What We Hear in Music PDF Download

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What We Hear in Music

Author: Anne Shaw Faulkner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 416

Book Description

What We Hear in Music

Author: Anne Shaw Faulkner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 416

Book Description

What We Hear in Music; A Laboratory Course of Study in Music History and Appreciation, for Four Years of High School, Academy, College, Music Club Or Home Study. [2nd Edition]

Author: Anne Faulkner Oberndorfer
Publisher: Palala Press
ISBN: 9781346877891
Category :
Languages : en
Pages : 414

Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

What We Hear in Music ; a Laboratory Course of Study in Music History and Appreciation, for Four Years of High School, Academy, College, Music Club Or Home Study. [2nd Edition]

Author: Anne Shaw Faulkner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 404

Book Description

The Transformation of Black Music

Author: Sam Floyd
Publisher: Oxford University Press
ISBN: 0190651288
Category : Music
Languages : en
Pages : 240

Book Description
Powerful and embracive, The Transformation of Black Music explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, The Transformation of Black Music is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music. The Transformation of Black Music will solidify not only the inestimable value of black musics, but also the importance and relevance of black music research to all musical endeavors.