Virginia Woolf, Fashion and Literary Modernity PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Virginia Woolf, Fashion and Literary Modernity PDF full book. Access full book title Virginia Woolf, Fashion and Literary Modernity by R. S Koppen. Download full books in PDF and EPUB format.
Author: R. S Koppen Publisher: Edinburgh University Press ISBN: 0748688552 Category : Literary Criticism Languages : en Pages : 192
Book Description
Newly available in paperback, this study places Woolf's writing in the context of sartorial practice from the Victorian period to the 1930s
Author: R. S Koppen Publisher: Edinburgh University Press ISBN: 0748688552 Category : Literary Criticism Languages : en Pages : 192
Book Description
Newly available in paperback, this study places Woolf's writing in the context of sartorial practice from the Victorian period to the 1930s
Author: R. S. Koppen Publisher: Edinburgh University Press ISBN: 0748641564 Category : Literary Criticism Languages : en Pages : 192
Book Description
Virginia Woolf, Fashion and Literary Modernity places WoolfA's writing in the context of sartorial practice from the Victorian period to the 1930s, and theories of dress and fashion from Thomas Carlyle to Walter Benjamin, Wyndham Lewis and J.C. Flugel. Bringing together studies in fashion, body culture and modernism, the book explores the modern fascination with sartorial fashion as well as with clothes as objects, signs, things, and embodied practice.Fashion was deeply implicated with the nineteenth-century modern and remained in focus for the modernities that continued to be proclaimed in the early decades of the following century. Clothing connects with the modernist topoi of the threshold, the trace and the interface; it is the place where character becomes image and where relations between subject and object, organic and inorganic play themselves out in a series of encounters and ruptures. Clothes also facilitate explorations in modern materialism, for instance as informing surrealist attempts to think the materiality of things outside the system of commodities and their fetishisation. WoolfA's work as cultural analyst and writer of fiction provides illuminating illustrations of all of these aspects, "e;thinking through clothes"e; in representations of the present, investigations of the archives of the past, and projections for the future.Key Features: *Contributes new research to Woolf and Modernism studies*Explores the significance of textual representations of dress and sartorial fashion in modernist literature *Interdisciplinary approach which brings together studies of fashion, culture and literature*Adds a specific author focused analysis to current work on cultural embodiment and performance
Author: Elizabeth M. Sheehan Publisher: Cornell University Press ISBN: 1501728156 Category : Literary Criticism Languages : en Pages : 273
Book Description
Modernism à la Mode argues that fashion describes why and how literary modernism matters in its own historical moment and ours. Bringing together texts, textiles, and theories of dress, Elizabeth Sheehan shows that writers, including Virginia Woolf, D.H. Lawrence, W.E.B. Du Bois, Nella Larsen, and F. Scott Fitzgerald, turned to fashion to understand what their own stylized works could do in the context of global capital, systemic violence, and social transformation. Modernists engage with fashion as a mood, a set of material objects, and a target of critique, and, in doing so, anticipate and address contemporary debates centered on the uses of literature and literary criticism amidst the supposed crisis in the humanities. A modernist affect with a purpose, no less. By engaging modernism à la mode—that is, contingently, contextually, and in light of contemporary concerns—this book offers an alternative to the often-untenable distinctions between strong or weak, suspicious or reparative, and politically activist or quietist approaches to literature, which frame current debates about literary methodology. As fashion helps us to describe what modernist texts do, it enables us to do more with modernism as a form of inquiry, perception, and critique. Fashion and modernism are interwoven forms of inquiry, perception, and critique, writes Sheehan. It is fashion that puts the work of early twentieth-century writers in conversation with twenty-first century theories of emotion, materiality, animality, beauty, and history.
Author: Vike Martina Plock Publisher: Edinburgh University Press ISBN: 1474427448 Category : Literary Criticism Languages : en Pages : 256
Book Description
An unprecedented sartorial revolution occurred at the beginning of the twentieth century when the tight-laced silhouettes of Victorian women gave way to the figure of the flapper. Modernism, Fashion and Interwar Women Writers demonstrates how five female novelists of the interwar period engaged with an emerging fashion discourse that concealed capitalist modernity's economic reliance on mass-manufactured, uniform-looking productions by ostensibly celebrating originality and difference. For Edith Wharton, Jean Rhys, Rosamond Lehmann, Elizabeth Bowen and Virginia Woolf fashion was never just the provider of guidelines on what to wear. Rather, it was an important concern, offering them opportunities to express their opinions about identity politics, about contemporary gender dynamics and about changing conceptions of authorship and literary productivity. By examining their published work and unpublished correspondence, this book investigates how the chosen authors used fashion terminology to discuss the possibilities available to women to express difference and individuality in a world that actually favoured standardised products and collective formations.
Author: Jessica Burstein Publisher: Penn State Press ISBN: 0271053763 Category : Literary Criticism Languages : en Pages : 335
Book Description
"Explores a significant but overlooked aspect of early twentieth-century modernism, one that focuses on surface appearance rather than interiority or psychological depth. Looks at the writers Wyndham Lewis and Mina Loy, the artists Balthus and Hans Bellmer, and the fashion designer Coco Chanel"--Provided by publisher.
Author: Virginia Woolf Publisher: Phoemixx Classics Ebooks ISBN: 3985940541 Category : Fiction Languages : en Pages : 17
Book Description
Virginia Woolf's short story The New Dress was written in 1924. The story was published in the May 1927; it is about the feelings of a woman towards herself and her reaction to the behaviors of others when they meet her. It is also about the agonies and human experience in fashion.
Author: Julie Vandivere Publisher: Liverpool University Press ISBN: 1942954093 Category : Literary Criticism Languages : en Pages : 255
Book Description
Virginia Woolf and Her Female Contemporaries helps us comprehend the ways that women writers and artists contributed to and complicated modernism by contextualizing them alongside Woolf's work.
Author: Celia Marshik Publisher: Columbia University Press ISBN: 0231542968 Category : Literary Criticism Languages : en Pages : 264
Book Description
In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. At the Mercy of Their Clothes explores the agency of fashion in modern literature, its reflection of new relations between people and things, and its embodiment of a rapidly changing society confronted by war and cultural and economic upheaval. In some cases, people need garments to realize themselves. In other cases, the clothes control the person who wears them. Celia Marshik's study combines close readings of modernist and middlebrow works, a history of Britain in the early twentieth century, and the insights of thing theory. She focuses on four distinct categories of modern clothing: the evening gown, the mackintosh, the fancy dress costume, and secondhand attire. In their use of these clothes, we see authors negotiate shifting gender roles, weigh the value of individuality during national conflict, work through mortality, and depict changing class structures. Marshik's dynamic comparisons put Ulysses in conversation with Rebecca, Punch cartoons, articles in Vogue, and letters from consumers, illuminating opinions about specific garments and a widespread anxiety that people were no more than what they wore. Throughout her readings, Marshik emphasizes the persistent animation of clothing—and objectification of individuals—in early-twentieth-century literature and society. She argues that while artists and intellectuals celebrated the ability of modern individuals to remake themselves, a range of literary works and popular publications points to a lingering anxiety about how political, social, and economic conditions continued to constrain the individual.
Author: Gerald Egan Publisher: Springer Nature ISBN: 3030268985 Category : Literary Criticism Languages : en Pages : 352
Book Description
Studies of fashion and literature in recent decades have focused primarily on representations of clothing and dress within literary texts. But what about the author? How did he dress? What where her shopping practices and predilections? What were his alliances with modishness, stylishness, fashion? The essays in this book explore these and other questions as they look at authors from the eighteenth century through the postmodern and digital eras, cultural producers who were also men and women of fashion: Alexander Pope, Hester Thrale, Mary Robinson, Lord Byron, William Thackeray, Charlotte Bronte, Wilkie Collins, Margaret Oliphant, Virginia Woolf, Rebecca West, Trudi Kanter, Angela Carter, and Martin Margiela. The essays collected here ultimately converge upon a fundamental question: what happens to our notions of timeless literature when authorship itself is implicated in the transient and the temporary, the cycles and materials of fashion? “Gerald Egan’s provocative introduction to this exciting new book poses a bold question: How are authorship and literature – so often linked to ideas of transcendence – implicated in the transient trends and stuff of fashion? The thirteen chapters that follow track authorship’s complex implication in the discourses and materiality of fashion and fashionable goods from the eighteenth to the twentieth centuries. Wide-ranging in discipline and chronology, yet forensically focused and carefully argued, this book makes a striking and wonderfully original contribution to studies of authorship, celebrity and material culture.” — Dr Jennie Batchelor, Professor of Eighteenth-Century Studies,University of Kent, UK
Author: R. S Koppen
Author: R. S Koppen
Author: R. S. Koppen
Author: Elizabeth M. Sheehan
Author: Vike Martina Plock
Author: Jessica Burstein
Author: Virginia Woolf
Author: Julie Vandivere
Author: Celia Marshik
Author: Robert DeMaria, Jr.
Author: Gerald Egan