute Publications
ISBN: 1580442803
Category : History
Languages : en
Pages : 225

Book Description
This book examines the late sixteenth- and early seventeenth-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. A number of early modern plays suggest an underlying continuity, an essential English identity linked to the land and impervious to change. This book considers the extent to which ideas about early modern English and British national, religious, and political identities were rooted in cultural constructions of the pre-Conquest past.

Renaissance Drama on the Edge

Renaissance Drama on the Edge PDF Author: Lisa Hopkins
Publisher: Routledge
ISBN: 1317066588
Category : Literary Criticism
Languages : en
Pages : 200

Book Description
Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.

Identity, Otherness and Empire in Shakespeare's Rome

Identity, Otherness and Empire in Shakespeare's Rome PDF Author: Maria Del Sapio Garbero
Publisher: Routledge
ISBN: 135192902X
Category : Literary Criticism
Languages : en
Pages : 230

Book Description
Contributors to this collection delve into the relationship between Rome and Shakespeare. They view the presence of Rome in Shakespeare's plays not simply as an unquestioned model of imperial culture, or a routine chapter in the history of literary influence, but rather as the problematic link with a distant and foreign ancestry which is both revered and ravaged in its translation into the terms of the Bard's own cultural moment. During a time when England was engaged in constructing a rhetoric of imperial nationhood, the contributors demonstrate that Englishmen used Roman history and the classical heritage to mediate a complex range of issues, from notions of cultural identity and gender to the representation of systems of exchange with Otherness in the expanding ethnic space of the nation. This volume addresses matters of concern not only for Shakespeare scholars but also for students interested in issues connected with gender, postcolonialism and globalization. Drawing implicitly or explicitly on recent criticism (intertextual studies, postcolonial theory, Derrida's conceptualization of hospitality, gender studies, global studies) the essayists explore how the Roman Shakespeare of an emerging early modern empire asks questions of our present as well as of our past.

Greeks and Trojans on the Early Modern English Stage

Greeks and Trojans on the Early Modern English Stage PDF Author: Lisa Hopkins
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514628
Category : Drama
Languages : en
Pages : 244

Book Description
No story was more interesting to Shakespeare and his contemporaries than that of Troy, partly because the story of Troy was in a sense the story of England, since the Trojan prince Aeneas was supposedly the ancestor of the Tudors. This book explores the wide range of allusions to Greece and Troy in plays by Shakespeare and his contemporaries, looking not only at plays actually set in Greece or Troy but also those which draw on characters and motifs from Greek mythology and the Trojan War. Texts covered include Shakespeare’s Troilus and Cressida, Othello, Hamlet, The Winter’s Tale, The Two Noble Kinsmen, Pericles and The Tempest as well as plays by other authors of the period including Marlowe, Chettle, Ford and Beaumont and Fletcher.

Geoparsing Early Modern English Drama

Geoparsing Early Modern English Drama PDF Author: M. Matei-Chesnoiu
Publisher: Springer
ISBN: 1137469412
Category : Literary Criticism
Languages : en
Pages : 245

Book Description
Geo-spatial identity and early Modern European drama come together in this study of how cultural or political attachments are actively mediated through space. Matei-Chesnoiu traces the modulated representations of rivers, seas, mountains, and islands in sixteenth-century plays by Shakespeare, Jasper Fisher, Thomas May, and others.

Sovereigns and Subjects in Early Modern Neo-Senecan Drama

Sovereigns and Subjects in Early Modern Neo-Senecan Drama PDF Author: Daniel Cadman
Publisher: Routledge
ISBN: 1317052129
Category : Literary Criticism
Languages : en
Pages : 232

Book Description
Sovereigns and Subjects in Early Modern Neo-Senecan Drama examines the development of neo-Senecan drama, also known as ’closet drama’, during the years 1590-1613. It is the first book-length study since 1924 to consider these plays - the dramatic works of Mary Sidney, Samuel Daniel, Samuel Brandon, Fulke Greville, Sir William Alexander, and Elizabeth Cary, along with the Roman tragedies of Ben Jonson and Thomas Kyd - as a coherent group. Daniel Cadman suggests these works interrogate the relations between sovereigns and subjects during the early modern period by engaging with the humanist discourses of republicanism and stoicism. Cadman argues that the texts under study probe various aspects of this dynamic and illuminate the ways in which stoicism and republicanism provide essential frameworks for negotiating this relationship between the marginalized courtier and the absolute sovereign. He demonstrates how aristocrats and courtiers, such as Sidney, Greville, Alexander, and Cary, were able to use the neo-Senecan form to consider aspects of their limited political agency under an absolute monarch, while others, such as Brandon and Daniel, respond to similarly marginalized positions within both political and patronage networks. In analyzing how these plays illuminate various aspects of early modern political culture, this book addresses several gaps in the scholarship of early modern drama and explores new contexts in relation to more familiar writers, as well as extending the critical debate to include hitherto neglected authors.

Unperfect Histories

Unperfect Histories PDF Author: Harriet Archer
Publisher: Oxford University Press
ISBN: 0198806175
Category : Literary Collections
Languages : en
Pages : 216

Book Description
A detailed exploration of a significant work of Tudor literature, The Mirror for Magistrates. The volume shows how the text is more than a moralistic collection of poems and how it is concerned with the transmission of national history, and the ways in which the past can be distorted, misremembered, misinterpreted, or lost.

Biblical women in early modern literary culture, 1550–1700

Biblical women in early modern literary culture, 1550–1700 PDF Author: Victoria Brownlee
Publisher: Manchester University Press
ISBN: 1526110628
Category : Literary Criticism
Languages : en
Pages : 380

Book Description
At once pervasive and marginal, appealing and repellent, exemplary and atypical, the women of the Bible provoke an assortment of readings across early modern literature. Biblical women in early modern literary culture, 1550–1700 draws attention to the complex ways in which biblical women’s narratives could be reimagined for a variety of rhetorical and religious purposes. Considering a confessionally diverse range of writers, working across a variety of genres, this volume reveals how women from the Old and New Testaments exhibit an ideological power that frequently exceeds, both in scope and substance, their associated scriptural records. The essays explore how the Bible’s women are fluidly negotiated and diversely redeployed to offer (conflicting) comment on issues including female authority, speech and sexuality, and in discussions of doctrine, confessional politics, exploration and grief. As it explores the rich ideological currency of the Bible’s women in early modern culture, this volume demonstrates that the Bible’s women are persistently difficult to evade.