Author: United States. Congress Senate
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2378
Book Description
Report
Author: United States. Congress Senate
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2378
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2378
Book Description
The Poetics of the Common Knowledge
Author: Don Byrd
Publisher: SUNY Press
ISBN: 9780791416860
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
The Poetics of the Common Knowledge focuses on Descartes, Hegel, Freud, and the information theorists, on the one hand, and the poets of the American avant-garde, on the other. This book is a call literally for a new poetry, a new making that manifests the possibility for sense-making in a postmodern condition without universals or absolutes. In such a poetry, fragmentation bespeaks not brokenness but the richness of the world apprehended without the habits of recognition.
Publisher: SUNY Press
ISBN: 9780791416860
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
The Poetics of the Common Knowledge focuses on Descartes, Hegel, Freud, and the information theorists, on the one hand, and the poets of the American avant-garde, on the other. This book is a call literally for a new poetry, a new making that manifests the possibility for sense-making in a postmodern condition without universals or absolutes. In such a poetry, fragmentation bespeaks not brokenness but the richness of the world apprehended without the habits of recognition.
Industrial Poetics
Author: Joe Amato
Publisher: University of Iowa Press
ISBN: 1587297043
Category : Education
Languages : en
Pages : 225
Book Description
Through a dizzying array of references to subjects ranging from engineering to poetry, on-the-job experiences in academia and industry, conflicts between working-class and intellectual labor, the privatization of universities, and the contradictions of the modern environment, Joe Amato’s Industrial Poetics mounts a boisterous call for poetry communities to be less invested in artistic self-absorption and more concerned about social responsibility.s Amato focuses on the challenges faced by American poets in creating a poetry that speaks to a public engineered into complacency by those industrial technologies, practices, and patterns of thought that we cannot seem to do without, he brings readers face to face with the conflicting realities of U.S. intellectual, academic, and poetic culture. Formally adventurous and rhetorically lively, Industrial Poetics is best compared with the intellectually exploratory, speculative, risky, polemical work of other contemporary poet-critics including Kathleen Fraser, Joan Retallack, Bruce Andrews, Susan Howe, and Allen Grossman. Amato uses an exhilarating range of structural and rhetorical strategies: conventionally developed argument, abruptly juxtaposed aphorisms, personal narrative, manifesto-like polemic, and documentary reportage. With a critic’s sharply analytical mind, a poet’s verve, and a working-class intellectual’s sense of social justice, Amato addresses the many nonliterary institutions and environments in which poetry is inextricably embedded. By connecting poetry to industry in a lively demonstration against the platitudes and habitudes of the twentieth century, Amato argues for a reenergized and socially forceful poetics---an industrial poetics, rough edges and all. Jed Rasula writes, “I can’t say I pay much attention to talk radio, but this is what I imagine it might be like if the deejay were really smart, enviably well read, yet somehow retained the snarling moxie of the am format.”
Publisher: University of Iowa Press
ISBN: 1587297043
Category : Education
Languages : en
Pages : 225
Book Description
Through a dizzying array of references to subjects ranging from engineering to poetry, on-the-job experiences in academia and industry, conflicts between working-class and intellectual labor, the privatization of universities, and the contradictions of the modern environment, Joe Amato’s Industrial Poetics mounts a boisterous call for poetry communities to be less invested in artistic self-absorption and more concerned about social responsibility.s Amato focuses on the challenges faced by American poets in creating a poetry that speaks to a public engineered into complacency by those industrial technologies, practices, and patterns of thought that we cannot seem to do without, he brings readers face to face with the conflicting realities of U.S. intellectual, academic, and poetic culture. Formally adventurous and rhetorically lively, Industrial Poetics is best compared with the intellectually exploratory, speculative, risky, polemical work of other contemporary poet-critics including Kathleen Fraser, Joan Retallack, Bruce Andrews, Susan Howe, and Allen Grossman. Amato uses an exhilarating range of structural and rhetorical strategies: conventionally developed argument, abruptly juxtaposed aphorisms, personal narrative, manifesto-like polemic, and documentary reportage. With a critic’s sharply analytical mind, a poet’s verve, and a working-class intellectual’s sense of social justice, Amato addresses the many nonliterary institutions and environments in which poetry is inextricably embedded. By connecting poetry to industry in a lively demonstration against the platitudes and habitudes of the twentieth century, Amato argues for a reenergized and socially forceful poetics---an industrial poetics, rough edges and all. Jed Rasula writes, “I can’t say I pay much attention to talk radio, but this is what I imagine it might be like if the deejay were really smart, enviably well read, yet somehow retained the snarling moxie of the am format.”
Poetic Knowledge
Author: James S. Taylor
Publisher: SUNY Press
ISBN: 9780791435854
Category : Education
Languages : en
Pages : 224
Book Description
Reveals the neglected mode of knowing and learning, from Socrates to the middle ages and beyond, that relies more on the integrated powers of sensory experience and intuition, rather than on modern narrow scientific models of education.
Publisher: SUNY Press
ISBN: 9780791435854
Category : Education
Languages : en
Pages : 224
Book Description
Reveals the neglected mode of knowing and learning, from Socrates to the middle ages and beyond, that relies more on the integrated powers of sensory experience and intuition, rather than on modern narrow scientific models of education.
Common Knowledge
THE AMERICAN CYCLOPAEDIA: A POPULAR DICTIONARY OF GENERAL KNOWLEDGE
Author: GEORGE RIPLEY AND CHARLES A. DANA
Publisher:
ISBN:
Category :
Languages : en
Pages : 850
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 850
Book Description
Hill's Practical Reference Library of General Knowledge
Author: Thomas Edie Hill
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 682
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 682
Book Description
Poetry and the Public Sphere
Author: Maria Elena Caballero-Robb
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 766
Book Description
The Psychology of Inspiration
Author: George Lansing Raymond
Publisher:
ISBN:
Category : Inspiration
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Inspiration
Languages : en
Pages : 380
Book Description
The Poetics of Aristotle
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."